Misha Beletsky – författare
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2 produkter
2 produkter
Häftad, Engelska, 2011
232 kr
Skickas inom 10-15 vardagar
This book rediscovers an important contribution to a popular field of graphicdesign and suggests that Ismar David's calligraphicbookjacketspresent a viable alternative to the current design approach.Ismar David belonged to a group of accomplished calligraphers who established themselves as jacket designers in New York in the 1950s. David's jacket designs are distinguished from other work of the period as powerful and expressive. His style is informed by a thorough mastery of the typographic tradition yet looks remarkably fresh, even today. He combines calligrapher's craft with fine artist's sensibility "to communicate his ideas and his feelings in theservice of the book."This book examines the historical context of Ismar David's work including a concise overview of the history of book jacket design in Germany and in the U.S. and describes David's freelance career in publishing. Thirty of his noteworthy jackets are highlighted and discussed. The author argues that the current preference for concept-driven jacket design may eventually give way to another style more closely based on formal craftsmanship that would benefit from Ismar David's legacy.
Inbunden, Engelska, 2016
374 kr
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Roughly fifteen years after Gutenberg printed the first substantial book in Mainz in 1455, Nicolas Jenson of Venice produced what has been universally recognized among the most beautiful typefaces ever created. Based on the humanistic calligraphy of the Renaissance, an even and infinitely various set of lowercase letters that had evolved from the Carolingian minuscules of the ninth century, Jenson’s types were a miracle of proportion and evenness of color. In the late nineteenth century, it was imitated by Morris in his Golden Type of 1892 (far too heavy), and in the next by Cobden-Sanderson with his Doves Type, Goudy with his Deepdene, and Hunter Middleton with his Eusebius.But it was really not until Bruce Rogers, following his stint at the Riverside Press in Cambridge, Massachusetts, where he first attempted a version of the type in his Montaigne font, tackled the challenge of creating a roman equal to (and in some ways surpassing) the Jenson original. The proof of his success is that it has been used, and held in high esteem, ever since.The story behind the type, the many permutations through which it went, the myths that accrued and surrounded it are all exposed in this fully documented account of the type's genesis and development. Often and justly called "the noblest roman of them all," the book has been designed and set in a digital version especially created by Jerry Kelly who, along with co-author Misha Beletsky, have unearthed, mined, and refined a trove of typographic history to create the definitive history of what many consider the most beautiful typeface created by an American in the last century.