Maria Rosa Menocal – författare
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7 produkter
7 produkter
180 kr
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This classic bestseller - the inspiration for the PBS series - is an "illuminating and even inspiring" portrait of medieval Spain that explores the golden age when Muslims, Jews, and Christians lived together in an atmosphere of tolerance (Los Angeles Times). This enthralling history, widely hailed as a revelation of a "lost" golden age, brings to vivid life the rich and thriving culture of medieval Spain, where for more than seven centuries Muslims, Jews, and Christians lived together in an atmosphere of tolerance, and where literature, science, and the arts flourished. "It is no exaggeration to say that what we presumptuously call 'Western' culture is owed in large measure to the Andalusian enlightenment...This book partly restores a world we have lost." -Christopher Hitchens, The Nation
Arts of Intimacy
Christians, Jews, and Muslims in the Making of Castilian Culture
Inbunden, Engelska, 2008
410 kr
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This splendidly illustrated book is a history of medieval Castile from the 11th to 14th centuries, told from a largely cultural standpoint. Whilst the political narrative of these centuries may emphasise war and intolerance - the inexorable forward march of the reconquista, the authors argue that the cultural record tells a very different story. They emphasise the concept of hybridisation, and show how interaction rather than antagonism more often informed cultural transactions between Christians, Muslims and Jews in the great cities of the region, focusing on Toledo, Seville and Cordoba. The extraordinary architecture of the region receives probably the most attention, but none of the visual arts miss out, and there are also extensive discussions and translations of the poetry and written culture of the three communities. A beautiful testament to a unique artistic culture, and an engaging presentation of the growing argument for a surpringly mixed cultural world.
Arts of Intimacy
Christians, Jews, and Muslims in the Making of Castilian Culture
Häftad, Engelska, 2009
248 kr
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A dynamic vision of medieval Castilian culture and the Arabic, Hebrew, and Latin strands that are woven into its fabricNamed a Book of the Year by the Times Literary Supplement, this lavishly illustrated work explores the vibrant interaction among different and sometimes opposing cultures, and how their contacts with one another transformed them all. It chronicles the tumultuous history of Castile in the wake of the Christian capture of the Islamic city of Tulaytula, now Toledo, in the eleventh century and traces the development of Castilian culture as it was forged in the new intimacy of Christians with the Muslims and Jews they had overcome. The authors paint a portrait of the culture through its arts, architecture, poetry and prose, uniquely combining literary and visual arts. Concentrating on the eleventh and twelfth centuries, the book reveals the extent to which Castilian identity is deeply rooted in the experience of confrontation, interaction, and at times union with Hebrew and Arabic cultures during the first centuries of its creation. Abundantly illustrated, the volume serves as a splendid souvenir of southern Spain; beautifully written, it illuminates a culture deeply enriched by others.
426 kr
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Arabic culture was a central and shaping phenomenon in medieval Europe, yet its influence on medieval literature has been ignored or marginalized for the last two centuries. In this ground-breaking book, now returned to print with a new afterword by the author, MarÍa Rosa Menocal argues that major modifications of the medieval canon and its literary history are necessary.Menocal reviews the Arabic cultural presence in a variety of key settings, including the courts of William of Aquitaine and Frederick II, the universities in London, Paris, and Bologna, and Cluny under Peter the Venerable, and she examines how our perception of specific texts including the courtly love lyric and the works of Dante and Boccaccio would be altered by an acknowledgment of the Arabic cultural component.
374 kr
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Using the works of Dante as its critical focus, MarÍa Rosa Menocal’s original and imaginative study examines questions of truth, ideology, and reality in poetry as they occur in a series of texts and in the relationship between those texts across time. In each case, Menocal raises theoretical issues of critical importance to contemporary debates regarding the structure of literary relations.Beginning with a reading of La vita nuova and the Commedia, this literary history of poetic literary histories explores the Dantean poetic experience as it has been limited and rewritten by later poets, particularly Petrarch, Boccaccio, Borges, Pound, Eliot, and the all but forgotten Silvio Pellico, author of Le mie prigioni. By blending discussions of Dante’s own marriage of literature and literary history with those investigations into the imitative qualities of later works, Writing in Dante’s Cult of Truth presents an intertextual literary history, one which seeks to maintain the uncanniness of literature, while imagining history to be neither linear nor clearly distinguishable from literature itself.
420 kr
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With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as MarÍa Rosa Menocal confronts the difficulty of writing their history.It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology.
Writing Without Footnotes: The Role of the Medievalist in Contemporary Intellectual Life
Bernardo Lecture Series, No. 10
Häftad, Engelska, 2001
254 kr
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Argues that academics' intellectual engagement with a public beyond the walls of their own specialties, and even beyond the walls of the academy, was long a commonplace and significant part of the work of professors and writers in the humanities.Writing Without Footnotes: The Role of the Medievalist in Contemporary Intellectual Life is the tenth in a series of publications occasioned by the annual Bernardo Lecture at the Center for Medieval and Early Renaissance Studies (CEMERS) at Binghamton University. This series offers public lectures which have been given by distinguished medieval and Renaissance scholars on topics and figures representative of these two important historical, religious, and intellectual periods.Writing Without Footnotes argues that academics' intellectual engagement with a public beyond the walls of their own specialties, and even beyond the walls of the academy, was long a commonplace and significant part of the work of professors and writers in the humanities. In reconceptualizing the place of professors in the academy, a task called for by the variety of crises that threaten to make of literary studies a small and insular corner of that academy, it seems imperative to consider the principally negative effect of specializations that have followed the contours of national aspirations and national languages, as well as to critical language which excludes all but fellow specialists. Medievalists, in particular, with so much material that echoes so richly with contemporary concerns, have a special opportunity to lead the way in returning the work to that sphere of public intellectual conversations of which it was once a part.