David Lehman – författare

In celebration of his one-hundredth birthday, a charming, irresistibly readable, and handsomely packaged look back at the life and times of the greatest entertainer in American history, Frank Sinatra. Sinatra's Century is an irresistible collection of one-hundred short reflections on the man, his music, and his larger-than-life story, by a lifetime fan who also happens to be one of the poetry world's most prominent voices. David Lehman uses each of these short pieces to look back on a single facet of the entertainer's story-from his childhood in Hoboken, to his emergence as "The Voice" in the 1940s, to the wild professional (and romantic) fluctuations that followed. Lehman offers new insights and revisits familiar stories-Sinatra's dramatic love affairs with some of the most beautiful stars in Hollywood, including Lauren Bacall, Marilyn Monroe, and Ava Gardner; his fall from grace in the late 1940s and resurrection during the "Capitol Years" of the 1950s; his bonds with the rest of the Rat Pack; and his long tenure as the Chairman of the Board, viewed as the eminence grise of popular music inspiring generations of artists, from Bobby Darin to Bono to Bob Dylan.Brimming with Lehman's own lifelong affection for Sinatra, the book includes lists of unforgettable performances; engaging insight on what made Sinatra the model of American machismo-and the epitome of romance; and clear-eyed assessments of the foibles that impacted his life and work. Warm and enlightening, Sinatra's Century is full-throated appreciation of Sinatra for every fan.

Much more than a word list, the Oxford American Writer's Thesaurus is a browsable source of inspiration as well as an authoritative guide to selecting and using vocabulary. This essential guide for writers provides real-life example sentences and a careful selection of the most relevant synonyms, as well as new usage notes, hints for choosing between similar words, a Word Finder section organized by subject, and a comprehensive language guide. The text is alsopeppered with thought-provoking reflections on favorite (and not-so-favorite) words by noted contemporary writers, including Joshua Ferris, Francine Prose, David Foster Wallace, Zadie Smith, and SimonWinchester, many newly commissioned for this edition.The third edition revises and updates this innovative reference, adding hundreds of new words, senses, and phrases to its more than 300,000 synonyms and 10,000 antonyms. New features in this edition include over 200 literary and humorous quotations highlighting notable usages of words, and a revised graphical word toolkit feature showing common word combinations based on evidence in the Oxford Corpus. There is also a newintroduction by noted language commentator Ben Zimmer.

David Lehman's second book in the Poets on Poetry series confirms his stature as one of our leading literary figures. He is also a literary critic with a rare ability to elucidate thorny ideas and controversial issues in a way that is both entertaining and instructive. The Big Question leads off with a major essay explaining and exploring the concept of postmodernism. The next sections include pieces about poetry and fiction, lives and letters, and criticism and controversy. Other "big questions" addressed include political correctness, the genre of literary biography, academic life and deconstruction. There is a humorous piece on poetry "slams" and the whole "downtown" poetry scene, a feisty op-ed column (on the deconstruction of the Gettysburg Address), a pair of wickedly satirical poems, as well as a group of exceptional book reviews. The subjects covered range from Philip Larkin to Philip Roth- from the greatest poetry hoax of the twentieth century (which took place in Australia during World War II) to Charles Dickens's unfinished last novel- and from nineteenthth-century American poetry to the political career of Martin Heidegger. David Lehman is a poet and author of Signs of the Times: Deconstruction and the Fall of Paul de Man. He is series editor of the celebrated Best American Poetry anthology.

The Best American Poetry 1995 once again highlights the dazzling spectrum of style and subject matter to be found in the art today. Guest editor Richard Howard's accent is on discovery and surprise, and he has gleaned the most inventive and searching writing from a wide variety of literary journals. The themes and imagery here are indisputably "American," as our best poets continue to mine personal as well as communal experience for their work. Now in its eighth year, this series has established itself as a rich and vibrant source of new poetry -- celebrated in bookstores and on college campuses. Welcome, once again, the memorable voices and unique pleasures of Best American Poetry. Featuring: Margaret Atwood Sally Ball Catherine Bowman Stephanie Brown Lewis Buzbee Cathleen Calbert Rafael Campo William Carpenter Nicholas Christopher Jane Cooper James Cummins Olena Kalytiak Davis Lynn Emanuel Elaine Equi Irving Feldman Donald Finkel Aaron Fogel Richard Frost Allen Ginsberg Peter Gizzi Jody Gladding Elton Glaser Albert Goldbarth Beckian Fritz Goldberg Laurence Goldstein Barbara Guest Marilyn Hacker Judith Hall Anthony Hecht Edward Hirsch Janet Holmes Andrew Hudgins T.R. Hummer Brigit Pegeen Kelly Karl Kirchwey Carolyn Kizer Wayne Koestenbaum John Koethe Yusef Komunyakaa Maxine Kumin Lisa Lewis Rachel Loden Robert Hill Long James Longenbach Gail Mazur J. D. McClatchy Heather McHugh Susan Musgrave Charles North Geoffrey O'Brien Jacqueline Osherow Molly Peacock Carl Phillips Marie Ponsot Bin Ramke Katrina Roberts Michael J. Rosen Kay Ryan Mary Jo Salter Tony Sanders Stephen Sandy Grace Schulman Robyn Selman Alan Shapiro Reginald Shepherd Anglea Sorby Laurel Trivelpiece Paul Violi Arthur Vogelsang David Wagoner Charles H. Webb Ed Webster David Wojahn Jay Wright Stephen Yenser

Every year since 1988 a major poet has selected 75 poems from publication in THE BEST AMERICAN POETRY and this years volume will again dazzle and delight, instruct and inspire. Under the guiding vision of master poet John Hollander - one of America's most erudite literary minds - THE BEST AMERICAN POETRY 1998 highlights the imaginative power of the American poet at the fin-de-siecle. Diverse in form and method, uncompromising in their artistic standards, the poems collected here help to distinguish an American poetic identity. Hollander has chosen work both from eminences such as Richard Wilbur and Thom Gunn whilst paving the way for original and noteworthy new talent. With a forward by series editor David Lehman and with comments from the poets illuminating their work, THE BEST AMERICAN POETRY 1998 will lead you on an exhilerating literary adventure.

From Simon & Schuster, in its ninth year, The Best American Poetry 1996 is universally acclaimed as the best anthology in the field.The compilation includes a diverse abundance of poems published in 1995 in more than 40 publications ranging from The New Yorker to The Paris Review to Bamboo Ridge.

Now celebrating its tenth anniversary, The Best American Poetry is the one indispensable volume for readers eager to follow what's new in poetry today. Sales continue to grow and plaudits keep coming in for this "high-voltage testament to the vitality of American poetry" (Booklist). Selected by prizewinning guest editor James Tate, the seventy-five best poems of the year were chosen from more than three dozen magazines and range from the comic to the cosmic, from the contemplative to the sublime. In addition to showcasing our leading bards -- such as John Ashbery, Jorie Graham, Robert Hass, and Mark Strand -- the collection marks an auspicious debut for eye-opening younger poets. With comments from the poets themselves offering insights into their work, The Best American Poetry 1997 delivers the startling and imaginative writing that more and more people have come to expect from this prestigious series.

Sales have escalated for THE BEST AMERICAN POETRY since the debut volume in 1988, and what has become a must for poetry lovers should stir even more excitement with Robert Bly as this year's guest editor. An award-winning poet and translator, Robert Bly is best known for his notorious role as leader of the men's movement in America and his bestselling book IRON JOHN. Bly has chosen the seventy-five best poems of the year from a host of contenders culled from a wide range of literary magazines and journals. He has selected the work of celebrated poets John Ashbery, Anne Carson, Henri Cole, Louise Gluck, Philip Levine, and Richard Wilbur, as well as poems from innovative newcomers. With comments from the poets elucidating their work and with a foreword by Series Editor David Lehman, THE BEST AMERICAN POETRY 1999 is a stunning addition to the series.

Following in the footsteps of such poets as Emily Dickinson, William Stafford, and Frank O'Hara, David Lehman began writing a poem a day in 1996 and found the experience so rewarding that he continued for the next two years. During that time, some of these poems appeared in various journals and on Web sites, including The Poetry Daily site, which ran thirty of Lehman's poems in as many days throughout the month of April 1998. For The Daily Mirror, Lehman has selected the best of these "daily poems" -- each tied to a specific occasion or situation -- and telescoped two years into one. Spontaneous and immediate, but always finely crafted and spiced with Lehman's signature irony and wit, the poems are akin to journal entries charting the passing of time, the deaths of great men and women, the news of the day. Jazz, Sinatra, the weather, love, poetry and poets, movies, and New York City are among their recurring themes. A departure from Lehman's previous work, this unique volume provides the intimacy of a diary, full of passion, sound, and fury, but with all the aesthetic pleasure of poetry. More a party of poems than a standard collection, The Daily Mirror presents an exciting new way to think about poetry.

Since its debut in 1988, sales for THE BEST AMERICAN POETRY have nearly quadrupled. Now, in the midst of a present 'explosion in the interest of poetry nationwide' (The New York Times), this renowned seried promises to deliver one of its finest volumes yet with Rita Dove as the year's guest editor. One of the most prominent figures in the poetry world, former Poet Laureate Dove brings all of her dynamism and well-honed acumen to bear on the project. Dove has chosen the best poems of the year from a wide range of literary magazines and journals. Along with the work of today's most celebrated poets, including W.S Merwin, Lucille Clifton, Susan Mitchell, and John Ashbery, Dove has also selected several fresh and diverse poems from a host of groundbreaking newcomers. Featuring comments from the poets elucidating their work and a Foreword by Series Editor David Lehman, THE BEST AMERICAN POETRY 2000 is an especially strong addition to the series PEOPLE magazine called, 'a year's worth of the very best.'

Since its inception in 1988, The Best American Poetry series has achieved brand-name status in the literary world as the preeminent showcase of each year's most important contributions to American poetry. This year's exceptional volume, edited by Robert Creeley, a figure revered across teh wide spectrum of American poetry, features a diverse mix of established masters, rising stars and the leading lights of a younger generation. The pleasure of the poems selected here, Creeley explains in his introduction, is "that they caught my fancy, some almost outrageously, some by their quiet, nearly diffident manner, some by unexpected turns of thought or insight, others by a confident authority and intent." With comments from the poets elucidating their work, a thought-provoking introduction from Creeley, and Lehman's always popular foreword assessing the current state of poetry, The Best American Poetry 2002 will prove as irresistible to new readers as it is indispensable for poetry fans everywhere.

The eagerly awaited follow-up to his critically acclaimed collection The Daily Mirror, The Evening Sun gathers together 150 of David Lehman's favorite "daily poems" from 1999 and 2000 into a brilliant chronicle of a poet's heart and mind as the last century ends and a new one begins.

The Best American Poetry 2004 celebrates the vitality and richness of poetry in the United States and Canada today. Guest editor Lyn Hejinian, acclaimed for her own innovative writing, has chosen seventy-five important new poems and contributed a provocative introductory essay. Through her selections, Hejinian has created an essential nexus -- a meeting place for readers to encounter an extraordinary range of poets. With illuminating comments from the writers, and series editor David Lehman's insightful foreword evaluating the current state of the art, The Best American Poetry 2004 is an indispensable addition to a series that has established itself as the first word on what's new and noteworthy in the poetry of our times.

Award-winning poet David Wagoner and renowned editor David Lehman present the 2009 edition of Best American Poetry—"a ‘best’ anthology that really lives up to its title" (Chicago Tribune).Eagerly anticipated by scholars, students, readers, and poets alike, Scribner’s Best American Poetry series has achieved brand-name status in the literary world, serving as a yearly guide to who’s who in American poetry. Known for his marvelous narrative skill and humane wit, David Wagoner is one of the few poets of his generation to win the universal admiration of his peers. Working in conjunction with series editor David Lehman, Wagoner brings his refreshing eye to this year’s anthology. With new work by established poets, such as Billy Collins, Denise Duhamel, Mark Doty, and Bob Hicok, The Best American Poetry 2009 also features some of tomorrow’s leading luminaries. Readers of all ages and backgrounds will treasure this illuminating collection of modern American verse. With its high-profile editorship and its generous embrace of American poetry in all its exuberant variety, the Best American Poetry series continues to be, as Robert Pinsky says, "as good a comprehensive overview of contemporary poetry as there can be."

Apt and tender and candid.–Donald Revell; A New Collection from the editor of THE BEST AMERICAN POETRY

The Morning Line is David Lehman’s most ambitious book to date, combining wit, quotidian charm, and off-the-cuff spontaneity of poems written with candid and moving meditations on life, love, aging, disease, friendship, chance, and the possibility of redemption in a godless age.Lehman is a poetic ventriloquist, and he expertly imitates Catullus and François Villon in new poems and offers his fresh translations of Mayakovsky’s “Cloud in Trousers” and Hölderlin’s “Half-Life.” The element of joie de vivre in Lehman’s work is distinctive and unusual in contemporary poetry. Excerpt from “Fats Waller Live in 1935”Think of that: in 1935when everyone was supposedto be miserable, here was Fats Wallerin his derby hat mustache cigarette and huge grinplaying and singing for the sheer joy of it.

This thoughtful, provocative, and moving poetry collection celebrates the deep tradition of eroticism in American poetry, from the editor of The Best American Poetry.These poems range across the varied landscapes of love and sex and desire—from the intimate parts of the body to the end of an affair, from passion to solitary self-pleasure. With candor and imagination, they capture the delights and torments of sex and sexuality, nudity, love, lust, and the secret life of fantasy. David Lehman, the distinguished editor of the celebrated Best American Poetry series, has culled a witty, titillating, and alluring collection that starts with Francis Scott Key, Emily Dickinson, Walt Whitman, and Hart Crane, encompasses Frank O’Hara, Anne Sexton, John Updike, Charles Simic, Billy Collins, Kevin Young, and Sharon Olds, and concludes with the rising stars of a whole new generation of versifiers, including Sarah Manguso, Ravi Shankar, and Brenda Shaughnessy. In a section of the book that is sure to prompt discussion and further reading, the living poets write about their favorite works of erotic writing. This book will delight, surprise, and inspire.

David Lehman, a poet of wit, ingenuity, and formidable skill, draws upon his heritage as a grandson of Holocaust victims and offers a stirring autobiographical collection of poems that is his most ambitious work to date. Yeshiva Boys covers an expansive range of subjects -- from love, sex, and romance to repentance, humility, the meaning of democracy, Existentialism, modern European history, military intelligence, and the rituals associated with faith and prayer. The title poem is a work in twelve parts that blends the elements of espionage fiction, memory, history, and moral philosophy. It reflects David's experience as a student in an orthodox Yeshiva, and it, along with many other poems in the book, explores what it means to be a Jew in America, what is gained and lost in assimilating to secular culture, how to understand the peculiar destiny of the Jewish people, and how to reconcile the existence of God with the knowledge of evil. Beautiful, provocative, and accessible, this is David Lehman's most inspired collection.

AMY GERSTLER’S COMMITMENT TO INNOVATIVE POETRY that conveys meaning, feeling, wit, and humor informs the cross section of poems in the 2010 edition of The Best American Poetry. The works collected here represent the wealth, the breadth, and the tremendous energy of poetry in the United States today. Featuring poems from some of our country’s top bards, including John Ashbery, Anne Carson, Louise Glück, Sharon Olds, and Charles Simic, The Best American Poetry 2010 also presents poems that poignantly capture the current moment, such as the sonnets John Updike wrote to chronicle his dying weeks. And there are exciting poems from a constellation of rising stars: Bob Hicok, Terrance Hayes, Denise Duhamel, Dean Young, and Elaine Equi, to name a very few. The anthology’s mainstays are in place: It opens with series editor David Lehman’s incisive foreword about the state of American poetry and has a marvelous introduction by Amy Gerstler. Notes from the poets, illuminating their poems and their writing processes, conclude this delightful addition to a classic series.Dick Allen * John Ashbery * Sandra Beasley * Mark Bibbins * Todd Boss * Fleda Brown * Anne Carson * Tom Clark * David Clewell * Michael Collier * Billy Collins * Dennis Cooper * Kate Daniels * Peter Davis * Tim Dlugos * Denise Duhamel * Thomas Sayers Ellis * Lynn Emanuel * Elaine Equi * Jill Alexander Essbaum * B. H. Fairchild * Vievee Francis * Louise Glück * Albert Goldbarth * Amy Glynn Greacen * Sonia Greenfield * Kelle Groom * Gabriel Gudding * Kimiko Hahn * Barbara Hamby * Terrance Hayes * Bob Hicok * Rodney Jones * Michaela Kahn * Brigit Pegeen Kelly * Corinne Lee * Hailey Leithauser * Dolly Lemke * Maurice Manning * Adrian Matejka * Shane McCrae * Jeffrey McDaniel * W. S. Merwin * Sarah Murphy * Eileen Myles * Camille Norton * Alice Notley * Sharon Olds * Gregory Pardlo * Lucia Perillo * Carl Phillips * Adrienne Rich * James Richardson * J. Allyn Rosser * James Schuyler * Tim Seibles * David Shapiro * Charles Simic * Frank Stanford * Gerald Stern * Stephen Campbell Sutherland * James Tate * David Trinidad * Chase Twichell * John Updike * Derek Walcott * G. C. Waldrep * J. E. Wei * Dara Wier * Terence Winch * Catherine Wing * Mark Wunderlich * Matthew Yeager * Dean Young * Kevin Young

The latest installment of the yearly anthology of contemporary American poetry that has achieved brand-name status in the literary world.