Olga Maiorova – författare

As nationalism spread across nineteenth-century Europe, Russia's national identity remained murky: there was no clear distinction between the Russian nation and the expanding multiethnic empire that called itself 'Russian.' When Tsar Alexander II's Great Reforms (1855-1870s) allowed some freedom for public debate, Russian nationalist intellectuals embarked on a major project - which they undertook in daily press, popular historiography, and works of fiction - of finding the Russian nation within the empire and rendering the empire in nationalistic terms.     From the Shadow of Empire traces how these nationalist writers refashioned key historical myths - the legend of the nation's spiritual birth, the tale of the founding of Russia, stories of Cossack independence - to portray the Russian people as the ruling nationality, whose character would define the empire. In an effort to press the government to alter its traditional imperial policies, writers from across the political spectrum made the cult of military victories into the dominant form of national myth-making: in the absence of popular political participation, wars allowed for the people's involvement in public affairs and conjured an image of unity between ruler and nation. With their increasing reliance on the war metaphor, Reform-era thinkers prepared the ground for the brutal Russification policies of the late nineteenth century and contributed to the aggressive character of twentieth-century Russian nationalism.

This volume explores the Russia where the great writer, Fyodor Dostoevsky (1821-81), was born and lived. It focuses not only on the Russia depicted in Dostoevsky's works, but also on the Russian life that he and his contemporaries experienced: on social practices and historical developments, political and cultural institutions, religious beliefs, ideological trends, artistic conventions and literary genres. Chapters by leading scholars illuminate this broad context, offer insights into Dostoevsky's reflections on his age, and examine the expression of those reflections in his writing. Each chapter investigates a specific context and suggests how we might understand Dostoevsky in relation to it. Since Russia took so much from Western Europe throughout the imperial period, the volume also locates the Russian experience within the context of Western thought and practices, thereby offering a multidimensional view of the unfolding drama of Russia versus the West in the nineteenth century.