Michael Holman – författare

In their introduction to this collection of essays, the editors argue that constraints can be seen as a source of literary creativity, and given that translation is even more constrained than ''original'' literary production, it thus has the potential to be even more creative too. The ten essays that follow outline ways in which translators and translations are constrained by poetic form, personal histories, state control, public morality, and the non-availability of comparable target language subcodes, and how translator creativity may-or may not-overcome these constraints. Topics covered are: Baudelaire''s translation practices; bowdlerism in translations of Voltaire, Boccaccio and Shakespeare, among others; Leyris''s translations of Gerard Manley Hopkins; ideology in English-Arabic translation; the translation of censored Greek poet Rhea Galanaki; theatre translation; Nabokov and translation; gay translation; Moratín''s translation of Hamlet; and state control of translation production in Nazi Germany. The essays are mostly highly readable, and often entertaining.

In their introduction to this collection of essays, the editors argue that constraints can be seen as a source of literary creativity, and given that translation is even more constrained than ''original'' literary production, it thus has the potential to be even more creative too. The ten essays that follow outline ways in which translators and translations are constrained by poetic form, personal histories, state control, public morality, and the non-availability of comparable target language subcodes, and how translator creativity may-or may not-overcome these constraints. Topics covered are: Baudelaire''s translation practices; bowdlerism in translations of Voltaire, Boccaccio and Shakespeare, among others; Leyris''s translations of Gerard Manley Hopkins; ideology in English-Arabic translation; the translation of censored Greek poet Rhea Galanaki; theatre translation; Nabokov and translation; gay translation; Moratín''s translation of Hamlet; and state control of translation production in Nazi Germany. The essays are mostly highly readable, and often entertaining.

In their introduction to this collection of essays, the editors argue that constraints can be seen as a source of literary creativity, and given that translation is even more constrained than 'original' literary production, it thus has the potential to be even more creative too. The ten essays that follow outline ways in which translators and translations are constrained by poetic form, personal histories, state control, public morality, and the non-availability of comparable target language subcodes, and how translator creativity may-or may not-overcome these constraints. Topics covered are: Baudelaire's translation practices; bowdlerism in translations of Voltaire, Boccaccio and Shakespeare, among others; Leyris's translations of Gerard Manley Hopkins; ideology in English-Arabic translation; the translation of censored Greek poet Rhea Galanaki; theatre translation; Nabokov and translation; gay translation; Moratín's translation of Hamlet; and state control of translation production in Nazi Germany. The essays are mostly highly readable, and often entertaining.

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FIRST-HAND POLITICAL REPORTING FROM ENVELOPEBOOKSMichael Holman's eye-witness reports on Eastern and Southern Africa for the Financial Times and other media provide rare insights into the region's post-independence successes and setbacks.From his accounts of atrocities by Rhodesian forces in the 1960s to his interviews with those who aspired to lead Africa into its own future and assessments of how they actually performed, Holman brings together a lifetime of commentary on a continent he grew up in, knows acutely and loves dearly.Written with the benefit of exceptional access, Holman's writings still hold out hope for Africa, in spite of decades of disappointment at the structural mismanagement of the nations themselves, the flawed policies of donor countries and funders, and the hateful legacy of imperialism.Essential reading for anyone wanting an introduction to the first half-century of Africa's post-colonial history.