Marion Harney – författare

This comprehensive guide on historic garden and landscape conservation will help landscape professionals familiarise themselves with what the conservation of historic gardens, garden structures and designed landscapes encompasses.

 

The aim of the series is to introduce each aspect of conservation and to provide concise, basic and up-to-date knowledge within five volumes, sufficient for the professional to appreciate the subject better and to know where to seek further help.

 

Gardens & Landscapes in Historic Building Conservation is an essential guide for everyone with an interest in the conservation of historic gardens and designed landscapes worldwide. The latest assessment of the origins, scope and impact of gardens and designed landscapes is vital reading.  Covering history and theory, survey and assessment, conservation and management and the legislative framework the book considers all aspects of garden and landscape conservation and related issues.  It explores the challenge of conserving these important sites and surviving physical remains and a conservation movement which must understand, protect and interpret those remains.

This book demonstrates how the discipline of the history and conservation of gardens and landscapes has matured in recent decades, recognising the increased participation of professional contract and curatorial managers in the management of these sites and in conserving and interpreting landscapes.

Drawing on a wide range of sources, combining academic and professional perspectives, the book provides information and advice relevant to all involved in trying to preserve one of England’s greatest cultural contributions and legacy for future generations to enjoy. With chapters by all the leading players in the field and illustrated by copious examples this gives essential guidance to the management and conservation of historic gardens and designed landscapes.

This comprehensive guide on historic garden and landscape conservation will help landscape professionals familiarise themselves with what the conservation of historic gardens, garden structures and designed landscapes encompasses.

 

The aim of the series is to introduce each aspect of conservation and to provide concise, basic and up-to-date knowledge within five volumes, sufficient for the professional to appreciate the subject better and to know where to seek further help.

 

Gardens & Landscapes in Historic Building Conservation is an essential guide for everyone with an interest in the conservation of historic gardens and designed landscapes worldwide. The latest assessment of the origins, scope and impact of gardens and designed landscapes is vital reading.  Covering history and theory, survey and assessment, conservation and management and the legislative framework the book considers all aspects of garden and landscape conservation and related issues.  It explores the challenge of conserving these important sites and surviving physical remains and a conservation movement which must understand, protect and interpret those remains.

This book demonstrates how the discipline of the history and conservation of gardens and landscapes has matured in recent decades, recognising the increased participation of professional contract and curatorial managers in the management of these sites and in conserving and interpreting landscapes.

Drawing on a wide range of sources, combining academic and professional perspectives, the book provides information and advice relevant to all involved in trying to preserve one of England’s greatest cultural contributions and legacy for future generations to enjoy. With chapters by all the leading players in the field and illustrated by copious examples this gives essential guidance to the management and conservation of historic gardens and designed landscapes.

This comprehensive guide on historic garden and landscape conservation will help landscape professionals familiarise themselves with what the conservation of historic gardens, garden structures and designed landscapes encompasses.  The aim of the series is to introduce each aspect of conservation and to provide concise, basic and up-to-date knowledge within five volumes, sufficient for the professional to appreciate the subject better and to know where to seek further help.  Gardens & Landscapes in Historic Building Conservation is an essential guide for everyone with an interest in the conservation of historic gardens and designed landscapes worldwide. The latest assessment of the origins, scope and impact of gardens and designed landscapes is vital reading.  Covering history and theory, survey and assessment, conservation and management and the legislative framework the book considers all aspects of garden and landscape conservation and related issues.  It explores the challenge of conserving these important sites and surviving physical remains and a conservation movement which must understand, protect and interpret those remains.This book demonstrates how the discipline of the history and conservation of gardens and landscapes has matured in recent decades, recognising the increased participation of professional contract and curatorial managers in the management of these sites and in conserving and interpreting landscapes.Drawing on a wide range of sources, combining academic and professional perspectives, the book provides information and advice relevant to all involved in trying to preserve one of England’s greatest cultural contributions and legacy for future generations to enjoy. With chapters by all the leading players in the field and illustrated by copious examples this gives essential guidance to the management and conservation of historic gardens and designed landscapes.

Drawing together landscape, architecture and literature, Strawberry Hill, the celebrated eighteenth-century ’Gothic’ villa and garden beside the River Thames, is an autobiographical site, where we can read the story of its creator, Horace Walpole. This 'man of taste' created private resonances, pleasure and entertainment - a collusion of the historic, the visual and the sensory. Above all, it expresses the inseparable integration of house and setting, and of the architecture with the collection, all specific to one individual, a unity that is relevant today to all architects, landscape designers and garden and country house enthusiasts. Avoiding the straightforward architectural description of previous texts, this beautifully illustrated book reveals the Gothic villa and associated landscape to be inspired by theories that stimulate 'The Pleasures of the Imagination' articulated in the series of essays by Joseph Addison (1672-1719) published in the Spectator (1712). Linked to this argument, it proposes that the concepts behind the designs for Strawberry Hill are not based around architectural precedent but around eighteenth-century aesthetics theories, antiquarianism and matters of 'Taste'. Using architectural quotations from Gothic tombs, Walpole expresses the mythical idea that it was based on monastic foundations with visual links to significant historical figures and events in English history. The book explains for the first time the reasons for its creation, which have never been adequately explored or fully understood in previous publications. The book develops an argument that Walpole was the first to define theories on Gothic architecture in his Anecdotes of Painting (1762-71). Similarly innovative, The History of the Modern Taste in Gardening (1780) is one of the first to attempt a history and theory of gardening. The research uniquely evaluates how these theories found expression at Strawberry Hill. This reassessment of the villa and its associated l

Drawing together landscape, architecture and literature, Strawberry Hill, the celebrated eighteenth-century ’Gothic’ villa and garden beside the River Thames, is an autobiographical site, where we can read the story of its creator, Horace Walpole. This ''man of taste'' created private resonances, pleasure and entertainment - a collusion of the historic, the visual and the sensory. Above all, it expresses the inseparable integration of house and setting, and of the architecture with the collection, all specific to one individual, a unity that is relevant today to all architects, landscape designers and garden and country house enthusiasts. Avoiding the straightforward architectural description of previous texts, this beautifully illustrated book reveals the Gothic villa and associated landscape to be inspired by theories that stimulate ''The Pleasures of the Imagination'' articulated in the series of essays by Joseph Addison (1672-1719) published in the Spectator (1712). Linked to this argument, it proposes that the concepts behind the designs for Strawberry Hill are not based around architectural precedent but around eighteenth-century aesthetics theories, antiquarianism and matters of ''Taste''. Using architectural quotations from Gothic tombs, Walpole expresses the mythical idea that it was based on monastic foundations with visual links to significant historical figures and events in English history. The book explains for the first time the reasons for its creation, which have never been adequately explored or fully understood in previous publications. The book develops an argument that Walpole was the first to define theories on Gothic architecture in his Anecdotes of Painting (1762-71). Similarly innovative, The History of the Modern Taste in Gardening (1780) is one of the first to attempt a history and theory of gardening. The research uniquely evaluates how these theories found expression at Strawberry Hill. This reassessment of the villa and its associated l

Drawing together landscape, architecture and literature, Strawberry Hill, the celebrated eighteenth-century ’Gothic’ villa and garden beside the River Thames, is an autobiographical site, where we can read the story of its creator, Horace Walpole. This ''man of taste'' created private resonances, pleasure and entertainment - a collusion of the historic, the visual and the sensory. Above all, it expresses the inseparable integration of house and setting, and of the architecture with the collection, all specific to one individual, a unity that is relevant today to all architects, landscape designers and garden and country house enthusiasts. Avoiding the straightforward architectural description of previous texts, this beautifully illustrated book reveals the Gothic villa and associated landscape to be inspired by theories that stimulate ''The Pleasures of the Imagination'' articulated in the series of essays by Joseph Addison (1672-1719) published in the Spectator (1712). Linked to this argument, it proposes that the concepts behind the designs for Strawberry Hill are not based around architectural precedent but around eighteenth-century aesthetics theories, antiquarianism and matters of ''Taste''. Using architectural quotations from Gothic tombs, Walpole expresses the mythical idea that it was based on monastic foundations with visual links to significant historical figures and events in English history. The book explains for the first time the reasons for its creation, which have never been adequately explored or fully understood in previous publications. The book develops an argument that Walpole was the first to define theories on Gothic architecture in his Anecdotes of Painting (1762-71). Similarly innovative, The History of the Modern Taste in Gardening (1780) is one of the first to attempt a history and theory of gardening. The research uniquely evaluates how these theories found expression at Strawberry Hill. This reassessment of the villa and its associated l