Mary K. Bercaw Edwards – författare

Based on more than a half-century of research, Herman Melville's Whaling Years is an essential work for Melville scholars. In meticulous and thoroughly documented detail, it examines one of the most stimulating periods in the great author's life--the four years he spent aboard whaling vessels in the Pacific during the early 1840s. Melville would later draw repeatedly on these experiences in his writing, from his first successful novel, Typee, through his masterpiece Moby-Dick, to the poetry he wrote late in life.During his time in the Pacific, Melville served on three whaling ships, as well as on a U.S. Navy man-of-war. As a deserter from one whaleship, he spent four weeks among the cannibals of Nukahiva in the Marquesas, seeing those islands in a relatively untouched state before they were irrevocably changed by French annexation in 1842. Rebelling against duty on another ship, he was held as a prisoner in a native calaboose in Tahiti. He prowled South American ports while on liberty, hunted giant tortoises in the Galapagos Islands, and explored the islands of Eimeo (Moorea) and Maui. He also saw the Society and Sandwich (Hawaiian) Islands when the Western missionary presence was at its height.Heflin combed the logbooks of any ship at sea at the time of Melville's voyages and examined nineteenth-century newspaper items, especially the marine intelligence columns, for mention of Melville's vessels. He also studied British consular records pertaining to the mutiny aboard the Australian whaler Lucy Ann, an insurrection in which Melville participated and which inspired his second novel, Omoo.Distilling the life's work of a leading Melville expert into book form for the first time, this scrupulously edited volume is the most in-depth account ever published of Melville's years on whaleships and how those singular experiences influenced his writing.

“Mary Bercaw Edwards has researched the sources very thoroughly, going well beyond the previously published source studies. The result is a sound historical account of the ‘talk’ Melville encountered in the 1840s, and in emphasizing the oral sources of Melville’s discourses, Edwards provides an original contribution to source studies of Melville. She presents her research interestingly as well, in clear, readable prose. Her scholarship will certainly be of interest to Melville scholars, but it will also engage the attention of anyone interested in American culture and popular culture of the period.”—John Samson, associate professor of English, Texas Tech University At the age of twenty-one, Herman Melville signed on the whaleship Acushnet as a common seaman and sailed from Massachusetts to the South Pacific. Upon reaching Nuku Hiva in the Marquesas Islands, he deserted and spent a month ashore on this reputed “cannibal island.” He departed as crew of another whaleship but was put ashore in the heavily missionized Tahitian islands after participating in a bloodless mutiny. Eventually making his way to Hawaii, he joined the crew of the American frigate United States and finally reached Boston in October 1844 after four years at sea. By the time he sat down to write his first book, Melville had been recounting tales of these experiences orally for four years. The spoken elements of the overlapping discourses involving sailors, cannibals, and missionaries are essential to his first six books. Mary K. Bercaw Edwards investigates the interplay between spoken sources and written narratives. She closely examines how Melville altered original stories, and she questions his truthfulness about his experiences. Bercaw Edwards also explores the synergistic blend of the oral and written worlds of seafaring and the South Pacific and provides an analysis of Melville’s development as a writer. It is a study of the aesthetic, ethical, linguistic, and cultural implications of Melville’s borrowing. Cannibal Old Me is an excellent contribution to Melville scholarship, challenging long-held assumptions regarding his early works. Scholars as well as students will welcome it as an indispensable addition to the study of nineteenth-century literature and maritime history.

“Mary Bercaw Edwards has researched the sources very thoroughly, going well beyond the previously published source studies. The result is a sound historical account of the ‘talk’ Melville encountered in the 1840s, and in emphasizing the oral sources of Melville’s discourses, Edwards provides an original contribution to source studies of Melville. She presents her research interestingly as well, in clear, readable prose. Her scholarship will certainly be of interest to Melville scholars, but it will also engage the attention of anyone interested in American culture and popular culture of the period.”—John Samson, associate professor of English, Texas Tech University At the age of twenty-one, Herman Melville signed on the whaleship Acushnet as a common seaman and sailed from Massachusetts to the South Pacific. Upon reaching Nuku Hiva in the Marquesas Islands, he deserted and spent a month ashore on this reputed “cannibal island.” He departed as crew of another whaleship but was put ashore in the heavily missionized Tahitian islands after participating in a bloodless mutiny. Eventually making his way to Hawaii, he joined the crew of the American frigate United States and finally reached Boston in October 1844 after four years at sea. By the time he sat down to write his first book, Melville had been recounting tales of these experiences orally for four years. The spoken elements of the overlapping discourses involving sailors, cannibals, and missionaries are essential to his first six books. Mary K. Bercaw Edwards investigates the interplay between spoken sources and written narratives. She closely examines how Melville altered original stories, and she questions his truthfulness about his experiences. Bercaw Edwards also explores the synergistic blend of the oral and written worlds of seafaring and the South Pacific and provides an analysis of Melville’s development as a writer. It is a study of the aesthetic, ethical, linguistic, and cultural implications of Melville’s borrowing. Cannibal Old Me is an excellent contribution to Melville scholarship, challenging long-held assumptions regarding his early works. Scholars as well as students will welcome it as an indispensable addition to the study of nineteenth-century literature and maritime history.

This book investigates the highly engaging topic of the literary and cultural significance of ‘sailor talk.’ The central argument is that sailor talk offers a way of rethinking the figure of the nineteenth-century sailor and sailor-writer, whose language articulated the rich, layered, and complex culture of sailors in port and at sea. From this argument many other compelling threads emerge, including questions relating to the seafarer’s multifaceted identity, maritime labor, questions of performativity, the ship as ‘theater,’ the varied and multiple registers of ‘sailor talk,’ and the foundational role of maritime language in the lives and works of Herman Melville, Joseph Conrad, and Jack London. The book also includes nods to James Fenimore Cooper, Rudyard Kipling, and Robert Louis Stevenson. Meticulous scholarly research underpins the close readings of literary texts and the scrupulously detailed biographical accounts of three major sailor-writers. The author’s own lived experience as a seafarer adds a refreshingly materialist dimension to the subtle literary readings. The book represents a valuable addition to a growing scholarly and political interest in the sea and sea literature. By taking the sailor’s viewpoint and listening to sailors’ voices, the book also marks a clear intervention in this developing field.