Mark Doty - Böcker

Mark Doty’s poetry has long been celebrated for its risk and candour, an ability to find transcendent beauty even in the mundane and grievous, an unflinching eye that – as Philip Levine says – ‘looks away from nothing’. In the poems of Deep Lane the stakes are higher: there is more to lose than ever before, and there is more for us to gain. ‘Pure appetite,’ he writes ironically early in the collection, ‘I wouldn’t know anything about that.’ And the following poem answers: Down there the little star-nosed engine of desire at work all night, secretive: in the morninga new line running across the wet grass, near the surface, like a vein. Don’t you wish the road of excess led to the palace of wisdom, wouldn’t that be nice? Deep Lane is a book of descents: into the earth beneath the garden, into the dark substrata of a life. But these poems seek repair, finally, through the possibilities that sustain the speaker above ground: gardens and animals; the pleasure of seeing; the world tuned by the word. Time and again, an image of immolation and sacrifice is undercut by the fierce fortitude of nature: nature that is not just a solace but a potent antidote and cure. Ranging from agony to rapture, from great depths to hard-won heights, these are poems of grace and nobility.

This is the first cloth edition of one of the most highly praised and touching collections of poems to appear in recent years. In selecting it for the National Poetry Series, Philip Levine said: "The courage of this book is that it looks away from nothing: the miracle is that wherever it looks it finds poetry. . . . Mark Doty is a maker of big, risky, fearless poems in which ordinary human experience becomes music."

Mark Doty has always felt haunted by Walt Whitman’s bold, perennially new American voice, and by his equally radical claims about body and soul and what it means to be a self. In What Is the Grass, Doty—a poet, a New Yorker, and an American—keeps company with Whitman and his Leaves of Grass, tracing the resonances between his own experience and the legendary poet’s life and work.What is it then between us? Whitman asks. In search of an answer, Doty explores spaces—both external and internal—where he finds the poet’s ghost. He meditates on desire, love, and the mysterious wellsprings of the poet’s enduring work: a radical experience of transformation and enlightenment, queer sexuality, and an obsession with death, as well as unabashed love for a great city and for the fresh, rowdy character of American speech. In riveting close readings threaded with personal memoir and illuminated by awe, Doty reveals the power of Whitman’s persistent presence in his life and in the American imagination at large.How does a voice survive death? What Is the Grass is a conversation across time and space, a study of the astonishment one poet finds in the accomplishment of another, and an attempt to grasp Whitman’s deeply hopeful vision of human possibility.

Mark Doty’s poetry has long been celebrated for its risk and candor, an ability to find transcendent beauty even in the mundane and grievous, an unflinching eye that—as Philip Levine says—“looks away from nothing.” In the poems of Deep Lane the stakes are higher: there is more to lose than ever before, and there is more for us to gain. “Pure appetite,” he writes ironically early in the collection, “I wouldn’t know anything about that.” And the following poem answers:Down there the little star-nosed engine of desireat work all night, secretive: in the morninga new line running across the wet grass, near the surface,like a vein. Don’t you wish the road of excessled to the palace of wisdom, wouldn’t that be nice?Deep Lane is a book of descents: into the earth beneath the garden, into the dark substrata of a life. But these poems seek repair, finally, through the possibilities that sustain the speaker aboveground: gardens and animals, the pleasure of seeing, the world tuned by the word. Time and again, an image of immolation and sacrifice is undercut by the fierce fortitude of nature: nature that is not just a solace but a potent antidote and cure. Ranging from agony to rapture, from great depths to hard-won heights, these are poems of grace and nobility.

Mark Doty’s poetry has long been celebrated for its risk and candor, an ability to find transcendent beauty even in the mundane and grievous, an unflinching eye that—as Philip Levine says—“looks away from nothing.” In the poems of Deep Lane the stakes are higher: there is more to lose than ever before, and there is more for us to gain. “Pure appetite,” he writes ironically early in the collection, “I wouldn’t know anything about that.” And the following poem answers:Down there the little star-nosed engine of desireat work all night, secretive: in the morninga new line running across the wet grass, near the surface,like a vein. Don’t you wish the road of excessled to the palace of wisdom, wouldn’t that be nice?Deep Lane is a book of descents: into the earth beneath the garden, into the dark substrata of a life. But these poems seek repair, finally, through the possibilities that sustain the speaker aboveground: gardens and animals, the pleasure of seeing, the world tuned by the word. Time and again, an image of immolation and sacrifice is undercut by the fierce fortitude of nature: nature that is not just a solace but a potent antidote and cure. Ranging from agony to rapture, from great depths to hard-won heights, these are poems of grace and nobility.

Mark Doty has always felt haunted by Walt Whitman’s perennially new American voice, and by his equally radical claims about body and soul. In What Is the Grass, Doty effortlessly blends biography, criticism, and memoir to keep company with Whitman and his Leaves of Grass, tracing the resonances between his own experience and the legendary poet’s life and work.

Murano, a recent work by the distinguished American poet Mark Doty, is a contemplative meditation on human mortality and the mystery of artistic creation. Addressed to his late friend, the poet Lynda Hull, the musings in Murano are set against the backdrop of Venice and the glassmaker's art, as practiced for centuries on the island of Murano in the Venetian lagoon. This moving poem is illustrated with details of sixteen pieces of dazzling Murano glass from the collection of the Getty Museum. These fine, delicate objects paired with Doty's stirring words create an exceptional visual and verbal experience.

How a writer moves perception to image to written world is at the heart of any literary work. Here, celebrated writer and poet Mark Doty closely examines this essential literary technique and how it varies from writer to writer. Drawing on the sensory experience found in the poems of Blake, Whitman, Bishop and others, Doty gives an insight into this essential craft. Written in clear chapter essays, his book is an invaluable resource for writers, students, critics and anyone with an interest in the art of literature.

The selected early poems by Mark Doty including the complete texts of Turtle, Swan and Bethlehem in Broad Daylight for which Mr. Doty has contributed a new introduction.

Why do dogs speak so profoundly to our inner lives? When Mark Doty decides to adopt a dog as a companion for his dying partner, he finds himself bringing home Beau, a large golden retriever, malnourished and in need of loving care, to join Arden, the black retriever. As Beau bounds back to life, the two dogs become Mark Doty's companions, his solace, and eventually the very life force that keeps him from abandoning all hope during the darkest days - their tenacity, loyalty and love inspiring him when all else fails.