Olga Sobolev - Böcker

Colloquial Russian 2 is the ideal way to refresh your knowledge of the language and to extend your skills.Structured to give you the opportunity to listen to and read lots of modern, everyday Russian, Colloquial Russian 2 has been developed to work systematically on reinforcing and extending your grasp of Russian grammar, vocabulary, intercultural communication skills, and understanding of contemporary Russian society.New to this edition: revision material to help consolidate and build up learners’ basics; a wide range of authentic and up-to-date reading materials, including blogs, forums, surveys, opinion pieces, and commentaries; exercises based on role plays, group activities, and debating techniques, aimed at developing oral communication and expanding vocabulary range of learners; and new audio material including authentic and up-to-date audio excerpts.Audio material to accompany the course is available to download free in MP3 format from www.routledge.com/cw/colloquials. Recorded by native speakers, the audio material features the dialogues and texts from the book and will help develop your listening and pronunciation skills.

Discusses film adaptations of Russian classics since the 1960sIntroduces the notion of a literary-cinematic space a modern-day cultural phenomenon, characterised by a synergetic (rather than hierarchical) relationship between its componentsTraces the development of this synergy in the art of cinematic translation, attained by way of dialogism with and co-authorship in relation to the source textExplores the filmmaker as a creative mediator between two culturesThe volume examines several screen adaptations of works written by mid- and late nineteenth-century authors, who constitute the hallmark of the Russian cultural brand, finding favour with audiences in Russia and in the West. It considers reimagining of Goncharov, Turgenev, Dostoevsky, Chekhov and Tolstoy in different contexts.The book examines various types of adaptation, including transposition, commentary, and analogy. It focuses on established Russian and western filmmakers' dialogue with the classics taking place in the last 60 years. The book shows how the ideological and/or philosophical concerns of the day serve as a lens for a specific reading of the novel, the story, or the play. By foregrounding a synergetic literary-cinematic space, the book demonstrates how the director becomes a creative mediator between his audiences and the author, taking account of contemporary epistemological imperatives and the particularities of the reception by viewers.