Can a reality lived in Arabic be expressed in French? Can a French-language literary work speak Arabic? In Native Tongue, Stranger Talk Hartman shows how Lebanese women authors use spoken Arabic to disrupt literary French, with sometimes surprising results. Challenging the common claim that these writers express a Francophile or "colonized" consciousness, this book demonstrates how Lebanese women writers actively question the political and cultural meaning of writing in French in Lebanon. Hartman argues that their innovative language inscribes messages about society into their novels by disrupting class-status hierarchies, narrow ethno-religious identities, and rigid gender roles. Because the languages of these texts reflect the crucial issues of their times, Native Tongue, Stranger Talk guides the reader through three key periods of Lebanese history: the French Mandate and Early Independence, the Civil War, and the postwar period. Three novels are discussed in each time period, exposing the contours of how the authors "write Arabic in French" to invent new literary languages.

Black-Arab political and cultural solidarity has had a long and rich history in the United States. That alliance is once again exerting a powerful influence on American society as Black American and Arab American activists and cultural workers are joining forces in formations like the Movement for Black Lives and Black for Palestine to address social justice issues. In Breaking Broken English, Hartman explores the historical and current manifestations of this relationship through language and literature, with a specific focus on Arab American literary works that use the English language creatively to put into practice many of the theories and ideas advanced by Black American thinkers.Breaking Broken English shows how language is the location where literary and poetic beauty meet the political in creative work. Hartman draws out thematic connections between Arabs/Arab Americans and Black Americans around politics and culture and also highlights the many artistic ways these links are built. She shows how political and cultural ideas of solidarity are written in creative texts and emphasizes their potential to mobilize social justice activists in the United States and abroad in the ongoing struggle for the liberation of Palestine.

Women have consistently been left out of the official writing of Lebanese history, and nowhere is this more obvious than in writing on the Lebanese Civil War. As more and more histories of the war begin to circulate, few include any in-depth discussion of the multiple roles women played in wartime Lebanon. Fewer still address the essential issues of women’s work and their creative production, such as literature, performance art, and filmmaking. Developed out of a larger oral history project collecting and archiving the ways in which women narrated their experiences of the Lebanese Civil War, this book focuses on a wide range of subjects, all framed as women telling their "war stories." Each of the six chapters centers on women who worked or created art during the war, revealing, in their own words, the challenges, struggles, and resistance they faced during this tumultuous period of Lebanese history.

Conspicuously missing from narratives of the Lebanese Civil War are the stories of women who took part in daily social activism and political organizing during the tumultuous conflict. What the War Left Behind documents their stories, with eight women directly sharing their experiences of action and survival through the hardship of war. What the War Left Behind brings together oral histories of women from a range of political affiliations, socioeconomic classes, and religious identities. These histories present an alternative image of women during war, highlighting the actions of those who sought to make life better for themselves and their neighbors during conflict. By centering women’s voices in the war, Abisaab and Hartman present a new perspective on an oft-discussed historical era, demonstrating the power of resistance during difficult times. These translated texts showcase the active roles women take during wartime and how women’s political efforts are an essential part of Lebanese history.

Can a reality lived in Arabic be expressed in French? Can a French-language literary work speak Arabic? In Native Tongue, Stranger Talk Hartman shows how Lebanese women authors use spoken Arabic to disrupt literary French, with sometimes surprising results. Challenging the common claim that these writers express a Francophile or "colonized" consciousness, this book demonstrates how Lebanese women writers actively question the political and cultural meaning of writing in French in Lebanon. Hartman argues that their innovative language inscribes messages about society into their novels by disrupting class-status hierarchies, narrow ethno-religious identities, and rigid gender roles. Because the languages of these texts reflect the crucial issues of their times, Native Tongue, Stranger Talk guides the reader through three key periods of Lebanese history: the French Mandate and Early Independence, the Civil War, and the postwar period. Three novels are discussed in each time period, exposing the contours of how the authors "write Arabic in French" to invent new literary languages.

Black-Arab political and cultural solidarity has had a long and rich history in the United States. That alliance is once again exerting a powerful influence on American society as Black American and Arab American activists and cultural workers are joining forces in formations like the Movement for Black Lives and Black for Palestine to address social justice issues. In Breaking Broken English, Hartman explores the historical and current manifestations of this relationship through language and literature, with a specific focus on Arab American literary works that use the English language creatively to put into practice many of the theories and ideas advanced by Black American thinkers.Breaking Broken English shows how language is the location where literary and poetic beauty meet the political in creative work. Hartman draws out thematic connections between Arabs/Arab Americans and Black Americans around politics and culture and also highlights the many artistic ways these links are built. She shows how political and cultural ideas of solidarity are written in creative texts and emphasizes their potential to mobilize social justice activists in the United States and abroad in the ongoing struggle for the liberation of Palestine.

Women have consistently been left out of the official writing of Lebanese history, and nowhere is this more obvious than in writing on the Lebanese Civil War. As more and more histories of the war begin to circulate, few include any in-depth discussion of the multiple roles women played in wartime Lebanon. Fewer still address the essential issues of women’s work and their creative production, such as literature, performance art, and filmmaking. Developed out of a larger oral history project collecting and archiving the ways in which women narrated their experiences of the Lebanese Civil War, this book focuses on a wide range of subjects, all framed as women telling their "war stories." Each of the six chapters centers on women who worked or created art during the war, revealing, in their own words, the challenges, struggles, and resistance they faced during this tumultuous period of Lebanese history.

Conspicuously missing from narratives of the Lebanese Civil War are the stories of women who took part in daily social activism and political organizing during the tumultuous conflict. What the War Left Behind documents their stories, with eight women directly sharing their experiences of action and survival through the hardship of war. What the War Left Behind brings together oral histories of women from a range of political affiliations, socioeconomic classes, and religious identities. These histories present an alternative image of women during war, highlighting the actions of those who sought to make life better for themselves and their neighbors during conflict. By centering women’s voices in the war, Abisaab and Hartman present a new perspective on an oft-discussed historical era, demonstrating the power of resistance during difficult times. These translated texts showcase the active roles women take during wartime and how women’s political efforts are an essential part of Lebanese history.