Padma Viswanathan – författare

What does Brazilian literature mean to you? Football and favelas, carnival and caipirinhas? Or perhaps, past these cliches, a multifarious literary landscape comes into view?Spanning 150 years of Brazilian history, these stories are a thrilling cross-section of a diverse short story culture. Ranging from luscious avant-garde writing by Clarice Lispector to realist wit by Machado de Assis, The Penguin Book of Brazilian Short Stories takes in wild humour, heart-breaking drama, the legacy of slavery, the influence of waves of immigration, and a surprising preponderance of ants. Ethnicity, family and loyalty collide in Chico Buarque’s ‘The Cousins from Campos’; and a man who absolutely does not know Javanese builds a career as a translator in Lima Barreto’s ‘The Man Who Knew Javanese’.Stories also comes with a note from the translator, illuminating the creative process of translation, and the anthology is supported by exploratory apparatus from editors Daniel Hahn and Padma Viswanathan. Rich, thought-provoking and playful, The Penguin Book of Brazilian Short Stories is a landmark text.

SHORTLISTED 2014 – Scotiabank Giller PrizeFrom internationally acclaimed New Face of Fiction author Padma Viswanathan, a stunning new work set among families of those who lost loved ones in the 1985 Air India bombing, registering the unexpected reverberations of this tragedy in the lives of its survivors. A book of post-9/11 Canada, The Ever After of Ashwin Rao demonstrates that violent politics are all-too-often homegrown in North America but ignored at our peril.      In 2004, almost 20 years after the fatal bombing of an Air India flight from Vancouver, 2 suspects--finally--are on trial for the crime. Ashwin Rao, an Indian psychologist trained in Canada, comes back to do a "study of comparative grief," interviewing people who lost loved one in the attack. What he neglects to mention is that he, too, had family members who died on the plane. Then, to his delight and fear, he becomes embroiled in the lives of one family caught in the undertow of the tragedy, and privy to their secrets. This surprising emotional connection sparks him to confront his own losses. The Ever After of Ashwin Rao imagines the lasting emotional and political consequences of a real-life act of terror, confronting what we might learn to live with and what we can live without.

In south India in 1896, ten-year old Sivakami is about to embark on a new life. Hanumarathnam, a village healer with some renown as an astrologer, has approached her parents with a marriage proposal. In keeping with custom, he provides his prospective in-laws with his horoscope. The problem is that his includes a prediction, albeit a weak one, that he will die in his tenth year of marriage. Despite the ominous horoscope, Sivakami’s parents hesitate only briefly, won over by the young man and his family’s reputation as good, upstanding Brahmins. Once married, Sivikami and Hanumarathnam grow to love one another and the bride, now in her teens, settles into a happy life. But the predictions of Hanumarathnam’s horoscope are never far from her new husband’s mind. When their first child is born, as a strategy for accurately determining his child’s astrological charts, Hanumarathnam insists the midwife toss a lemon from the window of the birthing room the moment his child appears. All is well with their first child, a daughter, Thangam, whose birth has a positive influence on her father’s astrological future. But this influence is fleeting: when a son, Vairum, is born, his horoscope confirms that his father will die within three years.Resigned to his fate, Hanumarathnam sets himself to the unpleasant task of readying his household for his imminent death. Knowing the hardships and social restrictions Sivakami will face as a Brahmin widow, he hires and trains a servant boy called Muchami to help Sivakami manage the household and properties until Vairum is of age.When Sivakami is eighteen, Hanumarathnam dies as predicted. Relentless in her adherence to the traditions that define her Brahmin caste, she shaves her head and dons the white sari of the widow. With some reluctance, she moves to her family home to raise her children under the protection of her brothers, but then realizes that they are not acting in the best interests of her children. With her daughter already married to an unreliable husband of her brothers’ choosing, and Vairum’s future also at risk, Sivakami leaves her brothers and returns to her marital home to raise her family.With the freedom to make decisions for her son’s future, Sivakami defies tradition and chooses to give him a secular education. While her choice ensures that Vairum fulfills his promise, it also sets Sivakami on a collision course with him. Vairum, fatherless in childhood, childless as an adult, rejects the caste identity that is his mother’s mainstay, twisting their fates in fascinating and unbearable ways.From the Hardcover edition.

From internationally acclaimed New Face of Fiction author Padma Viswanathan, a stunning new work set among families of those who lost loved ones in the 1985 Air India bombing, registering the unexpected reverberations of this tragedy in the lives of its survivors. A book of post-9/11 life, The Ever After demonstrates that violent politics are all-too-often homegrown in North America but ignored at our peril.In 2004, almost 20 years after the fatal bombing of Air India Flight 182 from Vancouver, two suspects are—finally—on trial for the crime. Ashwin Rao, an Indian psychologist trained in North America, comes back to do a “study of comparative grief,” interviewing people who lost loved one in the attack. What he neglects to mention is that he, too, had family members who died on the plane. Then, to his delight and fear, he becomes embroiled in the lives of one family that remains unable to escape the undertow of the tragedy. As Ashwin finds himself less and less capable of providing the objective advice this particular family seeks, his surprising emotional connection to them pushes him to face his own losses. The Ever After imagines the lasting emotional and political consequences of a real-life act of terror, confronting what we might learn to live with and what we can live without.