Mary Fairclough – författare

Devotional forms and practices had a shaping influence on female authorship, economies of print, and cultures of reading during the Romantic period. Mary Fairclough analyses the work of Anna Laetitia Barbauld, Mary Wollstonecraft and Mary Hays to demonstrate how these aspects of Romantic literary culture can be traced back to devotional customs. These authors, she shows, sustain the religious force of such customs, but at the same time they make them new, by appropriating devotional models to produce affective, inclusive forms of authorship, print, and reading. In doing so they harness the most up to date technologies and trends in book production and publishing, enabling innovations in literary form and genre and producing new, hybrid modes of writing. Simultaneously, they centre acts of voicing to emphasise that literary texts are catalysts for embodied practices of vocal performance and the creation of community which centres women and girls.

Devotional forms and practices had a shaping influence on female authorship, economies of print, and cultures of reading during the Romantic period. Mary Fairclough analyses the work of Anna Laetitia Barbauld, Mary Wollstonecraft and Mary Hays to demonstrate how these aspects of Romantic literary culture can be traced back to devotional customs. These authors, she shows, sustain the religious force of such customs, but at the same time they make them new, by appropriating devotional models to produce affective, inclusive forms of authorship, print, and reading. In doing so they harness the most up to date technologies and trends in book production and publishing, enabling innovations in literary form and genre and producing new, hybrid modes of writing. Simultaneously, they centre acts of voicing to emphasise that literary texts are catalysts for embodied practices of vocal performance and the creation of community which centres women and girls.

In the long eighteenth century, sympathy was understood not just as an emotional bond, but also as a physiological force, through which disruption in one part of the body produces instantaneous disruption in another. Building on this theory, Romantic writers explored sympathy as a disruptive social phenomenon, which functioned to spread disorder between individuals and even across nations like a 'contagion'. It thus accounted for the instinctive behaviour of people swept up in a crowd. During this era sympathy assumed a controversial political significance, as it came to be associated with both riotous political protest and the diffusion of information through the press. Mary Fairclough reads Edmund Burke, Mary Wollstonecraft, William Godwin, John Thelwall, William Hazlitt and Thomas De Quincey alongside contemporary political, medical and philosophical discourse. Many of their central questions about crowd behaviour still remain to be answered by the modern discourse of collective psychology.

In the long eighteenth century, sympathy was understood not just as an emotional bond, but also as a physiological force, through which disruption in one part of the body produces instantaneous disruption in another. Building on this theory, Romantic writers explored sympathy as a disruptive social phenomenon, which functioned to spread disorder between individuals and even across nations like a 'contagion'. It thus accounted for the instinctive behaviour of people swept up in a crowd. During this era sympathy assumed a controversial political significance, as it came to be associated with both riotous political protest and the diffusion of information through the press. Mary Fairclough reads Edmund Burke, Mary Wollstonecraft, William Godwin, John Thelwall, William Hazlitt and Thomas De Quincey alongside contemporary political, medical and philosophical discourse. Many of their central questions about crowd behaviour still remain to be answered by the modern discourse of collective psychology.

This book investigates the science of electricity in the long eighteenth century and its textual life in literary and political writings. Electricity was celebrated as a symbol of enlightened progress, but its operation and its utility were unsettlingly obscure. As a result, debates about the nature of electricity dovetailed with discussions of the relation between body and soul, the nature of sexual attraction, the properties of revolutionary communication and the mysteries of vitality. This study explores the complex textual manifestations of electricity between 1740 and 1840, in which commentators describe it both as a material force and as a purely figurative one. The book analyses attempts by both elite and popular practitioners of electricity to elucidate the mysteries of electricity, and traces the figurative uses of electrical language in the works of writers including Mary Robinson, Edmund Burke, Erasmus Darwin, John Thelwall, Mary Shelley and Richard Carlile.

This book investigates the science of electricity in the long eighteenth century and its textual life in literary and political writings. Electricity was celebrated as a symbol of enlightened progress, but its operation and its utility were unsettlingly obscure. As a result, debates about the nature of electricity dovetailed with discussions of the relation between body and soul, the nature of sexual attraction, the properties of revolutionary communication and the mysteries of vitality. This study explores the complex textual manifestations of electricity between 1740 and 1840, in which commentators describe it both as a material force and as a purely figurative one. The book analyses attempts by both elite and popular practitioners of electricity to elucidate the mysteries of electricity, and traces the figurative uses of electrical language in the works of writers including Mary Robinson, Edmund Burke, Erasmus Darwin, John Thelwall, Mary Shelley and Richard Carlile.