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1 937 kr
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In this volume selected papers from several Pericope meetings have been combined into a thematic volume, dealing with the method of unit delimitation. A hitherto unnoticed Tibero-Palestinian manuscript from Paris is discussed, as well as the text divisions in the Leviticus and Joshua Codices from the Schoyen collection and a fifth-century lectionary. The volume closes with a proposal for a new polyglot Bible, containing data with regard to unit delimitation from our traditions, Hebrew, Greek, Syriac and Latin.The Pericope Series aims at making available data on unit delimitation found in biblical and related manuscripts to the scholarly world and provides a platform for evaluating this hitherto largely neglected evidence for the benefit of biblical interpretation.
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This volume contains papers dealing with the impact of unit delimitation on exegesis. Pargraph markers play an important role in literature, this is illustrated by means of the examples of Mark 12:13-27 and Romans 1:21-25. The setumah after Isaiah 8:16 is significant for understanding the making of the Hebrew Bible. Furthermore, it is demonstrated that the text divisions in the Book of Daniel guide the reading of the text. The demarcation of hymns and prayers in the prophets is illustrated by the examples of Hosea 6:1-3 and Isaiah 42:10-12. Unit delimitation is taken up for the theory of an acrostichon in Nahum 1. Also discussed is the delimitation of units in Genesis, Isaiah 56:1-9, and Jeremiah and Habakkuk.
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The silence of God is a recurring theme in modern reflection. It is not only addressed in theology, religious studies and philosophy, but also in literary fiction, film and theatre. The authors show that the concept of a silent deity emerged in the ancient Near East (including Greece). What did the Ancients mean when they assumed that under circumstances their deities remained silent? What reasons are discernable for silence between human beings and their gods? For the first time the close interrelation between the divine and the human in the revelatory process is demonstrated here on the basis of a wealth of translated ancient texts. In an intriguing epilogue, the authors explore the theological consequences of what they have found.
1 346 kr
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The silence of God is a recurring theme in modern reflection. It is not only addressed in theology, religious studies and philosophy, but also in literary fiction, film and theatre. The authors show that the concept of a silent deity emerged in the ancient Near East (including Greece). What did the Ancients mean when they assumed that under circumstances their deities remained silent? What reasons are discernible for silence between human beings and their gods? For the first time the close interrelation between the divine and the human in the revelatory process is demonstrated here on the basis of a wealth of translated ancient texts. In an intriguing epilogue, the authors explore the theological consequences of what they have found.