Rita Dove – författare

The title of the collection serves as an umbrella for the intimate concerns expressed in the forty-eight poems; in music, grace notes are those added to the basic melody, the embellishments that—if played or sung at the right moment with just the right touch—can break your heart.Isn't this what every lyric poem wishes to be, the poet asks as she explored autobiographical events, most from childhood and the cusp of adolescence, and then turns to the shadowy areas of regret and memory. The word as talisman is another of her concerns, and finally, in the section that most typifies the lilt of grace notes, Dove considers the embellishments below the melody of daily life.

In settings as various as a patio in Arizona, the bistros and boulevards of Paris, the sun-drenched pyramids of Mexico—and directly from the Greek myth itself—Rita Dove explores this relationship and the dilemma of letting go.

In these brilliant poems, Rita Dove treats us to a panoply of human endeavor, shot through with the electrifying jazz of her lyric elegance. From the opening sequence, "Cameos", to the civil rights struggle of the final sequence, she explores the intersection of individual fate and history.

An occasion to celebrate: a new collection by the Pulitzer Prize-winning former poet laureate; her first since On the Bus with Rosa Parks. With the grace of an Astaire, Rita Dove's magnificent poems pay homage to our kaleidoscopic cultural heritage; from the glorious shimmer of an operatic soprano to Bessie Smith's mournful wail; from paradise lost to angel food cake; from hotshots at the local shooting range to the Negro jazz band in World War I whose music conquered Europe before the Allied advance. Like the ballroom-dancing couple of the title poem, smiling and making the difficult seem effortless, Dove explores the shifting surfaces between perception and intimation.

The son of a white woman and an “African Prince,” George Polgreen Bridgetower (1780–1860) travels to Vienna to meet “bad-boy” genius Ludwig van Beethoven. The great composer’s subsequent sonata is originally dedicated to the young mulatto, but George, exuberant with acclaim, offends Beethoven over a woman. From this crucial encounter evolves a grandiose yet melancholy poetic tale. A New Yorker's A Year's Reading; Booklist Editors Choice Award.

Rita Dove’s Collected Poems: 1974–2004 showcases the wide-ranging diversity that earned her a Pulitzer Prize, the position of US poet laureate, a National Humanities Medal and a National Medal of Art. Gathering thirty years and seven books, this volume compiles Dove’s reflections on adolescence in The Yellow House on the Corner and her irreverent musings in Museum. She sets the moving love story of Thomas and Beulah against the backdrop of war, industrialisation and the civil right struggles. The multifaceted gems of Grace Notes, the reinvention of Greek myth in the sonnets of Mother Love, the troubling rapids of recent history in On the Bus with Rosa Parks and the homage to America’s kaleidoscopic cultural heritage in American Smooth all celebrate Dove’s mastery of narrative context with lyrical finesse.

In her first volume of new poems in twelve years, Rita Dove investigates the vacillating moral compass guiding the world’s experiments in democracy.Whether depicting the first Jewish ghetto in sixteenth-century Venice or Black Lives Matter, this extraordinary poet never fails to connect history’s grand exploits to the triumphs and tragedies of individual lives—the simmering resentment of a lift operator, an octogenarian’s exuberant mambo, the mordant humour of a philosophising cricket.Audaciously playful yet grave, alternating poignant meditations on mortality and acerbic observations of injustice, Playlist for the Apocalypse takes us from the smallest moments of redemption to apocalyptic failures of the human soul.

A debut novel by the 1987 winner of the Pulitzer Prize for poetry, about an artist on a journey of self-discovery—navigating a family secret, racism, and the conflict between marriage and career.“Skillfully evokes the mood of a decade when social change seemed not only possible but imminent.” —Washington Post Book WorldWhen a woman returns to her Midwestern hometown as an artist-in-residence to teach puppetry to schoolchildren, her homecoming also means grappling with artistic ambition, memories of rejected love, and shocking truths about her family.

Since its debut in 1988, sales for THE BEST AMERICAN POETRY have nearly quadrupled. Now, in the midst of a present 'explosion in the interest of poetry nationwide' (The New York Times), this renowned seried promises to deliver one of its finest volumes yet with Rita Dove as the year's guest editor. One of the most prominent figures in the poetry world, former Poet Laureate Dove brings all of her dynamism and well-honed acumen to bear on the project. Dove has chosen the best poems of the year from a wide range of literary magazines and journals. Along with the work of today's most celebrated poets, including W.S Merwin, Lucille Clifton, Susan Mitchell, and John Ashbery, Dove has also selected several fresh and diverse poems from a host of groundbreaking newcomers. Featuring comments from the poets elucidating their work and a Foreword by Series Editor David Lehman, THE BEST AMERICAN POETRY 2000 is an especially strong addition to the series PEOPLE magazine called, 'a year's worth of the very best.'

In her first volume of new poems in twelve years, Rita Dove investigates the vacillating moral compass guiding the world’s experiments in democracy.Whether depicting the first Jewish ghetto in sixteenth-century Venice or Black Lives Matter, this extraordinary poet never fails to connect history’s grand exploits to the triumphs and tragedies of individual lives—the simmering resentment of a lift operator, an octogenarian’s exuberant mambo, the mordant humour of a philosophising cricket.Audaciously playful yet grave, alternating poignant meditations on mortality and acerbic observations of injustice, Playlist for the Apocalypse takes us from the smallest moments of redemption to apocalyptic failures of the human soul.

The Darker Face of the Earth, a play by the poet laureate of the United States, creates a human drama of classical proportions. Behind the facade of antebellum Southern plantation life unfolds a mysterious tale of interracial love and strife, guilt and suffering, as both slave and master struggle against a fate that threatens to eclipse them altogether.

The Darker Face of the Earth, a play by the poet laureate of the United States, creates a human drama of classical proportions. Behind the facade of antebellum Southern plantation life unfolds a mysterious tale of interracial love and strife, guilt and suffering, as both slave and master struggle against a fate that threatens to eclipse them altogether.

The Darker Face of the Earth, a play by the poet laureate of the United States, creates a human drama of classical proportions. Behind the facade of antebellum Southern plantation life unfolds a mysterious tale of interracial love and strife, guilt and suffering, as both slave and master struggle against a fate that threatens to eclipse them altogether.

Published to coincide with its British premiere at the Royal National Theatre, The Darker Face of the Earth is Rita Dove's first play. Set on a plantation in pre-Civil War South Carolina, it has been performed to great critical acclaim.

Published to coincide with its British premiere at the Royal National Theatre, The Darker Face of the Earth is Rita Dove’s first play. Set on a plantation in pre-Civil War South Carolina, it has been performed to great critical acclaim.

''Thomas y Beulah'', de la laureada Rita Dove, es un libro de poesía que, a diferencia de la mayoría de los poemarios contemporáneos, exige una lectura «en secuencia», como una narración en verso. Los poemas relatan en sendas partes las vidas de una pareja afroestadounidense de 1900 a 1969 y constituyen una muestra del interés de Dove por «el individuo atrapado en la telaraña de la Historia», es decir, por las cuestiones de género, raza y clase vistas desde la perspectiva específica de cada persona. Todo se cuenta dos veces, una vez desde los ojos de Thomas y otra desde los de Beulah: el mismo momento histórico, la misma sociedad fracturada y en movimiento, desde mentes y experiencias absolutamente distintas; un fresco del fragor imposible de esos años en un país dividido.

''Thomas y Beulah'', de la laureada Rita Dove, es un libro de poesía que, a diferencia de la mayoría de los poemarios contemporáneos, exige una lectura «en secuencia», como una narración en verso. Los poemas relatan en sendas partes las vidas de una pareja afroestadounidense de 1900 a 1969 y constituyen una muestra del interés de Dove por «el individuo atrapado en la telaraña de la Historia», es decir, por las cuestiones de género, raza y clase vistas desde la perspectiva específica de cada persona. Todo se cuenta dos veces, una vez desde los ojos de Thomas y otra desde los de Beulah: el mismo momento histórico, la misma sociedad fracturada y en movimiento, desde mentes y experiencias absolutamente distintas; un fresco del fragor imposible de esos años en un país dividido.

Rita Dove’s Collected Poems: 1974–2004 showcases the wide-ranging diversity that earned her a Pulitzer Prize, the position of US poet laureate, a National Humanities Medal and a National Medal of Art. Gathering thirty years and seven books, this volume compiles Dove’s reflections on adolescence in The Yellow House on the Corner and her irreverent musings in Museum. She sets the moving love story of Thomas and Beulah against the backdrop of war, industrialisation and the civil right struggles. The multifaceted gems of Grace Notes, the reinvention of Greek myth in the sonnets of Mother Love, the troubling rapids of recent history in On the Bus with Rosa Parks and the homage to America’s kaleidoscopic cultural heritage in American Smooth all celebrate Dove’s mastery of narrative context with lyrical finesse.