Oliver Basciano - Böcker
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4 produkter
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A singular, compassionate history of humanity, told through the lens of a misunderstood disease.A TELEGRAPH BOOK OF THE YEAR'Shocking, moving and sensitive.' TLS'Uplifting.' THE TIMES'Fascinating.' SPECTATOR'Remarkable.' LITERARY REVIEW'Gripping.' NATUREWINNER OF THE 2023 RSL GILES ST AUBYN AWARDThe story of leprosy is the story of humanity.It is a story of isolation and exclusion, of resilience and resistance, one which has permeated global cultures in myriad ways for thousands of years, dividing the world into the 'clean' and the 'unclean'.Oliver Basciano's journey to demystify leprosy takes him from the Romanian border, the hinterlands of Brazil and the fringes of Siberia to the Japanese archipelago, Robben Island and the northern provinces of Mozambique. It reveals the image of medieval leprosy to be a nineteenth-century myth invented to justify gross mistreatment of patients, a blueprint used for further state-sanctioned stigma: colonialism and racism, religious and economic exploitation.Basciano meets those living with leprosy today, those exiled to various leprosaria around the world and forced to find homes away from home; he hears stories of community and perseverance in the face of grave circumstances, of lives bound to each other through shared experience and a refusal to be cast aside.A work of outstanding empathy, Outcast shines new light on the human condition, asking: does a society's sense of itself always rely on ostracisation?'Remarkable . . . grippingly and humanely recounted.'PHILIPPE SANDS'It is impossible not to be moved by the lives unfolding in these pages, impossible not to be left transformed and enlightened. 'LEILA ABOULELA
142 kr
Kommande
**A TELEGRAPH BOOK OF THE YEAR**Encountering the last leprosarium in Europe and remote villages in Mozambique, moving through Siberian settlements and Brazil's hinterlands, Outcast travels the margins of society and charts the history of a misunderstood disease. In doing so, it shines new light on the human condition, asking: does our sense of self always rely on the ostracisation of another?'Shocking, moving and sensitive.' TLS'Uplifting.' THE TIMES'Fascinating.' SPECTATOR'Remarkable.' LITERARY REVIEW'Gripping.' NATURE'Remarkable . . . grippingly and humanely recounted.'PHILIPPE SANDS'It is impossible not to be moved by the lives unfolding in these pages, impossible not to be left transformed and enlightened. 'LEILA ABOULELAWINNER OF THE 2023 RSL GILES ST AUBYN AWARD
278 kr
Kommande
427 kr
Skickas inom 7-10 vardagar
If time were condensed into a single moment, the world might look like one of Idris Khan’s works of art. Born in Birmingham in 1978, the artist, who’s currently rising rapidly in the art world, works with photographs, sculptures, installations, paintings, and film. He always layers various media—for example, every page of the Quran, the scores for every Beethoven sonata, or every JMW Turner postcard from the Tate Britain—in a way that condenses the colors and shapes so much that they become abstract. The British newspaper The Guardian describes Khan’s works as “experiments in compressed memories.” The catalogue from The New Art Gallery Walsall illustrates the whole palette of Khan’s art and shows the meditative, yet monumental character of his work. Exhibition: 3 February — 7 May 2017, The New Art Gallery Walsall