Michal Murawski – författare

The Palace of Culture and Science is a massive Stalinist skyscraper that was "gifted" to Warsaw by the Soviet Union in 1955. Framing the Palace's visual, symbolic, and functional prominence in the everyday life of the Polish capital as a sort of obsession, locals joke that their city suffers from a "Palace of Culture complex." Despite attempts to privatize it, the Palace remains municipally owned, and continues to play host to a variety of public institutions and services. The Parade Square, which surrounds the building, has resisted attempts to convert it into a money-making commercial center. Author Michał Murawski traces the skyscraper's powerful impact on 21st century Warsaw; on its architectural and urban landscape; on its political, ideological, and cultural lives; and on the bodies and minds of its inhabitants. The Palace Complex explores the many factors that allow Warsaw's Palace to endure as a still-socialist building in a post-socialist city.

The Palace of Culture and Science is a massive Stalinist skyscraper that was "gifted" to Warsaw by the Soviet Union in 1955. Framing the Palace's visual, symbolic, and functional prominence in the everyday life of the Polish capital as a sort of obsession, locals joke that their city suffers from a "Palace of Culture complex." Despite attempts to privatize it, the Palace remains municipally owned, and continues to play host to a variety of public institutions and services. The Parade Square, which surrounds the building, has resisted attempts to convert it into a money-making commercial center. Author Michał Murawski traces the skyscraper's powerful impact on 21st century Warsaw; on its architectural and urban landscape; on its political, ideological, and cultural lives; and on the bodies and minds of its inhabitants. The Palace Complex explores the many factors that allow Warsaw's Palace to endure as a still-socialist building in a post-socialist city.

A subjective, candid, multi-vocal story about the creation of the building of the Museum of Modern Art in Warsaw.  Warsaw’s Parade Square, where the MSN building designed by Thomas Phifer stands, is a unique place and a meaningful context for the Museum. The square, over which the Palace of Culture looms, was Poland’s center of communist state life. Later, it was the arena for the formation of Polish capitalism, with market stalls and gleaming office towers sprouting up around it. This is where fierce land reprivatization disputes erupted, and where newcomers to Warsaw first arrive on trains and buses—including refugees from Ukraine under attack from Russia.Michał Murawski interweaves these threads, pinpointing the “spatio-temporal and infrastructural nexus” in which the new Museum exists, and proposing an institutional  “ideology” to emerge from it.The author’s tour-de-force essay introduces a narrative, further explored through conversations with experts in art, architecture, and activism. A timeline summarizes the complex history of MSN’s new building.The guide throughout this story is Alina Szapocznikow’s 1954 sculpture Friendship, which for almost forty years welcomed those entering the Palace, only to later disappear from view, and now returns, albeit in an amputated form, to the square—in the Museum of Modern Art.