Nicole Brossard – författare

'Pleasure,' Jennifer Moxley writes in her introduction to this volume, 'is the word that first comes to mind at the mention of Nicole Brossard's poetry.' This volume provides English-language readers with an overview of the life and work of Nicole Brossard, poet, novelist, and essayist, who is widely recognized in her native Quebec and throughout the French-speaking world as one of the greatest writers of her generation. Brossard's poetry is rooted in her investigations of language, her abiding commitment to a feminist consciousness, and her capacity for renewing meaning as a virtual space of desire. The reader enters a poetic world in which the aesthetic is joined with the political, and the meaning of both is enriched in the process. The selections in this volume include translations of some of Brossard's best-known works - "Lovhers", "Ultra Sounds", "Museum of Bone and Water", "Notebook of Roses and Civilization" - along with short prose works, an interview with Brossard, and a bibliography of works in French and English, and constitute the most substantial English-language sampling published to date of one of Canada's greatest living poets.

'Pleasure,' Jennifer Moxley writes in her introduction to this volume, 'is the word that first comes to mind at the mention of Nicole Brossard's poetry.' This volume provides English-language readers with an overview of the life and work of Nicole Brossard, poet, novelist, and essayist, who is widely recognized in her native Quebec and throughout the French-speaking world as one of the greatest writers of her generation. Brossard's poetry is rooted in her investigations of language, her abiding commitment to a feminist consciousness, and her capacity for renewing meaning as a virtual space of desire. The reader enters a poetic world in which the aesthetic is joined with the political, and the meaning of both is enriched in the process. The selections in this volume include translations of some of Brossard's best-known works - "Lovhers", "Ultra Sounds", 'Museum of Bone and Water", "Notebook of Roses and Civilization" - along with short prose works, an interview with Brossard, and a bibliography of works in French and English, and constitute the most substantial English-language sampling published to date of one of Canada's greatest living poets.

Carla Carlson is at the Hotel Clarendon in Quebec City trying to finish a novel. Nearby, a woman, preoccupied with sadness and infatuated with her boss, catalogues antiquities at the Museum of Civilization. Every night, the two women meet at the hotel bar and talk -- about childhood and parents and landscapes, about time and art, about Descartes and Francis Bacon and writing. When Yesterday, at the Hotel Clarendon appeared in French (as Hier), the media called it the pinnacle of Brossard's remarkable forty-year literary career. From its intersection of four women emerges a kind of art installation, a lively read in which life and death and the vertigo of ruins tangle themselves together to say something about history and desire and art.

""On strands of light I am hanging poetry like garlands."" These first words of poetry from Nicole Brossard anticipate the vast body of work she has published in the last four decades. The poems in Mobility of Light were chosen by Louise H. Forsyth to elicit a sense of these whirling garlands and convey the intense energy - physical, creative, spiritual, erotic, imaginative, playful, ethical, and political - that has carried Brossard to a uniquely significant vision of the human spirit. Poems are presented in French and English on facing pages, underscoring the density of meaning in each word and line and highlighting the unusual rhythms in Brossard's originals and the extraordinary sonorities with which they beat. Some of the translations in this volume have been previously published, while others are new. In her afterword, Brossard talks about travelling back in time to discover how our most vivid sensations, emotions, and thoughts are nourished and transformed by our enigmatic relation to language.

A bilingual collection of poems that offers a surreal perspective of urban experience.  This bilingual edition of Nicole Brossard’s lyrical poetry is a sequence of lush, taut cityscapes. Known for her elliptical and materially grounded poetics, Brossard creates an intimate series of poems drawn loosely from urban experience. The poems comprise an evocative distillation of postmodern urban life with a sharp sense of cultural and gendered histories of violence and beauty and struggles for survival and intimacy. The poems capture the emotional and ecological surroundings of each city and its people. The cities in Brossard’s poems feel surreal and in them dwell survivors of “misfortunes,” living in urban landscapes with their “gleaming debris” and “bridges, ghats, / rivers in a time of peace and torture.” These poems gesture toward a transmuted social context and toward a quest “to meet the horizon the day after the horizon.”

I Lyrikvännen 1/16 presenterar Fredrik Ekelund 10 poeter från Québec med ett rikt dikturval. Ann Lingebrandt skriver om fjolårets poesidebutanter, vi får läsa om den franske poeten René Char och om våndan i att översätta Yeats till svenska. Dessutom skriver Marie Lundquist om Lars Noréns dikt ”1972” och som i varje nummer nyskriven och nyöversatt poesi samt aktuell poesikritik.

Available for the first time in more than fifteen years, this collection from celebrated poet, novelist, and essayist Nicole Brossard is a provocative investigation of the human body — our physical and spiritual museums of identity and desire.Nicole Brossard’s Museum of Bone and Water delivers sensual and provocative investigations of the human body — our physical and spiritual museums of identity and desire — that pulse and surprise at every turn. In this collection, fingers, lips, fists, cheeks mingle in the palm trees of Dublin and Key West, the heat of Palermo and Madrid. With each dazzling turn and each “crazy” silence, Brossard speeds our breath and quickens our hearts, reminding us that poetry too is both a physical and spiritual reality.Museum of Bone and Water, a finalist for the Governor General’s Literary Award, is recognized as a major work in the oeuvre of leading Québécoise poet, novelist, and essayist Nicole Brossard — recently honoured with the Lifetime Recognition Award by the Griffin Trust for Excellence in Poetry. The collection is now available in a handsome A List edition with a new introduction by Robert Majzels and Erín Moure.

Nicole Brossard's lucid, subversive and innovative work on language has influenced an entire generation of readers and writers. But three of her seminal works of postmodernism and feminism have been lost to us for years. The Blue Books brings them back. A Book: A novel about a novel; five characters in "search of a narrative, a narrative in search of an author." Brossard's first novel, and a key work in Canadian postmodernism. Turn of a Pang (Sold-out in French): Quebec's 1943 Conscription Crisis and the 1970 War Measures Act weave together to form the texture of a woman's life. French Kiss: a celebration of the energy of women and language in the face of the male authorities of Montreal politics and the physical authority of the printed (and bound) word. The Blue Books collects these three long-out-of-print, groundbreaking Brossard titles, in their original Coach House Press English translations (A Book by Larry Shouldice, Turn of a Pang and French Kiss by the acclaimed Patricia Claxton). Don't be blue: these Brossard classics are back!

Carla Carlson is at the Hotel Clarendon in Quebec City trying to finish a novel. Nearby, a woman, preoccupied with sadness and infatuated with her boss, catalogues antiquities at the Museum of Civilization. Every night, the two women meet at the hotel bar and talk -- about childhood and parents and landscapes, about time and art, about Descartes and Francis Bacon and writing. When Yesterday, at the Hotel Clarendon appeared in French (as Hier), the media called it the pinnacle of Brossard's remarkable forty-year literary career. From its intersection of four women emerges a kind of art installation, a lively read in which life and death and the vertigo of ruins tangle themselves together to say something about history and desire and art.

First published in 1987, Nicole Brossard's classic novel returns to Coach House in a new edition. A seminal text in Canadian and feminist literature, Mauve Desert is a must-read for readers and writers alike. This is both a single novel and three separate novels in one. In the first, Mauve Desert, fifteen-year-old Melanie drives across the Arizona desert in a white Meteor chasing fear and desire, cutting loose from her mother and her mother's lover, Lorna, in their roadside Mauve Motel. In the second book, Maudes Laures reads Mauve Desert, becomes obsessed with it, and embarks on an extraordinary quest for its mysterious author, characters and meaning. The third book -- Mauve, the horizon -- is Laures's eventual translation of Mauve Desert. Like all good translations, it is both the same and revealingly different from the original. Nicole Brossard's writing is agile and inventive; from moment to moment gripping, exhilarating and erotic. Her language drifts and swells like sand dunes in a desert, cresting and accumulating into a landscape that shifts like wind and words; she translates the practice of translation, the pulse of desire.

The heat of summer on an earlobe, a parking meter, the shadow of crabs and pigeons under a cherry tree, an olive, a shoulder blade -- in the poems of Nicole Brossard these concrete, quotidian things move languorously through the senses to find a place beyond language. Taken together, they create an audacious new architecture of meaning. Nicole Brossard, one of the world's foremost literary innovators, is known for her experiments with language and her groundbreaking treatment of desire and gender. This dextrous translation by the award-winning poets and translators Erin Moure (Little Theatres) and Robert Majzels (Apikoros Sleuth) brings into English, with great verve and sensitivity, Brossard's remarkable syntax and sensuality.

Shortlisted for the Rogers Writers' Trust Fiction Prize Invited to a quiet Swiss chateau by the enigmatic Tatiana Beaujeu Lehmann, Anne begins to slowly write a novel in a language that is not hers, a language that makes meaning foreign and keeps her alert to the world and its fiery horizon. Will the strange intoxication that takes hold of her and her characters -- sculptor Charles; his sister Kim, about to leave for the far north; and Laure Ravin, a lawyer obsessed with the Patriot Act -- allow her to break through the darkness of the world? Fences in Breathing, first published and critically lauded in French as La capture du sombre, and now brought into English by the celebrated translator Susanne de Lotbiniere-Harwood, is a disquieting, dexterous and defiant missive, another triumph by one of North America's foremost practitioners of innovative writing.

"White Piano holds an acute sense of what poetry is, its danger...Brossard knows well that 'life is only good for living' and that living is incarnated in the material of language, that sounds, those carriers of sense, can propel it in front of the world." - Le Devoir Between the verbs quivering and streaming, White Piano unfolds its variations like musical scores. Pronouns and persons, poetry and prose: White Piano, superbly translated from the French, narrates a constellation of questions and offers a "language that cultivates its own craters of fire and savoir-vie." Nicole Brossard is one of North America's foremost practitioners of innovative writing.

"[Nicole Brossard] is a wholly singular writer, part of a larger movement of Quebec Women's writing, part of feminist writing, avant-garde writing, part of lesbian writing, but wholly, unequivocally, herself."-Sina Queyras something like wait for me in the braille of scars tonight can i suggest a little punctuation circle half-moon vertical line of astonishment a pause that transforms light and breath into language and threshold of fire Even as vowels tremble in danger and worldly destruction repeats itself on the horizon, Ardour reminds us that the silence pulsing within us is also a language of connection. In these poems, intimacy with the other is another astonishment-a pleasant gasp, a "pause that transforms light and breath into language and threshold of fire." Since her first book appeared fifty years ago, Nicole Brossard has left us breathless, expanding our notion of poetry and its possibilities. Nicole Brossard is a poet, novelist, and essayist who has published more than thirty books since 1965 that have been translated into several languages.She has received two Governor General's Awards for poetry, the Canada Council's Molson Prize, le Prix Athanase-David, and the prestigious Chevaliere de l'Ordre National du Quebec. She lives in Montreal, Quebec. Angela Carr is a poet and translator. Her most recent book is Here in There. Originally from Montreal, Quebec, she currently lives in New York City.