Michael Gorra – författare

A wonderful new selection of Henry James's short stories exploring the relationship between art and life, edited by Michael Gorra.This volume gathers seven of the very best of Henry James's short stories, all focussing the relationship between art and life. In 'The Aspern Papers', a critic is determined to get his hands on a great poet's papers hidden in a faded Venetian house - not matter what the human cost. 'The Author of Beltraffio', 'The Lesson of the Master' and 'The Figure in the Carpet' all focus on naive young men's unsettling encounters with their literary heroes. In 'The Middle Years', a dying novelist begins to glimpse his own potential, while 'The Real Thing' and 'Greville Fane' both explore the tension between artistic and commercial success. These fables of the creative life reveal James at his ironic, provocative best.Henry James was born in 1843 in New York and died in London in 1916. In addition to many short stories, plays, books of criticism, autobiography and travel, he wrote some twenty novels, the first published being Roderick Hudson (1875). They include The Europeans, Washington Square, The Portrait of a Lady, The Bostonians, The Princess Casamassima, The Tragic Muse, The Spoils of Poynton, The Awkward Age, The Wings of the Dove, The Ambassadors and The Golden Bowl.Michael Gorra is Professor of English at Smith College and the author of Portrait of a Novel: Henry James and the Making of an American Masterpiece (2012), a finalist for both the Pulitzer Prize and the James Tait Black Memorial Prize in biography.

A wonderful new collection of Henry James's short stories about the relationship between art and life, edited by Michael Gorra.This volume gathers seven of the very best of Henry James's short stories, all exploring the relationship between art and life. In 'The Aspern Papers', a critic is determined to get his hands on a great poet's papers hidden in a faded Venetian house - not matter what the human cost. 'The Author of Beltraffio', 'The Lesson of the Master' and 'The Figure in the Carpet' all focus on naive young men's unsettling encounters with their literary heroes. In 'The Middle Years', a dying novelist begins to glimpse his own potential, while 'The Real Thing' and 'Greville Fane' both explore the tension between artistic and commercial success. These fables of the creative life reveal James at his ironic, provocative best.Henry James was born in 1843 in New York and died in London in 1916. In addition to many short stories, plays, books of criticism, autobiography and travel, he wrote some twenty novels, the first published being Roderick Hudson (1875). They include The Europeans, Washington Square, The Portrait of a Lady, The Bostonians, The Princess Casamassima, The Tragic Muse, The Spoils of Poynton, The Awkward Age, The Wings of the Dove, The Ambassadors and The Golden Bowl.Michael Gorra is Professor of English at Smith College and the author of Portrait of a Novel: Henry James and the Making of an American Masterpiece (2012), a finalist for both the Pulitzer Prize and the James Tait Black Memorial Prize in biography.

This study explores the ways in which three novelists of empire - Paul Scott, V.S. Naipaul and Salman Rushdie - have charted the perpetually drawn and perpetually blurred boundaries of identity in the wake of British imperialism. Arguing against a model of cultural identity based on race, Gorra begins with Scott's portrait, in "The Raj Quartet", of the character Hari Kumar - a seeming oxymoron, an "English boy with a dark brown skin", whose very existence undercuts the belief in an absolute distinction between England and India. He then considers the different figures of Naipaul and Rushdie, two novelists of the Indian diaspora. Whereas Naipaul's long and controversial career is said to map the "deep disorder" spread by imperialism and its passing, Rushdie demonstrates that certain consequences of that disorder, such as migrancy and mimicry, have themselves become creative forces. The readings of postcolonial fiction included in this study demonstrate how imperialism helped shape British national identity, and how, after the end of empire, that identity must be reconfigured.

In After Empire Michael Gorra explores how three novelists of empire—Paul Scott, V. S. Naipaul, and Salman Rushdie—have charted the perpetually drawn and perpetually blurred boundaries of identity left in the wake of British imperialism. Arguing against a model of cultural identity based on race, Gorra begins with Scott''s portrait, in The Raj Quartet, of the character Hari Kumar—a seeming oxymoron, an "English boy with a dark brown skin," whose very existence undercuts the belief in an absolute distinction between England and India. He then turns to the opposed figures of Naipaul and Rushdie, the two great novelists of the Indian diaspora. Whereas Naipaul''s long and controversial career maps the "deep disorder" spread by both imperialism and its passing, Rushdie demonstrates that certain consequences of that disorder, such as migrancy and mimicry, have themselves become creative forces. After Empire provides engaging and enlightening readings of postcolonial fiction, showing how imperialism helped shape British national identity—and how, after the end of empire, that identity must now be reconfigured.

Tracing the origins of the modern short story, Michael Gorra provides the first fully realized picture of a century’s worth of great tales. The Storytellers offers a far-reaching account of the rich tradition of short narratives that flourished in nineteenth-century Europe and America, one that both prepared for and eventually gave way to the modern short story. Tracing unexpected resemblances across languages and decades, Michael Gorra restores a wide-angle view of the form in which works usually treated as stand-alone classics reveal themselves as parts of a single, lively conversation.What unites these tales, Gorra argues, is their blend of novelty and unity. The book’s heart lies in a series of accessible readings of great tales by Herman Melville, Nikolai Gogol, Ivan Turgenev, E. T. A. Hoffmann, Guy de Maupassant, Nathaniel Hawthorne, Arthur Conan Doyle, Sarah Orne Jewett, Charles Chesnutt, and many more. Beyond its consideration of individual works, The Storytellers examines the formal and thematic concerns that bind the century together: the use of frame tales, accounts of social marginality, and an abundance of ghosts and uncanny coincidences. Over time, Gorra shows, these qualities yielded to a cooler realism, with Anton Chekhov as the key transitional figure. His compressed studies of ordinary lives inspired the modern short story and consigned the gothic flourishes of earlier tales to genre fiction.What do we want from a story? What makes a tale worth telling? The nineteenth-century tale sought not the grand “meaning of life” promised by the novel, Gorra shows, but sudden revelations from singular events. The Storytellers gives readers an incomparable guide to a vast body of tales that still has the power to thrill and entertain.

'So far as the young were concerned,' Orwell wrote of Britain in the years after the Great War, 'the official beliefs were dissolving like sandcastles.' Most critical accounts of that postwar generation have been constrained by having to deal with the myth of the 'thirties.' Michael Gorra's innovation in this exciting study of the postwar generation's major novelists lies in seeing the consequences of that dissolution in formal rather than political terms, arguing that the novelist's difficulty in representing human character in what Wyndham Lewis called a 'shell-shocked' age is itself a sign of that loss of belief. But while most studies of this generation end with the coming of World War 2, Gorra follows these novelists throughout their careers. The result is a book that not only shows how the British novel's increasing consciousness of its own limitations stands as a mirror to the country's loss of power, but also provides memorable portraits of four major twentieth century writers.

This Norton Critical Edition is based on the 1985 corrected text and is accompanied by newly updated and expanded explanatory annotations and an introduction by Michael Gorra.“Backgrounds and Contexts” is divided into three sections, each of which includes a concise introduction by Michael Gorra that carefully frames the issues presented, with particular attention to As I Lay Dying’s place in Faulkner’s literary life. “Contemporary Reception” includes a selection of seven reviews, including those by Julia K. W. Baker, Henry Nash Smith, and Valery Larbaud. “The Writer and His Work” examines Faulkner’s own claims regarding the composition of the novel and his changing opinions over time, sample pages from the manuscript, his Nobel Prize address, and additional writings by Faulkner on Yoknapatawpha County. “Cultural Context” reprints seven essays and advertisements—three selections new to the Second Edition—along with other materials that address questions of Southern motherhood, Agrarianism, and the Southern grotesque.“Criticism” begins with the editor’s introduction to As I Lay Dying’s critical history and scholarly reception. Eleven critical essays are included—five new to the Second Edition—by Olga W. Vickery, Cleanth Brooks, Eric Sundquist, Doreen Fowler, Dorothy J. Hale, Patrick O’Donnell, John T. Matthews, John Limon, Richard Godden, Susan Scott Parrish, and Erin E. Edwards.A chronology and a selected bibliography are also included.

This Norton Critical Edition includes: ⁊ The New York Edition of the novel, accompanied by Michael Gorra's introduction and explanatory footnotes.⁊ Background and contextual materials centering on James as a writer, The Portrait of a Lady in revision, and reviews of the novel by James's contemporaries.⁊ Seven important critical essays, chosen for their accessibility.⁊ A Chronology and Suggestions for Further Reading. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format-annotated text, contexts, and criticism-helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

Nobody writes travelogues about Germany. The country spurs many anxious volumes of investigative reporting--books that worry away at the "German problem," World War II, the legacy of the Holocaust, the Wall, reunification, and the connections between them. But not travel books, not the free-ranging and impressionistic works of literary nonfiction we associate with V. S. Naipaul and Bruce Chatwin. What is it about Germany and the travel book that puts them seemingly at odds? With one foot in the library and one on the street, Michael Gorra offers both an answer to this question and his own traveler's tale of Germany. Gorra uses Goethe's account of his Italian journey as a model for testing the traveler's response to Germany today, and he subjects the shopping arcades of contemporary German cities to the terms of Benjamin's Arcades project. He reads post-Wende Berlin through the novels of Theodor Fontane, examines the role of figurative language, and enlists W. G. Sebald as a guide to the place of fragments and digressions in travel writing.Replete with the flaneur's chance discoveries--and rich in the delights of the enduring and the ephemeral, of architecture and flood--The Bells in Their Silence offers that rare traveler's tale of Germany while testing the very limits of the travel narrative as a literary form.

Henry James (1843-1916) has had many biographers but Michael Gorra has taken an original approach to this great American progenitor of the modern novel, combining elements of biography, criticism and travelogue in re-creating the dramatic backstory of James’s masterpiece, Portrait of a Lady (1881). Gorra shows how this scandalous story came to be written. Travelling to Italy, France and England, he sheds new light on James’s family, the European literary circles of George Eliot, Flaubert and Turgenev in which James made his name, and the psychological forces that enabled him to create the most memorable female protagonist. A piercing detective story, Portrait of a Novel provides a brilliant account of the greatest American novel of expatriate life ever written.

Henry James (1843-1916) has had many biographers but Michael Gorra has taken an original approach to this great American progenitor of the modern novel, combining elements of biography, criticism and travelogue in re-creating the dramatic backstory of James’s masterpiece, Portrait of a Lady (1881). Gorra shows how this scandalous story came to be written. Travelling to Italy, France and England, he sheds new light on James’s family, the European literary circles of George Eliot, Flaubert and Turgenev in which James made his name, and the psychological forces that enabled him to create the most memorable female protagonist. A piercing detective story, Portrait of a Novel provides a brilliant account of the greatest American novel of expatriate life ever written.

This Norton Critical Edition includes:The 1929 text of The Sound and the Fury, corrected by textual scholar Noel Polk to correspond to Faulkner’s original complete manuscript.A reimagined preface, revised headnotes, and expanded footnotes by Michael Gorra to contextualize, among other aspects, racial epithets and biblical allusions.Additional writings by Faulkner, ranging from selected letters to his address upon receiving the Nobel Prize for Literature.Contextual materials illuminating contemporary responses to the novel and the cultural and historical environment of Faulkner’s Mississippi, featuring new photographs of Oxford by George G. Stewart.Over 15 critical essays.A selected bibliography and a chronology.

Michael Gorra asks provocative questions in this historic portrait of William Faulkner and his world. He explores whether William Faulkner should still be read in this new century and asks what his works tell us about the legacy of slavery and the American Civil War, the central quarrel in America’s history.Born in 1897 in Mississippi, Faulkner wrote such iconic novels as Absalom, Absalom! and The Sound and the Fury, creating in Yoknapatawpha County the richest gallery of characters in American fiction, his achievements culminating in the 1949 Nobel Prize in Literature. But given his works’ echo of "Lost Cause" romanticism, his depiction of black characters and black speech, and his rendering of race relations in a largely unreconstructed South, Faulkner demands a sobering reevaluation. Interweaving biography, absorbing literary criticism and rich travelogue, The Saddest Words recontextualises Faulkner, revealing a civil war within him, while examining the most plangent cultural issues facing American literature today.

''So far as the young were concerned,'' Orwell wrote of Britain in the years after the Great War, ''the official beliefs were dissolving like sandcastles.'' Most critical accounts of that postwar generation have been constrained by having to deal with the myth of the ''thirties.'' Michael Gorra''s innovation in this exciting study of the postwar generation''s major novelists lies in seeing the consequences of that dissolution in formal rather than political terms, arguing that the novelist''s difficulty in representing human character in what Wyndham Lewis called a ''shell-shocked'' age is itself a sign of that loss of belief. But while most studies of this generation end with the coming of World War 2, Gorra follows these novelists throughout their careers. The result is a book that not only shows how the British novel''s increasing consciousness of its own limitations stands as a mirror to the country''s loss of power, but also provides memorable portraits of four major twentieth century writers.

'So far as the young were concerned,' Orwell wrote of Britain in the years after the Great War, 'the official beliefs were dissolving like sandcastles.' Most critical accounts of that postwar generation have been constrained by having to deal with the myth of the 'thirties.' Michael Gorra's innovation in this exciting study of the postwar generation's major novelists lies in seeing the consequences of that dissolution in formal rather than political terms, arguing that the novelist's difficulty in representing human character in what Wyndham Lewis called a 'shell-shocked' age is itself a sign of that loss of belief. But while most studies of this generation end with the coming of World War 2, Gorra follows these novelists throughout their careers. The result is a book that not only shows how the British novel's increasing consciousness of its own limitations stands as a mirror to the country's loss of power, but also provides memorable portraits of four major twentieth century writers.

Michael Gorra asks provocative questions in this historic portrait of William Faulkner and his world. He explores whether William Faulkner should still be read in this new century and asks what his works tell us about the legacy of slavery and the American Civil War, the central quarrel in America’s history.Born in 1897 in Mississippi, Faulkner wrote such iconic novels as Absalom, Absalom! and The Sound and the Fury, creating in Yoknapatawpha County the richest gallery of characters in American fiction, his achievements culminating in the 1949 Nobel Prize in Literature. But given his works’ echo of "Lost Cause" romanticism, his depiction of black characters and black speech, and his rendering of race relations in a largely unreconstructed South, Faulkner demands a sobering reevaluation. Interweaving biography, absorbing literary criticism and rich travelogue, The Saddest Words recontextualises Faulkner, revealing a civil war within him, while examining the most plangent cultural issues facing American literature today.

William Faulkner’s provocative and enigmatic 1929 novel, The Sound and the Fury, is widely acknowledged as one of the most important English-language novels of the twentieth century. This revised and expanded Norton Critical Edition builds on the strengths of its predecessors while focusing new attention on both the novel’s contemporary reception and its rich cultural and historical contexts. The text for the Third Edition is again that of the corrected text scrupulously prepared by Noel Polk, whose textual note precedes the novel. David Minter’s annotations, designed to assist readers with obscure words and allusions, have been retained.“Contemporary Reception,” new to the Third Edition, considers the broad range of reactions to Faulkner’s extraordinary novel on publication. Michael Gorra’s headnote sets the stage for assessments by Evelyn Scott, Henry Nash Smith, Clifton P. Fadiman, Dudley Fitts, Richard Hughes, and Edward Crickmay. New materials by Faulkner (“The Writer and His Work”) include letters to Malcolm Cowley about The Portable Faulkner and Faulkner’s Nobel Prize for Literature address. “Cultural and Historical Contexts” begins with Michael Gorra’s insightful headnote, which is followed by seven seminal considerations—five of them new to the Third Edition—of southern history, literature, and memory. Together, these works—by C. Vann Woodward, Richard H. King, Richard Gray, William Alexander Percy, Lillian Smith, William James, and Henri Bergson—provide readers with important contexts for understanding the novel.“Criticism” represents eighty-five years of scholarly engagement with The Sound and the Fury. New to the Third Edition are essays by Eric Sundquist, Noel Polk, Doreen Fowler, Richard Godden, Stacy Burton, and Maria Truchan-Tataryn.A Chronology of Faulkner’s life and work is newly included along with an updated Selected Bibliography.