Linda Hogan – författare

This edited collection is intended as a primer for core concepts and principles in research ethics and as an in-depth exploration of the contextualization of these principles in practice across key disciplines. The material is nested so that readers can engage with it at different levels and depths. It is unique in that it combines an analysis of complex ethical debates about the nature of research and its governance with the best of case-based and discipline-specific approaches.

It deals with the following topics in depth: in the natural sciences, it explores the scientific integrity of the researcher and the research process, human cloning as a test case for the limits to research, and the emerging ethical issues in nanotechnology; in the health sciences, it takes up the question of consent, assent and proxies, research with vulnerable groups and the ethics of clinical trials; in the social sciences, it explores the issues that arise in qualitative research, interviews and ethnography; and in the humanities, it examines contested archaeologies and research in divided societies.

Overview of Research Ethics Principles Full text papers from experienced researchers across many disciplines Dialogue with ethicists

Must religious voices keep quiet in public places? Does fairness in a plural society require it? Must the expression of religious belief be so authoritarian as to threaten civil peace? Do we need translation into 'secular' language, or should we try to manage polyglot conversation? How neutral is 'secular' language? Is a religious argument necessarily unreasonable? What issues are specific to Islam within this exchange?These are just some of the pressing questions addressed by Religious Voices in Public Places. Drawn from Australia, Canada, France, Ireland and England-as well as the United States-thirteen contributors take the long-running discussion about religion in the public square beyond its usual American confines. Religious Voices in Public Places comprehends both political philosophy and theology, and moves adeptly between political theory and practice. Whether offering critical analyses of key theorists such as John Rawls, Jeffrey Stout and Jürgen Habermas, or pursuing the issue of the public expression of religion into the debate about religious education in the USA, the legalisation of euthanasia in the UK, and human rights worldwide, this incisive volume speaks directly into crucial areas of religious and political complexity.

When sixteen-year-old Omishto, a member of the Taiga Tribe, witnesses her Aunt Ama kill a panther-an animal considered to be a sacred ancestor of the Taiga people-she is suddenly torn between her loyalties to her Westernized mother, who wants her to reject the ways of the tribe, and to Ama and her traditional people, for whom the killing of the panther takes on grave importance.

"We want to live as if there is no other place," Hogan tells us, "as if we will always be here. We want to live with devotion to the world of waters and the universe of life." In offering praise to sky, earth, water, and animals, she calls us to witness how each living thing is alive in a conscious world with its own integrity, grace, and dignity. In Dwellings, Hogan takes us on a spiritual quest borne out of the deep past and offers a more hopeful future as she seeks new visions and lights ancient fires.

"I sat down to write a book about pain and ended up writing about love," says award-winning Chickasaw poet and novelist Linda Hogan. In this book, she recounts her difficult childhood as the daughter of an army sergeant, her love affair at age fifteen with an older man, the legacy of alcoholism, the troubled history of her adopted daughters, and her own physical struggles since a recent horse accident. She shows how historic and emotional pain are passed down through generations, blending personal history with stories of important Indian figures of the past such as Lozen, the woman who was the military strategist for Geronimo, and Ohiesha, the Santee Sioux medical doctor who witnessed the massacre at Wounded Knee. Ultimately, Hogan sees herself and her people whole again and gives an illuminating story of personal triumph. "This wise and compassionate offering deserves to be widely read."—Publishers Weekly, starred review

Raised in a remote seaside village, Thomas Witka Just marries Ruth, his beloved since infancy. But an ill-fated decision to fight in Vietnam changes his life forever: cut off from his Native American community, he fathers a child with another woman. When he returns home a hero, he finds his tribe in conflict over the decision to hunt a whale, both a symbol of spirituality and rebirth and a means of survival. In the end, he reconciles his two existences, only to see tragedy befall the son he left behind.

What are the implications of adopting a primacy of praxis position in feminist theology? How can we respect the diversity of women’s experience while retaining it as a useful analytic category? Do these twin resources of women’s experience and praxis together imply that feminist theology is ultimately relativist? Through an analysis of the work of some of today’s key feminist theologians – Christian, womanist and post-Christian – Linda Hogan considers these and other methodological questions.

Dark. Sweet. offers readers the sweep of LindaHogan's work--environmental and spiritual concerns, her Chickasaw heritage--in spare, elemental, visionary language. From "Those Who Thunder": Those who thunder have dark hair and red throw rugs. They burn paper in bathroom sinks. Their voices refuse to suffer and their silences know the way straight to the heart; it's bus route number eight. Linda Hogan is the recipient of the 2007 Mountains and Plains Booksellers Spirit of the West Literary Achievement Award. She is also a recipient of the 2016 PEN New England Henry David Thoreau Prize. Her poetry has received an American Book Award, Colorado Book Award, and a National Book Critics Circle nomination.

Dark. Sweet. offers readers the sweep of LindaHogan's work--environmental and spiritual concerns, her Chickasaw heritage--in spare, elemental, visionary language. From "Those Who Thunder": Those who thunder have dark hair and red throw rugs. They burn paper in bathroom sinks. Their voices refuse to suffer and their silences know the way straight to the heart; it's bus route number eight. Linda Hogan is the recipient of the 2007 Mountains and Plains Booksellers Spirit of the West Literary Achievement Award. She is also a recipient of the 2016 PEN New England Henry David Thoreau Prize. Her poetry has received an American Book Award, Colorado Book Award, and a National Book Critics Circle nomination.

The human rights regime is one of modernity's great civilizing triumphs. From the formal promulgation of the Universal Declaration of Human Rights in 1948 to the subsequent embrace of this declaration by the newly independent states of Africa, human rights have emerged as the primary discourse of global politics and as an increasingly prominent category in the international and domestic legal system. But throughout their history, human rights have endured sustained attempts at disenfranchisement. In this provocative study, Linda Hogan defends human rights language while simultaneously reenvisioning its future. Avoiding problematic claims about shared universal values, Hogan draws on the constructivist strand of political philosophy to argue for a three-pronged conception of human rights: as requirements for human flourishing, as necessary standards of human community, and as the basis for emancipatory politics. In the process, she shows that it is theoretically possible and politically necessary for theologians to keep faith with human rights.Indeed, the Christian tradition -- the wellspring of many of the ethical commitments considered central to human rights -- must embrace its vital role in the project.