Miroslawa Buchholtz – författare

Henry James’ Travel: Fiction and Non-Fiction offers a multifaceted approach to Henry James’ idea and practice of travel from the perspective of the globalized world today. Each chapter addresses a different selection of James’ fiction and non-fiction and offers a different approach towards the ideas that are still with us today: history reflected in art and architecture, the tourist gaze, museum culture, transnationalism, and the return home. As a whole, the book encompasses both early and late fiction and non-fiction by Henry James, giving the reader a sense of how his idea of travel evolved over several decades of his creative activity and shows how thin the line between fiction and non-fiction travel writing really is.

Henry James’ Travel: Fiction and Non-Fiction offers a multifaceted approach to Henry James’ idea and practice of travel from the perspective of the globalized world today. Each chapter addresses a different selection of James’ fiction and non-fiction and offers a different approach towards the ideas that are still with us today: history reflected in art and architecture, the tourist gaze, museum culture, transnationalism, and the return home. As a whole, the book encompasses both early and late fiction and non-fiction by Henry James, giving the reader a sense of how his idea of travel evolved over several decades of his creative activity and shows how thin the line between fiction and non-fiction travel writing really is.

The book offers an innovative approach to the study of Ernest Hemingway’s fiction and biography. It juxtaposes two perspectives that have been underrepresented in Hemingway studies so far: translation and interview. The book is divided into three sections which mirror the key words in the title: interview and translation. Section One explores the “last” interviews with Hemingway in their historical context of the Cold War. Section Two focuses on the achievement of Bronisław Zieliński, Hemingway’s Polish translator and friend, who is hardly known outside Poland. The section gives a detailed account of their correspondence in the years 1958-1961. Section Three is an account of experiments in translating Hemingway’s famous story “Cat in the Rain” (1925)  by groups of Polish university students. Its aim is to illustrate the extent to which literary translation may influence the construction of the text’s meaning.