Margaret R. Higonnet – författare
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5 produkter
5 produkter
Häftad, Engelska, 1989
529 kr
Skickas inom 5-8 vardagar
What effect did the two world wars have on the relations between women and men? Drawing on broad comparative material—from government policy to popular media, poetry and fiction, and personal letters—this book examines the redefinition of gender that occurred in many Western countries during both world wars.“A major addition to the literature on gender relations and war.”—Helena Lewis, Women’s Review of Books“One of the first, and certainly the most exciting, treatments of war as an event of gender politics.”—Choice“A substantial contribution to the social history of this century.”—Anne Summers, Times Literary Supplement“These essays powerfully demonstrate how much the world wars provided battlegrounds not only for nations but for the sexes.”—Michael S. Sherry, Annals of the American Academy of Political and Social Science“A work of lively, engaged scholarship…. This is an important contribution to current debates about war and human identity, war and political reality, war and transformative possibility.”—Jean Bethke Elshtain
Inbunden, Engelska, 1994
806 kr
Skickas inom 10-15 vardagar
The first book to assess the impact of feminist criticism on comparative literature, Borderwork recharts the intellectual and institutional boundaries on that discipline. The seventeen essays collected here, most published for the first time, together call for the contextualization of the study of comparative literature within the areas of discourse, culture, ideology, race, and gender. Contributors: Bella Brodzki, VèVè A. Clark, Chris Cullens, Greta Gaard, Sabine Gölz, Sarah Webster Goodwin, Margaret R. Higonnet, Marianne Hirsch, Susan Sniader Lanser, Françoise Lionnet, Fedwa Malti-Douglas, Lore Metzger, Nancy K. Miller, Obioma Nnaemakea, Rajeswari Sunder Rajan, Anca Vlasopolos.
Häftad, Engelska, 2000
477 kr
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Beverly Lyon Clark and Margaret R. Higonnet bring together twenty-two scholars to look closely at the complexities of children's culture. Girls, Boys, Books, Toys asks questions about how the gender symbolism of children's culture is constructed and resisted. What happens when women rewrite (or illustrate) nursery rhymes, adventure stories, and fairy tales told by men? How do the socially scripted plots for boys and girls change through time and across cultures? Have critics been blind to what women write about "masculine" topics? Can animal tales or doll stories displace tired commonplaces about gender, race, and class? Can different critical approaches-new historicism, narratology, or postcolonialism-enable us to gain leverage on the different implications of gender, age, race, and class in our readings of children's books and children's culture?
Häftad, Engelska, 2018
311 kr
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The first book to assess the impact of feminist criticism on comparative literature, Borderwork recharts the intellectual and institutional boundaries on that discipline. The seventeen essays collected here, most published for the first time, together call for the contextualization of the study of comparative literature within the areas of discourse, culture, ideology, race, and gender. Contributors: Bella Brodzki, VèVè A. Clark, Chris Cullens, Greta Gaard, Sabine Gölz, Sarah Webster Goodwin, Margaret R. Higonnet, Marianne Hirsch, Susan Sniader Lanser, Françoise Lionnet, Fedwa Malti-Douglas, Lore Metzger, Nancy K. Miller, Obioma Nnaemakea, Rajeswari Sunder Rajan, Anca Vlasopolos.
Häftad, Engelska, 2014
399 kr
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In August 1918 a Massachusetts-born woman named Margaret Hall boarded a transport ship in New York City that would take her across the Atlantic to work with the American Red Cross in France, then in the devastating grips of the First World War. Working at a canteen at a railroad junction close to the Western Front, Hall aided soldiers from both Allied and Axis nations. While there she was regularly forced to seek shelter from German bombardments. After the Armistice, Hall explored the destruction of the surrounding region; her diary entries, letters, and photos reveal a world of ruins and human remains.After Hall returned to the United States, she wrote a memoir that she shared privately with friends and family. Published here for the first time, Hall’s words offer a first-hand account of life on the Western Front in those last months of the war and its immediate aftermath. Balancing her deeply held convictions about the horror of this conflict with both wry humor and a sense of urgency, Hall’s narrative gives the reader an unusually immediate and individualized testimony, one that rivals those of similar but better-known war memoirs, such as those by Vera Brittain and Edith Wharton.The book features dozens of Hall’s striking and never-before-published photographs, including of the movement of troops through town, women working just behind the front lines, and the landscape left when the war was “over.” The pairing of Hall’s remarkable images with her vivid reporting results in an invaluable, and uniquely personal, account of one of the most cataclysmic events in history.