Michael Wiegers – författare

The centuries have changed little in this art, The subjects are still the same.—Kenneth Rexroth

Why poetry? What is poetry and why do people write it and read it? Why, as Dana Levin has written, "this urge to making a scrapbook of stars"?

Every poet, by accident or design, has responded to "Why poetry" by writing a poem about poetry (an ars poetica). Whether these poems focus on the personal, political, or philosophical, each recognizes that our world is more complicated than a direct statement.

As Marvin Bell has written, "Writing is all and everything." This anthology of poems about the art and life of poetry—which draws widely from Copper Canyon’s 30-year backlist of poetry books—proves him right.

Poets write out of love and longing:

Lord, let me live / long enough to dare /a love poem —Cyrus Cassells

Poets confront suffering:

since we will always have a suffering world, we must also always have a song.—David Budbill

And poets write in order to live fully:

We all stumble into ourselves /like this, fitting our fingers to the shape of letters,/ while the page gallops out of our reach—Rebecca Seiferle

Only poetry lasts.—Ho Xuan Huong

Michael Wiegers is the Managing Editor at Copper Canyon Press.

CONTRIBUTORS Included: [box] Kay Boyle, Olga Broumas, Hayden Carruth, Norman Dubie, Han Shan, Jim Harrison, Carolyn Kizer, W.S. Merwin, Jane Miller, Kenneth Rexroth, Ruth Stone, Anna Swir

Copper Canyon Press celebrates its first 50 years of poetry publishing in anticipation of the next 50 years.

Poetry is vital to language and living. This anthology celebrates 50 years of Copper Canyon Press publications, one extraordinary poem at a time. Since its founding, Copper Canyon has been entirely dedicated to publishing poetry books; here Editor in Chief Michael Wiegers invites press staff and board—past and present—to help curate a retrospective. The result is a collection of beloved poems from books spanning half a century: representing Pulitzer Prize-winning books, debut collections, works in translation, and rare books from Copper Canyon’s early days. This book is a tribute to Copper Canyon poets and readers everywhere, because, as Gregory Orr writes, “Certain poems / In an uncertain world— / The ones we cling to: // They bring us back.”

A compendium of stories about the importance of poems in people’s lives, accumulating a remarkable history of Copper Canyon Press.

For its fiftieth anniversary, Copper Canyon Press invited a broad community of staffers, board members, and poets to help curate a celebratory anthology that it named A House Called Tomorrow. The response to that invitation, however, exceeded the book. The Press received so many stories about the poems, from people far and wide, that it knew it had to publish a second volume—this one. 

Come Shining is both an oral (and visual) history of Copper Canyon Press and a lasting testament to the power of poetry within people’s lives. If A House Called Tomorrow is the birthday cake, this is the birthday party: a joyous din of reminiscences, laughter, support, and yet more poems, all bound between two covers. Contributor stories are organized across thematic sections—such as “Personal Voltas” and “Stories for Our Tomorrow”—and are accompanied by a timeline of the Press, historic photos, and facsimiles of touching notes that Copper Canyon has received from readers and poets. The result is a remarkable account of a half-century of publishing, proof positive that poetry is, indeed, vital to language and living.

The Essential C.D. Wright gathers rare selections across the famed poet’s entire oeuvre—from the first book, Alla Breve Loving (1976), through to ShallCross, which was in production at the time of her unexpected death in 2016. Tracing a writing life that spans more than four decades, this essential collection illuminates works that remain empowered by an unrelenting independence, a reverence for mentors, and wry, wisecracking lyricism. A formally restless, energetic, uncompromising, and utterly unique voice, C.D. Wright introduced a contemporary audience to the promise and power of docupoetics, while pushing the musical boundaries of vernacular speech and reshaping American poetry. With a moving introduction by Forrest Gander, this volume cements C.D. Wright’s place in the literary canon.