Deena Metzger - Böcker

Barbara Myerhoff's groundbreaking work in reflexivity and narrative ethnography broke with tradition by focusing not on the raw ethnographic data, but on her interaction with those she studied. Myerhoff's unfinished projects, including her final talks on storytelling, ritual, and the "culture of aging and Yiddishkeit," offer a magisterial summary of her life's work."The beauty of Stories as Equipment for Living is the quality of being a compilation of rescued fragments, bits and pieces of a great master's writing and thinking that were coming towards synthesis but had never reached a finished form prior to her death. This collection is an examination of the place of narrative in human life, the synthetic nature of culture and the constant search for visibility particularly by those relegated for one reason or another to the margins. A thought-provoking book worthy of extended reflection."---Jack Kugelmass, Professor of Anthropology and Director of Jewish Studies, University of Florida"Stories as Equipment for Living achieves a nice balance between preserving Myerhoff's work in its original form and reconstructed contexts, but presenting it in a manner relevant to readers a generation after her death. The book documents Myerhoff's growing involvement with Jewish culture, the actual process of anthropological work through field notes, and the picture of how she always was bouncing the fine details of this combined professional and personal venture off the 'big questions' of anthropology in its broadest sense."---Harvey E. Goldberg, Professor of Sociology and Anthropology, Hebrew University, Israel"These essays capture the rhythm of Barbara Myerhoff's words and her vivid and distinctive train of thought, bringing the reader into the classroom of one of anthropology's finest lecturers. As an anthropologist with a poet's gift for language, she utilizes the tools of ethnography and extraordinary powers of observation---a remarkable 'ethnographic eye'---to explore the outward expressions and inner lives of the Fairfax neighborhood of L.A. These stories are not only glorious introductions to the study of culture, but provide in their revelations a reason for studying it. They are required reading for anyone passionate to know what an anthropologist can teach us about communities and ultimately about ourselves."---Steve Zeitlin, Director, City Lore: The New York Center for Urban Folk Culture"Master of the third voice, the voice of collaboration, Myerhoff is at once a consummate listener and inspired storyteller. This book offers a rare and luminous opening into the working process and wisdom of one of the great anthropologists of the twentieth century."---Barbara Kirshenblatt-Gimblett, Professor of Performance Studies at New York University and coauthor of They Called Me Mayer July: Painted Memories of a Jewish Childhood in Poland Before the Holocaust"Myerhoff and her collaborators have given her 'Hasidim,' her disciples old and new, a final and precious gift."---Jonathan Boyarin, The Robert M. Beren Distinguished Professor of Modern Jewish Studies at the University of Kansas and author of Thinking in JewishBarbara Myerhoff was a renowned anthropologist who did pioneering work in gerontology, Jewish studies, folklore, and narrative anthropology. She is best known for her ethnography of and personal involvement with a community of elderly immigrant Jews in California. Her writings and lectures have had an enormous impact on all of these areas of study, and her books are widely celebrated, especially Number Our Days, whose companion documentary film won an Academy Award. Marc Kaminsky is a psychotherapist, a poet, a writer, and the former codirector of the Institute on Humanities, Arts and Aging of the Brookdale Center on Aging. Mark Weiss is a writer, an editor, a translator, and a poet; his books include the widely praised Across the Line/Al Otro Lado. Deena Metzger is a novelist, a poet, and the founding codirector (with Marc Kaminsky) of the Myerhoff Center.Thomas R. Cole is the Beth and Toby Grossman Professor and Director of the McGovern Center for Health, Humanities, and the Human Spirit at the University of Texas Health Science Center in Houston, and a Professor of Humanities in the Department of Religious Studies at Rice University; his expertise lies in the history of aging and humanistic gerontology.

Poetry arises from the search for sacred language that describes the awe and mystery of the real world. Deena Metzger is a contemporary poet who has aligned herself with this ancient tradition. This collection, that includes selections from her earlier books of poetry, Dark Milk, The Axis Mundi Poems, Looking For the Faces of God, A Sabbath Among the Ruins and Skin: Shadows/Silence, draws on her life's work, more than forty years of devotion to the word, and aligns itself with such a quest for meaning that has increasing urgency because of the spiritual and political ruins of our time. It is no longer sufficient, she believes, for the poet to be an unacknowledged legislator of the world, for the committed poet is called to engage with full heart in the continuous activity of restoration on behalf of beauty, wisdom and the natural world. Here we meet the articulate voices of the otherwise silenced, the voices of the animals, the land and the elementals, rain, wind fire and earth, and our responsibility to them. This book combines a searing look at the horrors that we permit, the anguish of human cruelty, brutality, and indulgence, but carrying the fierce determination to live, act, and write on behalf of the soul in all its manifestations. In this collection, despair is acknowledged but not indulged, as Metzger engages in the meticulous task of reconstructing a world, informed by the past and history as language demands, but, extracting ourselves from its violence and caprices, looking toward a viable future and all its unexpected possibilities.

From Chapter 1November 17, 1989Dear Cardinal Lustiger, Your Eminence:My name is Daniella Stonebrook Blue. I am-or was-by profession anastronomer. We are strangers to each other. Your name was given to me by awoman on a bus as we were traveling across New Mexico. Because of herinsistence, I am writing to you about this dark period of my life. I need to speakto you about the matter of light.Light is the alphabet of God. I knew this when I was born and then I forgot.This is the first time I have understood it as an adult woman. Even as I preparedto write these words, I didn’t know what they implied until they appeared onthe page.