Nicholas R. Jones – författare
Staging Habla de Negros
Radical Performances of the African Diaspora in Early Modern Spain
1 634 kr
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Staging Habla de Negros
Radical Performances of the African Diaspora in Early Modern Spain
651 kr
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Cervantine Blackness
1 149 kr
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Cervantine Blackness
261 kr
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310 kr
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2 512 kr
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735 kr
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1 136 kr
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1 029 kr
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1 057 kr
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438 kr
Kommande
1 282 kr
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870 kr
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Pornographic Sensibilities stages a conversation between two fields—Medieval/Early Modern Hispanic Studies and Porn Studies—that traditionally have had little to say to each other. The collection offers innovative new approaches to the study of gendered and sexualized bodies in medieval and early modern textual production, including literary and historical documents. The volume’s embrace of the interpretative tools of Porn Studies also inscribes a critical provocation: in what ways can contemporary modes of reading the past serve to freshly illuminate not only the contours of that same past but also the very critical assumptions of the present upon which fields like medieval and early modern Hispanic Studies are built? In this way, Pornographic Sensibilities encourages at once both rigorous historicizations of pre- and early-modern culture, and playful engagement with "presentism," considered here as a critical tool to undress the hidden assumptions of both past and present. This move substantively challenges long-held critical orthodoxies among scholars of pre-Enlightenment periods, for whom the very category of "pornography" itself has often problematically been framed as an anachronism when applied to their work.
840 kr
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Pornographic Sensibilities stages a conversation between two fields—Medieval/Early Modern Hispanic Studies and Porn Studies—that traditionally have had little to say to each other. The collection offers innovative new approaches to the study of gendered and sexualized bodies in medieval and early modern textual production, including literary and historical documents. The volume’s embrace of the interpretative tools of Porn Studies also inscribes a critical provocation: in what ways can contemporary modes of reading the past serve to freshly illuminate not only the contours of that same past but also the very critical assumptions of the present upon which fields like medieval and early modern Hispanic Studies are built? In this way, Pornographic Sensibilities encourages at once both rigorous historicizations of pre- and early-modern culture, and playful engagement with "presentism," considered here as a critical tool to undress the hidden assumptions of both past and present. This move substantively challenges long-held critical orthodoxies among scholars of pre-Enlightenment periods, for whom the very category of "pornography" itself has often problematically been framed as an anachronism when applied to their work.
3 768 kr
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2 423 kr
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625 kr
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952 kr
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This companion analyzes, frames, and provokes race in insightful ways that center non‑white communities’ artistic and visual expression in the early modern period, rather than presenting the bias of European artistic and visual depictions of the colonization, enslavement, and subordination of People of Color.
The organization of the book moves chronologically, taking a conceptual and thematic framework. This collection provides a spectrum of object‑ased case studies of artistic production—bjects and object‑ypes—rom six continents between the 1400s and 1800s. Contributions take an art historical approach characterized by a close analysis of form, function, and meaning, with a particular focus on questions of cross‑ultural dialog and provenance. Additionally, there is an emphasis on material culture.
The book will interest scholars working in African diaspora studies, art history, visual culture, material culture, Indigenous studies, Renaissance studies, musicology, early modern studies, decolonial studies, and race and racism studies.
952 kr
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This companion analyzes, frames, and provokes race in insightful ways that center non‑white communities’ artistic and visual expression in the early modern period, rather than presenting the bias of European artistic and visual depictions of the colonization, enslavement, and subordination of People of Color.
The organization of the book moves chronologically, taking a conceptual and thematic framework. This collection provides a spectrum of object‑ased case studies of artistic production—bjects and object‑ypes—rom six continents between the 1400s and 1800s. Contributions take an art historical approach characterized by a close analysis of form, function, and meaning, with a particular focus on questions of cross‑ultural dialog and provenance. Additionally, there is an emphasis on material culture.
The book will interest scholars working in African diaspora studies, art history, visual culture, material culture, Indigenous studies, Renaissance studies, musicology, early modern studies, decolonial studies, and race and racism studies.
740 kr
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740 kr
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1 770 kr
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1 770 kr
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2 166 kr
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Early Modern Black Diaspora Studies brings into conversation two fields—Early Modern Studies and Black Studies—that traditionally have had little to say to each other. This disconnect is the product of current scholarly assumptions about a lack of archival evidence that limits what we can say about those of African descent before modernity. This volume posits that the limitations are not in the archives, but in the methods we have constructed for locating and examining those archives. The essays that make up this volume offer new critical approaches to black African agency and the conceptualization of blackness in early modern literary works, historical documents, material and visual cultures, and performance culture. Ultimately, this critical anthology revises current understandings about racial discourse and the cultural contributions of black Africans in early modernity and in the present across the globe.