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Annotating Eighteenth-Century Literature
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Inthis collection of essays representing fifty years of scholarship on LaurenceSterne, Melvyn New brings Sterne into conversation with other authors—both hiscontemporaries, such as James Boswell and Samuel Richardson, and modernists,such as Marcel Proust and James Joyce.
Newbegins by focusing on Sterne’s texts and their sources, discussing the purposesof his famous borrowings from past writings, his Anglicanism, and his relianceon John Norris of Bemerton. This section concludes with an argument for theremoval from Sterne’s canon of “The Unknown World.” New then offers severalreadings based on placing diverse texts in proximity: Charles Dickens’s Dombeyand Son alongside the philosophy of Emmanuel Levinas, and Samuel Johnson’s “London”against T. S. Eliot’s “The Love Song of J. Alfred Prufrock.” Thefinal section offers several proximate readings of Sterne alongside hiscontemporaries, Jonathan Swift, Richardson, and Boswell, and modernist authors andtexts—Proust, Bruno Schulz, Virginia Woolf’s Mrs. Dalloway, and Joyce’s APortrait of the Artist as a Young Man.
As he brings these varied authors together, Newsuggests that literary greatness inheres in the uncertainties and mysteries—inthe words of Keats—of works proven capable of attracting thoughtful attention overvarying times and wide spaces. He encourages the continued teaching of thesechallenging texts in the future of literary studies.973 kr
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This book is an annotated edition of The Correspondents: An Original Novel (1775), a work, as the introduction argues, derived from A Sentimental Journey, and one of the best of the many later efforts to capture Sterne’s unique blend of sensibility and sensuality. The introduction will make the case for its authorship being an actual exchange of love letters between George Lord Lyttelton (1709–1773) and Apphia Peach Lyttelton (1743–1840), his daughter-in-law, 30 years younger than her father-in-law at the time of the exchange. In our inability to understand precisely what happened between the two is the genius of their imitation of Sterne. It is an ambiguity that results from the conscious reshaping of the original letters into a narrative, probably by Apphia Peach in the 2 years between Lyttelton’s death and its publication.
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This book is an annotated edition of The Correspondents: An Original Novel (1775), a work, as the introduction argues, derived from A Sentimental Journey, and one of the best of the many later efforts to capture Sterne’s unique blend of sensibility and sensuality. The introduction will make the case for its authorship being an actual exchange of love letters between George Lord Lyttelton (1709–1773) and Apphia Peach Lyttelton (1743–1840), his daughter-in-law, 30 years younger than her father-in-law at the time of the exchange. In our inability to understand precisely what happened between the two is the genius of their imitation of Sterne. It is an ambiguity that results from the conscious reshaping of the original letters into a narrative, probably by Apphia Peach in the 2 years between Lyttelton’s death and its publication.
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