Robert Bly – författare

In his richest and most varied collection of poems to date, Robert Bly mines lifelong fascination with poetic form. The poems in Talking into the Ear of a Donkey range from free verse to Bly’s uniquely American version of the famous ghazal form. In the title poem, Bly addresses the “donkey”—possibly poetry itself—which has carried him through a writing life of more than six decades:from "Talking into the Ear of a Donkey""What has happened to the spring,"I cry, "and our legs that were so joyfulIn the bobblings of April?" "Oh, never mindAbout all that," the donkeySays. "Just take hold of my mane, so youCan lift your lips closer to my hairy ears."

Selected from throughout Robert Bly’s monumental body of work from 1950 through the present, Stealing Sugar from the Castle represents the culmination of an astonishing career in American letters.Bly has long been the voice of transcendentalism and meditative mysticism for his generation. Influenced by Emerson and Thoreau, inspired by spiritual traditions from Sufism to Gnosticism, his vision is “oracular” (Antioch Review). From the rich, earthy simplicity of Silence in the Snowy Fields (1962) to the wild yet intricately formal ghazals of My Sentence Was a Thousand Years of Joy (2005) and the striking richness and authority of Talking into the Ear of a Donkey (2011), Bly’s poetry is spiritual yet worldly, celebrating the uncanny beauty of the everyday. “I am happy, / The moon rising above the turkey sheds. // The small world of the car / Plunges through the deep fields of the night,” he writes in “Driving Toward the Lac Qui Parle River.” Here is a poet moved by the mysteries of the world around him, speaking the language of images in a voice brilliant and bold.

An extraordinary culmination for Robert Bly’s lifelong intellectual adventure, Collected Poems presents the full magnitude of his body of work for the first time. Bly has long been the voice of transcendentalism and meditative mysticism for his generation; every stage of his work is warmed by his devotion to the art of poetry and his affection for the varied worlds that inspire him. Influenced by Emerson and Thoreau alongside spiritual traditions from Sufism to Gnosticism, he is a poet moved by mysteries, speaking the language of images. Collected Poems gathers the fourteen volumes of his impressive oeuvre into one place, including his imagistic debut, Silence in the Snowy Fields (1962); the clear-eyed truth-telling of his National Book Award–winning collection, The Light Around the Body (1967); the masterful prose poems of The Morning Glory (1975); and the fiercely introspective, uniquely American ghazals of his latest collection, Talking into the Ear of a Donkey (2011).A monumental poetic achievement, Collected Poems makes clear why poets and lovers of poetry have long looked to Robert Bly for emotional authenticity, moral authority, and artistic inspiration.

Robert Bly is the author of many books, including Jumping Out of Bed, The Man in the Black Coat Turns, and Iron John: A Book About Men. He has translated Neruda, Vallejo, and Lorca and received the National Book Award for his collection The Light Around the Body. His most recent book is The Maiden King: The Reunion of Masculine and Feminine, with Marion Woodman.

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Sales have escalated for THE BEST AMERICAN POETRY since the debut volume in 1988, and what has become a must for poetry lovers should stir even more excitement with Robert Bly as this year's guest editor. An award-winning poet and translator, Robert Bly is best known for his notorious role as leader of the men's movement in America and his bestselling book IRON JOHN. Bly has chosen the seventy-five best poems of the year from a host of contenders culled from a wide range of literary magazines and journals. He has selected the work of celebrated poets John Ashbery, Anne Carson, Henri Cole, Louise Gluck, Philip Levine, and Richard Wilbur, as well as poems from innovative newcomers. With comments from the poets elucidating their work and with a foreword by Series Editor David Lehman, THE BEST AMERICAN POETRY 1999 is a stunning addition to the series.

Robert Bly writes that it is clear to men that the images of adult manhood given by popular culture are worn out, that a man can no longer depend on them. Iron John searches for a new vision of what a man is or could be, drawing on psychology, anthropology, mythology, folklore and legend. Robert Bly looks at the importance of the Wild Man (reminiscent of the Wild Woman in Women Who Run With the Wolves), who he compares to a Zen priest, a shaman or a woodman.'This book needs to be read, I believe, not as a dry work of scholarship to be judged coolly by the mind, but as the work of a poet struggling to convey an emotional experience and lead us to what he has found within himself' Guardian'Eclectic and unclassifiable. Iron John is a work whose mentors are the prophetic poets and crazies, William Blake and Walt Whitman' Sydney Morning Herald'Important.timely.and powerful' New York Times

A collection of authentic, profound and beautiful poems.

Leaping Poetry is Robert Bly's testament to the singular importance of the artistic leap that bridges the gap between conscious and unconscious thought in any great work of art; the process that Bly refers to as \u201criding on dragons.\u201d Originally published in 1972 in Bly's literary journal The Seventies, Leaping Poetry is part anthology and part commentary, wherein Bly seeks to rejuvenate modern Western poetry through his revelations of \u201cleaping\u201d as found in the works of poets from around the world, including Federico Garcia Lorca, Chu Yuan, Tomas Transtr\u00f6mer, and Allen Ginsberg, among others, while also outlining the basic principles that shape his own poetry. Bly seeks the use of quick, free association of the known and the unknown-the innate animal and rational cognition-which, he maintains, have been kept apart in the development of Western religious, intellectual, and literary thought.

Available for the first time, this significant volume collects over one hundred of Robert Bly's prose poems written over a period of five decades. It includes the bulk of several landmark out-of-print volumes as well as uncollected poems and new material. Bly has been one of the leading writers of the prose poem since the re-emergence of the form in the 1960s.

"The most recent in a line of great American transcendentalist writers."--The New York Times "Bly's poems flow from ...the great current of longing for reality, true maturity, the devotee's call to the Beloved."--The Nation "Robert Bly changed the course of poetry in America by opening it up to the imagination and the deep-image aesthetic, he is dedicated to reintegrating poetry with life--daily life, the life of the body, spiritual and political life."--Huffington Post The Chinese-influenced strain of Bly's work with its room for movement, spontaneity, and openness is celebrated in Like the New Moon I Will Live My Life and most amply showcased in its over one hundred and fifty poems. The poems, collected from out-of-print books, chapbooks, and uncollected work spanning fifty years, form a companion to his recent Stealing Sugar From The Castle: New and Selected Poems. Like The New Moon I Will Live My Life When your privacy is beginning over, How beautiful the things are that you did not notice before!A few sweetclover plants Along the road to Bellingham, Culvert ends poking out of driveways, Wooden corncribs, slowly falling, What no one loves, no one rushes towards or shouts about, What lives like the new moon, And the wind Blowing against the rumps of grazing cows. Telephone wires stretched across water, A drowning sailor standing at the foot of his mother's bed, Grandfathers and grandsons sitting together. Robert Bly is one of the most influencial poets, translators, and editors of his generation.

"An unusual, exciting volume which serves ideally to lead readers into the extraordinary creative world of three Minnesota poets who are familiar with the contemporary poetry of several nations and who together are bringing to American poetry a powerful new direction away from academicism. Poetry which experiments with content rather than with form and whose life does not depend upon the metrics but upon the life of the poet himself. "--John Logan This is a facsimile edition of the original Sixties Press book issued in 1962 and contains some of Robert Bly's and James Wright's iconic poems.

This collection contains some of Bly’s seminal essays on poets and poetry including: Looking for Dragon Smoke, The Eight Stages of Translation, Six Disciplines that Intensify Poetry, and essays on Hirshfield, Stevens, Whitman, Wright, Rilke, Machado, Stafford and others.

The Garden Entrusted to Me collects Robert Bly’s essential writings on his life and practice of poetry, revealing his approach to technique and the experiences that formed him as a poet.Robert Bly’s essays on the craft of poetry and the writing life—some previously unpublished—are gathered in one volume for the first. Three autobiographical essays highlight Bly’s origins on the family farm in western Minnesota and his early exposure to poetry as a high school student. Others broadly outline Bly’s approach to the vocation and discipline of poetry. At the center of this collection are a half-dozen pieces that focus on approaches to form and sound in poetry, revealing the originality of Bly’s method and process. The book concludes with the major Paris Review interview summarizing biographical, artistic and philosophical themes of Bly’s life and work as they have appeared throughout this volume, while opening new avenues for further exploration; in that way it mirrors the continual unfolding of Bly’s thought and creativity.