Michael Omasta – författare
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3 produkter
3 produkter
Häftad, Engelska, 2008
291 kr
Skickas inom 5-8 vardagar
In his 1929 Hollywood production The Case of Lena Smith, director Josef von Sternberg vividly brought to life his youthful memories of the turn of the 20th century through the story a young woman fighting the oppressive class system of Imperial Vienna. Critic Dwight Macdonald called it “the most completely satisfying American film I have seen.” And yet, only a short fragment survives. Assembling 150 original stills and set designs, numerous script and production documents and essays by eminent film historians, the book reconstructs one of the legendary lost masterpieces of the American cinema. It also includes essays by Janet Bergstrom, Gero Gandert, Franz Grafl, Alexander Horwath, Hiroshi Komatsu and Michael Omasta, a preface by Meri von Sternberg, as well as contemporary reviews and excerpts from Viennese literature of the era.
Häftad, Engelska, 2013
378 kr
Skickas inom 11-20 vardagar
Romuald Karmakar's work in the fields of fiction and documentary holds a unique place in European film. It also stands in clear opposition to the dominant ways of the German film industry - both aesthetically and in its head-on treatment of several sore spots in German history. Time and again the 45-year-old director has engaged with "impossible" characters and "borderline" subjects: mercenaries, a notorious Nazi speech, the terror of being in a relationship, an imprisoned serial killer, or what it means to truly experience electronic and techno music. The book presents Karmakar's work in its entirety for the first time. It includes a 130-page essay by Olaf Möller, several conversations with the artist, an annotated filmography, and selected writings by Romuald Karmakar, including a number of unproduced treatments.
Häftad, Engelska, 2021
290 kr
Skickas inom 11-20 vardagar
With her documentaries and essay films since the late 1970s, Viennese filmmaker Ruth Beckermann has created an exciting and widely recognized body of personal/political cinema. Her work reflects on the relations between history and contemporaneity, on her life as a Jewish woman in postwar Austria and Europe, and on travelling and migration as modes of staying alive - literally as well as artistically. Beckermann's films speak about identity conflicts and the class struggle, about her family history in the Habsburg monarchy (The Paper Bridge) and the war generation as it confronts the crimes of the Werhrmacht (East of War). Most recently, she has turned her sights towards the deep love affair between two poets, Paul Celan und Ingeborg Bachmann, in 1950s Vienna (The Dreamed Ones). This is the first book about Ruth Beckermann's multifaceted oeuvre, with original essays by critics and literary writers, rare illustrations and documents, and an in-depth conversation with the artist. Also included are Beckermann's reflections on her current project, The Case of Kurt Waldheim.