Maurizio Peleggi – författare
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4 produkter
4 produkter
Häftad, Engelska, 2002
246 kr
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Lords of Things offers a fascinating interpretation of modernity in late nineteenth and early twentieth century Siam by focusing on the novel material possessions and social practices adopted by the royal elite to refashion its self and public image in the early stages of globalization. It examines the westernized modes of consumption and self-presentation, the residential and representational architecture, and the public spectacles appropriated by the Bangkok court not as byproducts of institutional reformation initiated by modernizing sovereigns, but as practices and objects constitutive of the very identity of the royalty as a civilized and civilizing class. Bringing a wealth of new source material into a theoretically informed discussion, Lords of Things will be required reading for historians of Thailand and Southeast Asia scholars generally. It represents a welcome change from previous studies of Siamese modernization that are almost exclusively concerned with the institutional and economic dimensions of the process or with foreign relations, and will appeal greatly to those interested in transnational cultural flows, the culture of colonialism, the invention of tradition, and the relationship between consumption and identity formation in the modern era.
Häftad, Engelska, 2015
387 kr
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A Sarong for Clio testifies to an ongoing intellectual dialogue between its ten contributors and Craig J. Reynolds, who inspired these essays. Conceived as a tribute to an innovative scholar, dedicated teacher, and generous colleague, it is this volume's ambition to make a concerted intervention on Thai historiography—and Thai studies more generally—by pursuing in new directions ideas that figure prominently in Reynolds's scholarship. The writings gathered here revolve around two prominent themes in Reynolds's scholarship: the nexus of historiography and power, and Thai political and business cultures—often so intertwined as to be difficult to separate. The chapters examine different types of historical texts, Thai political discourse and political culture, and the media production of consumer culture.Contributors: Chris Baker; Patrick Jory, University of Queensland, Brisbane; Tamara Loos, Cornell University; Yoshinori Nishizaki, National University of Singapore; James Ockey, University of Canterbury; Maurizio Peleggi, National University of Singapore; Pasuk Phongpaichit, Chulalongkorn University, Bangkok; Kasian Tejapir, Thammasat University, Bangkok; Villa Vilaithong, Chulalongkorn University, Bangkok; Thongchai Winichakul, University of Wisconsin–Madison
Inbunden, Engelska, 2015
795 kr
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A Sarong for Clio testifies to an ongoing intellectual dialogue between its ten contributors and Craig J. Reynolds, who inspired these essays. Conceived as a tribute to an innovative scholar, dedicated teacher, and generous colleague, it is this volume's ambition to make a concerted intervention on Thai historiography—and Thai studies more generally—by pursuing in new directions ideas that figure prominently in Reynolds's scholarship. The writings gathered here revolve around two prominent themes in Reynolds's scholarship: the nexus of historiography and power, and Thai political and business cultures—often so intertwined as to be difficult to separate. The chapters examine different types of historical texts, Thai political discourse and political culture, and the media production of consumer culture.Contributors: Chris Baker; Patrick Jory, University of Queensland, Brisbane; Tamara Loos, Cornell University; Yoshinori Nishizaki, National University of Singapore; James Ockey, University of Canterbury; Maurizio Peleggi, National University of Singapore; Pasuk Phongpaichit, Chulalongkorn University, Bangkok; Kasian Tejapir, Thammasat University, Bangkok; Villa Vilaithong, Chulalongkorn University, Bangkok; Thongchai Winichakul, University of Wisconsin–Madison
Häftad, Engelska, 2007
545 kr
Tillfälligt slut
This book interrogates the relationship between different kinds of modern art and different kinds of cultural contexts in Asian and Pacific countries. The thirteen essays examines how the modern is formed by artists in relation to other traditions and practices (""Western"" or ""folk""), the audience and modern art institutions, and the burgeoning conceptions of the ""national"" as deployed by the post-colonial state. There are essays on the art codes of Maori folk designs applied to buildings, on academy painting in nineteenth-century Indonesia and the Philippines, on contemporary video and performance art from China, on Cambodian street signage, and on the Asia Pacific Triennale. The methodologies applied are broad, from anthropology and art history to cultural studies, and the perspectives include those of academics, curators, and new media theorists. ""In the Eye of the Beholder"" contributes a diverse understanding of where modern and contemporary Asian art is now situated.