E. Derek Taylor – författare

One of the most important novels of the eighteenth-century, Sir Charles Grandison [1753] shaped the English courtship novel, and was loved and admired by both Jane Austen and George Eliot. The book follows the life of Sir Charles, a man parallel in virtue with Richardson's female paragons Clarissa and Pamela; and a response to the fallible protagonist Tom Jones in Fielding's popular satire of moralising novels. Forming part of the first full scholarly edition of Richardson's complete works, comprehensive general and textual introductions significantly revise and advance understanding of the composition and printing history of Richardson's final novel, and reveal the central place of Sir Charles in the literature of the period. Including Richardson's Historical Index for the first time in any edition, extensive annotations and expansive notes also give readers crucial context, and provides scholars with paths to follow for future research.

Given the progress made in recent years in recovering the writings of early modern women, one might expect that a complete set of the important works of Mary Astell (1666-1731) would have been reissued long before now. Instead, only portions of the thought of the 'First English Feminist' have reached a wide academic audience. This volume presents a critical and annotated edition of the correspondence between Astell and John Norris of Bemerton (1657-1711), Letters Concerning the Love of God, which was published in three separate editions during the seventeenth and eighteenth centuries (1695, 1705, 1730). This work had profound significance in eighteenth-century intellectual and religious circles, and represents a crucial step in the development of Norris and Astell's philosophical and theological opposition to that most prominent of Enlightenment figures, John Locke. Letters Concerning the Love of God includes, as contextual material, Norris's Cursory Reflections upon a Book Call'd, An Essay Concerning Human Understanding (1690), the first published philosophical response to (as Bishop Stillingfleet would later put it) Locke's 'new way of ideas,' and Astell's biting and comprehensive attack on Locke in the 'Appendix' to the second edition of The Christian Religion, As Professed by a Daughter of the Church of England (1717). These texts serve to place both Letters and its authors in the contentious philosophical-theological climate to which they belonged, one wherein, most significantly, Locke's present-day preeminence had yet to be realized. The editors' extensive introduction and annotations to this volume not only provide background on the historical and biographical elements, but also elucidate philosophical and theological concepts that are perhaps unfamiliar to modern readers.

What distinguishes Clarissa from Samuel Richardson's other novels is Richardson's unique awareness of how his plot would end. In the inevitability of its conclusion, in its engagement with virtually every category of human experience, and in its author's desire to communicate religious truth, the author suggests, Clarissa truly is the Paradise Lost of the eighteenth century. Arguing that Clarissa's cohesiveness and intellectual rigor have suffered from the limitations of the Lockean model frequently applied to the novel, Taylor turns to the writings of John Norris, a well-known disciple of the theosophy of Nicolas Malebranche. Allusions to this first of Locke's philosophical critics appear in each of the novel's installments, and Taylor persuasively documents how Norris's ideas provided Richardson with a usefully un-Lockean rhetorical grounding for Clarissa. Further, the writings of early feminists like Norris's intellectual ally Mary Astell, who viewed her arguments on behalf of women as compatible with her conservative and deeply held religious and political views, provide Richardson with the combination of progressive feminism and conservative theology that animate the novel. In a convincing twist, Taylor offers a closely argued analysis of Lovelace's oft-stated declaration that he will not be 'out-Norris'd' or 'out-plotted' by Clarissa, showing how the plot of the novel and the plot of all humans exist, in the context of Richardson's grand theological experiment, within, through, and by a concurrence of divine energy.

Given the progress made in recent years in recovering the writings of early modern women, one might expect that a complete set of the important works of Mary Astell (1666-1731) would have been reissued long before now. Instead, only portions of the thought of the 'First English Feminist' have reached a wide academic audience. This volume presents a critical and annotated edition of the correspondence between Astell and John Norris of Bemerton (1657-1711), Letters Concerning the Love of God, which was published in three separate editions during the seventeenth and eighteenth centuries (1695, 1705, 1730). This work had profound significance in eighteenth-century intellectual and religious circles, and represents a crucial step in the development of Norris and Astell's philosophical and theological opposition to that most prominent of Enlightenment figures, John Locke. Letters Concerning the Love of God includes, as contextual material, Norris's Cursory Reflections upon a Book Call'd, An Essay Concerning Human Understanding (1690), the first published philosophical response to (as Bishop Stillingfleet would later put it) Locke's 'new way of ideas,' and Astell's biting and comprehensive attack on Locke in the 'Appendix' to the second edition of The Christian Religion, As Professed by a Daughter of the Church of England (1717). These texts serve to place both Letters and its authors in the contentious philosophical-theological climate to which they belonged, one wherein, most significantly, Locke's present-day preeminence had yet to be realized. The editors' extensive introduction and annotations to this volume not only provide background on the historical and biographical elements, but also elucidate philosophical and theological concepts that are perhaps unfamiliar to modern readers.