Marcella Salvi – författare

Activism through Poetry: Critical Spanish Poems in Translation is a compiled anthology of translated poems, which explore cultural, political, social, and ecological issues in the context of contemporary Spain. The work highlights the active role that poetry plays in the debate of these issues.The anthology begins with an introduction, which provides a theoretical framework and a critical analysis of each poem. It is an important contribution in the academic context and also in the more general context of international social and political action. It constitutes the first bilingual translation of selected poems written by well-known and emergent contemporary critical poets from Spain. The five sections (Historical Memory, Ecology, Political and Social Issues, Patriarchy, and Capitalism) feature four poems with a total of twenty poems (ten written by women and ten written by men). These poets are activists whose poetry comments on society and, more importantly, wants to have an impact on it. The poetic art that is born from ethical commitment has the potential to call attention not only to the realities of the world we live in but also to the possibilities for transformation. Poetry, therefore, is ultimately a political act.

Activism through Poetry: Critical Spanish Poems in Translation is a compiled anthology of translated poems, which explore cultural, political, social, and ecological issues in the context of contemporary Spain. The work highlights the active role that poetry plays in the debate of these issues.The anthology begins with an introduction, which provides a theoretical framework and a critical analysis of each poem. It is an important contribution in the academic context and also in the more general context of international social and political action. It constitutes the first bilingual translation of selected poems written by well-known and emergent contemporary critical poets from Spain. The five sections (Historical Memory, Ecology, Political and Social Issues, Patriarchy, and Capitalism) feature four poems with a total of twenty poems (ten written by women and ten written by men). These poets are activists whose poetry comments on society and, more importantly, wants to have an impact on it. The poetic art that is born from ethical commitment has the potential to call attention not only to the realities of the world we live in but also to the possibilities for transformation. Poetry, therefore, is ultimately a political act.

Sites of Memory in Spain and Latin America is a collection of essays that explores historical memory at the intersection of political, cultural, social, and economic forces in the contexts of Spain and Latin America. The essays here focus on a variety of forms of memory—from the most concrete to the performative—that resist forgetting and unite individuals against hegemonic memory. The volume comprises four thematic sections that focus on Chile, Spain, Argentina, Venezuela, Mexico, Peru, and the Dominican Republic. Keeping in line with the concept informing this collection, that the past returns politically to haunt the present, the four sections move from the contemporary context to the colonial and pre-Columbian eras in Latin America. For all its diversity, the researchers’ interdisciplinary methodology displayed in this collection brings to light processes that would otherwise have remained illegible under a more narrow interpretative approach to historical memory.This volume focuses on the processes of remembering in geographies that have been transformed by violence and conflict in Spain and Latin America. In the cases investigated witnessing, trauma, and testimony speak to the urgency of truth and justice; historical memory, therefore, is ultimately a political act.

This book presents an annotated edition, English translation, and an in-depth study of Lope de Vega’s La prueba de los ingenios. Through this translation, the authors aim to make this significant yet lesser-known work accessible to a wider audience, while providing scholarly insights into its historical, cultural, and literary contexts. The book's introduction explores themes of genre and gender hybridity, and socio-cultural self-fashioning, showcasing Lope's nuanced response to societal norms and his creative engagement with contemporary debates on authorship, professional theater, and gender issues. The annotations offer valuable commentary, guiding readers through the complex layers of Lope’s text and underscoring its relevance to both early modern and contemporary discussions on gender, sexuality, and social identity.