Morris S. Levy – författare

For the second catalogue of materials from the John Milton and Ruth Neils Ward Collection of the Harvard Theatre Collection, Professor John Milton Ward has selected over 2,100 items relating to Italian ballet from the seventeenth through the twentieth century. Italian Ballet, 1637–1977 includes published materials (printed scores, librettos, treatises on ballet) as well as hundreds of manuscript scores (many autograph), letters, contracts, choreographic notes, and costume and set designs. Like its predecessor The King’s Theatre Collection, Italian Ballet, 1637–1977 was designed to be a useful scholarly resource, with descriptive citations for each ballet and detailed indexes for titles, choreographers, composers, and theaters. Arranged chronologically, Italian Ballet, 1637–1977 allows the researcher to follow the development of Italian ballet from unnamed comic dances performed between the acts of eighteenth-century opera to the large-scale nineteenth-century ballets choreographed by Antonio Pallerini and Luigi Manzotti. The catalogue is meant not only as a reference to the collection at Harvard, but also as an entryway for scholars to delve into this unexplored area of musicology and dance history.

The John Milton and Ruth Neils Ward Collection of the Harvard Theatre Collection is comprised of thousands of books, scores, librettos, playbills, illustrations, and ephemera relating to public performances that incorporate music and dance in an essential way. The revised and expanded edition of The King's Theatre Collection: Ballet and Italian Opera in London, 1706-1883 has an additional 200 entries, 20 new illustrations, and several new indexes. With over 1,600 entries and 40 color illustrations, this volume provides a window into the historical significance of the King's Theatre to the cultural life of London and abroad, and will appeal to musicologists, historians, theater scholars, and librarians interested in eighteenth- and nineteenth-century opera and ballet.

What does a nation of immigrants think and feel about immigration? Recent accounts of immigration policy routinely cast Americans as divided into two warring camps – one fueled by threat to livelihoods and way of life, the other by a fervent cosmopolitanism that sees the nation-state as passé.This counter-intuitive book shows that these accounts miss the mark. First, almost all Americans hold a mix of ""pro-"" and ""anti-immigrant"" opinions. Their views are pragmatic and flexible rather than dead-set. Second, opinions about immigration are more powerfully influenced by liberal values and concerns about the well-being of American society as a whole than by identity politics. Third, the assimilation Americans demand from immigrants matches patterns of integration that Hispanic and Asian immigrants overwhelmingly follow. Finally, American attitudes toward immigrants are ""exceptional"" for their openness and respect for cultural pluralism.In Citrin, Levy, and Wright's view, long-elusive comprehensive immigration reform can win in the court of public opinion – but only if leaders heed their constituents rather than the polarized activists who claim to speak on their behalf. This expert analysis rethinks the role of public opinion in immigration matters: its insights will be welcomed by all interested in immigration debates and public policy.