Nathan Gelgud – författare
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2 produkter
2 produkter
197 kr
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An absurdist comic strip satire of cinephilia in the attention economy. A spectre is haunting the cinema. A contrarian crew of small town theatre employees trade quips about directors, film criticism, and contemporary moviegoing, but underneath their banter and clashes with customers, an ideology begins to take shape. With the help of a dissatisfied cinephile and some witchy magic, the employees radicalize, take over the theatre, and seize the means of projection. What starts out as a workplace comedy simmers and then explodes into an absurdist Marxist-Leninist cinema-focused tract. The Reel Politik revolutionaries demand that we ditch the small screens in our pockets for the big ones in the theater as they take on streaming services, phone addiction, algorithms, phony democracy, and the conventions of moviegoing etiquette. Does that mean they hijack the Criterion Closet van? You bet it does. Cartoonist Nathan Gelgud both champions and lampoons the aspirations and failures of cinema and not a single sacred cinematic cow goes un-punched in this manifesto for revolution through film.
269 kr
Kommande
Your favourite gang of militant movie lovers are back for an all-new season of hijinks and takeovers from their small town single screen cinema. The Reel Politik guerillas discuss how to be an effective revolutionary while fighting the all-consuming evils of corporate Hollywood. Meditate! Fight your inner urge to binge watch! Engage in a cinema fast to truly appreciate the oeuvre of an auteur! Realism is bourgeois! In an attempt to thwart a Hollywood studio from coopting the story of the Weather Underground, the gang then pursues its own cinematic celebration of their hero Bernardine Dohrn. 'There are no good or bad movies, only correct or false ones.' Along the way the gang gets sidetracked to start the MLIB, the Marxist Leninist International Baseball league. With his trademark slapstick zingers, Gelgud lovingly skewers leftist radical politics while simultaneously illustrating how late stage capitalism has made ethical decision making fraught with compromise. At once a celebration of what makes Hollywood and independent local cinema great and a call to arms to protect it.