Mark Cruse – författare

The Mongol Archive in Late Medieval France is the first comprehensive study of contact between France and the Mongols in the late Middle Ages. As these realms expanded across Eurasia—the French through crusade and settlement, the Mongols through conquest—their encounters altered each other's understanding of the world and their place in it. The Mongol influence on French culture is visible in what Mark Cruse calls the Mongol archive—a wide range of materials including chronicles, crusade treatises, encyclopedias, manuscript illuminations, maps, romances, and travel accounts—revealing how the French court made sense of a people previously unknown to the European intellectual tradition. Cruse mines this archive of Franco-Mongol contact to reassess France's place in the continental history of medieval Eurasia. By comparing the French and Mongol courts, Cruse shows how their similarities allowed meaningful communication between them and highlights the surprising connections—diplomatic, intellectual, and genealogical—across vast distances. The library of King Charles V (r. 1364–1380), one of the largest in medieval Europe, is a monument to the richness of these encounters, which anticipate the global interconnectedness of the modern world. Ultimately, the innovative approach in The Mongol Archive in Late Medieval France toward French conceptions of and relations with the Mongols demonstrates how a global perspective transforms our understanding of the medieval world.

Survey of one of the most important surviving medieval manuscripts reveals much of its contemporary cultural, literary and social milieu.Oxford, Bodleian Library, MS Bodley 264 is one of the most famous and most sumptuous illuminated manuscripts of the entire Middle Ages. Completed in 1344 in Tournai, in what is now Belgium, the manuscript preserves the fullest version of the interpolated Old French Roman d'Alexandre (Romance of Alexander the Great), and some of the most vivid illustrations of any medieval romance, ranking amongst the greatest achievements of the illuminator's art, its borders in particular offering a panorama of medieval society and imagination. A celebration of courtliness, a commemoration of urban chivalry, a mirror for the prince instructing in the arts of rule, and a meditation on crusade, it manifests the extraordinary richness and creativity of late medieval manuscript culture.This study examines the manuscript as a monumental expression of the beliefs and social practices of its day, placing it in its historical and artistic context; it also analyzes its later reception in England, where the addition of a Middle English Alexander poem and of Marco Polo's Voyages reflects changing concepts of language, historiography, and geography.Mark Cruse is Assistant Professor of French, School of International Letters and Cultures, Arizona State University.