Nuala O'Connor - Böcker

Dublin, 6 January: the Feast of the Epiphany, also known in Ireland as Women’s Christmas or Nollaig na mBan. Gretta and Gabriel Conroy attend the annual dinner party hosted by his aunts, the Morkan Sisters. As the house on Usher’s Island fills with laughter, music and dancing, the worries and secrets of the guests interweave and overlap. The festive evening culminates in a shocking confession by Gretta and a life-changing epiphany for Gabriel.The closing story of James Joyce’s Dubliners is widely considered the greatest short story ever written in the English language. His tender portrait of the Dublin of his youth has captivated readers for over a century.With a new introduction by the award-winning and bestselling Irish author Nuala O’Connor, this special edition of The Dead is a gift for the ages.

'Luminous' SEBASTIAN BARRY'Incandescent characters and mellifluous prose' LISA CAREY'Reminiscent of Edith Wharton at her very best' LIZ NUGENT_________The true story of a woman ahead of her time . . . In 1887, Isabel Bilton is the eldest of three daughters of a middle-class military family, growing up in a small garrison town. By 1891 she is the Countess of Clancarty, dubbed "the peasant countess" by the press, and a member of the Irish aristocracy. Becoming Belle is the story of the four years in between, of Belle's rapid ascent and the people that tried to tear her down. Reimagined by a novelist at the height of her powers, Belle is an unforgettable woman. Set against an absorbing portrait of Victorian London, hers is a timeless rags-to-riches story a la Becky Sharpe._________Praise for BECOMING BELLE'Nuala O'Connor has the thrilling ability to step back nimbly and enter the deep dance of time. This is a hidden history laid luminously before us of an exultant Anglo-Irish woman navigating the dark shoals and the bright fields of a life' SEBASTIAN BARRY, award-winning author of The Secret Scripture and Days Without End'Becoming Belle is so mesmerizing you will be distraught when it ends.O'Connor has resurrected a fiery, inexorable woman who rewrites the script on a stage supposedly ruled by men. Sensual, witty, daring, and unapologetically forward.' Lisa Carey, author of The Stolen Child'Belle's determination to live her life on her own terms and in defiance of her times makes her a fascinating subject' Irish Central'Masterful storytelling! I was putty in Nuala O'Connor's hands. She made the unsinkable Belle Bilton and her down-to-earth sister Flo real to me, and brought 1880's London to my living room. Encore! Encore!' Lynn Cullen, bestselling author of Mrs. Poe'A glorious novel in which Belle Bilton and 19th century London are brought roaring to life with exquisite period detail' Hazel Gaynor, New York Times bestselling author of A Memory of Violets'Thoroughly engrossing and entertaining read' Liz Nugent'Thrillingly dramatic and achingly moving and profoundly resonant into this present era' Robert Olen Butler, author of A Good Scent from a Strange Mountain'O'Connor gently unfolds Belle's tale in a manner that is compelling and disarming. The ambience may be Victorian elegance but the sheer honesty of O'Connor's writing is sensual, authentic and earthy. A delight!' Rose Servitova, author of The Longbourn Letters

*One Dublin One Book choice for 2022**Shortlisted for an Irish Book Award 2021*When Nora Barnacle, a twenty-year-old from Galway working as a maid at Finn’s Hotel, meets young James Joyce on a summer’s day in Dublin, she is instantly attracted to him, natural and daring in his company. But she cannot yet imagine the extraordinary life they will share together. All Nora knows is she likes her Jim enough to leave behind family and home, in search of a bigger, more exciting life.As their family grows, they ricochet from European city to city, making fast friends amongst the greatest artists and writers of their age as well as their wives, and are brought high and low by Jim’s ferocious ambition. But time and time again, Nora is torn between their intense and unwavering desire for each other and the constant anxiety of living hand-to-mouth, often made worse by Jim’s compulsion for company and attention. So, while Jim writes and drinks his way to literary acclaim, Nora provides unflinching support and inspiration, sometimes at the expense of her own happiness, and especially at that of their children, Giorgio and Lucia. Eventually, together, they achieve some longed-for security and stability, but it is hard-won and imperfect to the end.In sensuous, resonant prose, Nuala O’Connor has conjured the definitive portrait of this strong, passionate and loyal Irishwoman. Nora is a tour de force, an earthy and authentic love letter to Irish literature’s greatest muse.

‘A rollicking triumph of passion, filled with desire, ambition, bravery and soul, and confirms O’Connor as one of Ireland’s leading historical novelists.’ Elaine Feeney‘A wonderful, buoyant tale, sublimely imagined and beautifully told.’ Donal RyanBestselling and award-winning Irish author, Nuala O’Connor, returns with the intimate and thrilling portrayal of the life of 18th-century Irishwoman, Anne Bonny.1703, Kinsale, County Cork. Anne Coleman is the illegitimate child of a local lawyer and his maid; disguised as ‘Anthony’ to protect reputations, the mask suits Anne just fine. But, fixated on boats and the sea, she struggles to fit in, and her devoted mother fears for her fiercely independent and impulsive daughter.When their secrets are exposed, the family emigrates to the new colony of Carolina, but this fresh start will bring devastating loss and stifling responsibilities. Lonely and transgressive, Anne finds comfort only with Bedelia, servant and intimate friend. But her craving for the sea-wandering life and a misjudged marriage to young Gabriel Bonny will compel Anne to take to the sea again, this time around the islands of the Caribbean, famous for plunder and piracy.Adventure, passion and freedom await, but so do violence and disappointment. And, as she tries to stay true to herself, her hopes and her few precious friendships, Anne Bonny must also face her own privilege and the sacrifices required for enduring love.Seaborne is the thrilling and sensuous portrait of a young woman out of step with her time and place, but never her heart.

Love is the central force in Birdie, a collection of sixteen historical and out-of-time flash fictions that sing with the voices of women loving and losing and learning. The characters here find strength despite the sorrows of death and deceit. A ghost-child returns to Massachusetts to comfort her grieving mother; the daughter of a Spanish orange tycoon regrets her mother’s terrible choices; an English maid longs for, but can’t be with, her mistress’s son. Birdie contains Nuala O’Connor’s signature ekphrastic work, drawing on artists as diverse as Matisse, da Vinci, and American painter Edwin Romanzo Elmer.

The writers in Washing Windows Too have things on their minds that have exploded into that love-urgency that makes writers write. And, just as it should be, few subjects are off limits. A poet may not always love her inspirational material, but those here revere the act of writing so much - value it so much - that honing their ideas, visions, and insights into poem-shaped, concrete objects has become crucial. It is an honour to witness what has urged these writers to the process of thought, cogitation, sentence, and finally, poem.Many writers use writing as an attempt to solve life's conundrums - to solve themselves. And to understand the self and others better, too, because writing is the best way they know to gain sight into, and survive, the vagaries of life. Perhaps the writers in this anthology are like me - maybe for them, too, writing is their sanity and their joy, their best thinking and settling tool. A poem can be a path into the deepest, purest self, and back out again - through the very act of writing - to a calmer, less frenetic place.Because poets deal with issues that concern them - universal truths, often - certain themes emerge, as they do in all anthologies. In Washing Windows Too, particular groupings of motifs re-occur and these include birth and motherhood; child-love and empty nests; migration and refugees; women's power and agency; bodies, the male gaze, and violence; nature and its beauties; art, creation, and the act of writing itself; uneasy relationships; politics; health and illness; and grief and death. And, because we are living in the early twenty-twenties, the pandemic naturally features in some poems