Pamela K. Gilbert – författare

Popular fiction in mid-Victorian Britain was regarded as both feminine and diseased. Critical articles of the time on fiction and on the body and disease offer convincing evidence that reading was metaphorically allied with eating, contagion and sex. Anxious critics traced the infection of the imperial, healthy body of masculine elite culture by 'diseased' popular fiction, especially novels by women. This book discusses works by three novelists - M. E. Braddon, Rhoda Broughton, and 'Ouida' - within this historical context. In each case, the comparison of an early, 'sensation' novel against a later work shows how generic categorization worked in the context of social concerns to contain anxiety and limit interpretive possibilities. Within the texts themselves, references to contemporary critical and medical literatures resist or exploit mid-Victorian concepts of health, nationality, class and the body.

Popular fiction in mid-Victorian Britain was regarded as both feminine and diseased. Critical articles of the time on fiction and on the body and disease offer convincing evidence that reading was metaphorically allied with eating, contagion and sex. Anxious critics traced the infection of the imperial, healthy body of masculine elite culture by 'diseased' popular fiction, especially novels by women. This book discusses works by three novelists - M. E. Braddon, Rhoda Broughton, and 'Ouida' - within this historical context. In each case, the comparison of an early, 'sensation' novel against a later work shows how generic categorization worked in the context of social concerns to contain anxiety and limit interpretive possibilities. Within the texts themselves, references to contemporary critical and medical literatures resist or exploit mid-Victorian concepts of health, nationality, class and the body.

The first book to address the entire career of this key Victorian authorMary Elizabeth Braddon, journal editor and bestselling author of more than eighty novels during the late nineteenth and early twentieth centuries, was a key figure in the Victorian literary scene. This volume brings together new essays from a variety of perspectives that illuminate both the richness of Braddon's oeuvre and the variety of critical approaches to it.Best known as the author of Lady Audley's Secret and Aurora Floyd, Braddon also wrote penny dreadfuls, realist novels, plays, short stories, reviews, and articles. The contributors move beyond her two most famous works and reflect a range of current issues and approaches, including gender, genre, imperialism, colonial reception, commodity culture, and publishing history.Contributors include Jennifer Carnell, Jeni Curtis, Pamela K. Gilbert, Lauren Goodlad, Aeron Haynie, Heidi Holder, Gail Turley Houston, Heidi H. Johnson, Toni Johnson-Woods, James R. Kincaid, Elizabeth Langland, Eve Lynch, Graham Law, Katherine Montweiler, Lillian Nayder, Lyn Pykett, and Tabitha Sparks, and Marlene Tromp.

Explores the various representations and imaginations of London in literature and popular culture, from Victorian times to the present day.Imagined Londons explores the diverse ways that Britain's "global city" has been imagined and represented in literature, history, the arts, and popular culture, from the mid–nineteenth century to the present day. American and British contributors examine a variety of topics, ranging from poetry to architecture, from dance music to gay pornography, from "tube" maps to the role of Bangladeshi communities in shaping contemporary London politics. Broadly interdisciplinary and deeply attentive to London's historical diversity, the book is unified by its attention to a single question: How have the many imaginations and representations of London shaped-and been shaped by-history and culture? The answers provided within this volume offer the chance to view London in surprising new ways.

Explores the various representations and imaginations of London in literature and popular culture, from Victorian times to the present day.Imagined Londons explores the diverse ways that Britain's "global city" has been imagined and represented in literature, history, the arts, and popular culture, from the mid–nineteenth century to the present day. American and British contributors examine a variety of topics, ranging from poetry to architecture, from dance music to gay pornography, from "tube" maps to the role of Bangladeshi communities in shaping contemporary London politics. Broadly interdisciplinary and deeply attentive to London's historical diversity, the book is unified by its attention to a single question: How have the many imaginations and representations of London shaped-and been shaped by-history and culture? The answers provided within this volume offer the chance to view London in surprising new ways.

Explores how medical and social maps helped shape modern perceptions of space.The cholera epidemics that plagued London in the nineteenth century were a turning point in the science of epidemiology and public health, and the use of maps to pinpoint the source of the disease initiated an explosion of medical and social mapping not only in London but throughout the British Empire as well. Mapping the Victorian Social Body explores the impact of such maps on Victorian and, ultimately, present-day perceptions of space. Tracing the development of cholera mapping from the early sanitary period to the later "medical" period of which John Snow's work was a key example, the book explores how maps of cholera outbreaks, residents' responses to those maps, and the novels of Charles Dickens, who drew heavily on this material, contributed to an emerging vision of London as a metropolis. The book then turns to India, the metropole's colonial other and the perceived source of the disease. In India, the book argues, imperial politics took cholera mapping in a wholly different direction and contributed to Britons' perceptions of Indian space as quite different from that of home. The book concludes by tracing the persistence of Victorian themes in current discourse, particularly in terms of the identification of large cities with cancerous growth and of Africa with AIDS.

Explores how medical and social maps helped shape modern perceptions of space.The cholera epidemics that plagued London in the nineteenth century were a turning point in the science of epidemiology and public health, and the use of maps to pinpoint the source of the disease initiated an explosion of medical and social mapping not only in London but throughout the British Empire as well. Mapping the Victorian Social Body explores the impact of such maps on Victorian and, ultimately, present-day perceptions of space. Tracing the development of cholera mapping from the early sanitary period to the later "medical" period of which John Snow's work was a key example, the book explores how maps of cholera outbreaks, residents' responses to those maps, and the novels of Charles Dickens, who drew heavily on this material, contributed to an emerging vision of London as a metropolis. The book then turns to India, the metropole's colonial other and the perceived source of the disease. In India, the book argues, imperial politics took cholera mapping in a wholly different direction and contributed to Britons' perceptions of Indian space as quite different from that of home. The book concludes by tracing the persistence of Victorian themes in current discourse, particularly in terms of the identification of large cities with cancerous growth and of Africa with AIDS.

How cholera epidemics affected Victorian perceptions of the body and the nation.Drawing from sermons, novels, newspaper editorials, poetry, medical texts, and the writings of social activists, Cholera and Nation explores how the coming of the cholera epidemics during a period of intense political reform in Britain set the terms by which the social body would be defined. In part by historical accident, epidemic disease and especially cholera became foundational to the understanding of the social body. As the healthy body was closely tied to a particular vision of nation and modernity, the unhealthy body was proportionately racialized and othered. In turn, epidemic disease could not be separated from issues of social responsibility, political management, and economic unrest, which perpetually threatened the nation and its identity. For the rest of the century, the emergent field of public health would be central to the British national imaginary, defining the nation's civilization and modernity by its sanitary progress.

How cholera epidemics affected Victorian perceptions of the body and the nation.Drawing from sermons, novels, newspaper editorials, poetry, medical texts, and the writings of social activists, Cholera and Nation explores how the coming of the cholera epidemics during a period of intense political reform in Britain set the terms by which the social body would be defined. In part by historical accident, epidemic disease and especially cholera became foundational to the understanding of the social body. As the healthy body was closely tied to a particular vision of nation and modernity, the unhealthy body was proportionately racialized and othered. In turn, epidemic disease could not be separated from issues of social responsibility, political management, and economic unrest, which perpetually threatened the nation and its identity. For the rest of the century, the emergent field of public health would be central to the British national imaginary, defining the nation's civilization and modernity by its sanitary progress.

Offering an in-depth overview and reappraisal of the 1860s in British literature, this innovative volume features in-depth analyses from noted scholars at the tops of their fields. Covering characteristic literary genres of the 1860s (including sensation and lyric, as well as Golden Age children's literature), and topics of current and enduring interest in the field, from empire and slavery to evolution, environmental issues and economics, it incorporates drama as well as poetry and fiction, and emphasizes the history of publishing and periodicals so important to the period. Chapters are attentive to the global context, from Ireland on the stage, to Bengali literature, to Britain's muted response to the US Civil War. The Introduction gives an overview that places these individual chapters in the historical context of the 1860s, as well as the current scholarly conversation in the field.

This comprehensive collection offers a complete introduction to one of the most popular literary forms of the Victorian period, its key authors and works, its major themes, and its lasting legacy. Places key authors and novels in their cultural and historical contextIncludes studies of major topics such as race, gender, melodrama, theatre, poetry, realism in fiction, and connections to other art formsContributions from top international scholars approach an important literary genre from a range of perspectivesOffers both a pre and post-history of the genre to situate it in the larger tradition of Victorian publishing and literatureIncorporates coverage of traditional research and cutting-edge contemporary scholarship

In Victorian Skin, Pamela K. Gilbert uses literary, philosophical, medical, and scientific discourses about skin to trace the development of a broader discussion of what it meant to be human in the nineteenth century. Where is subjectivity located? How do we communicate with and understand each other's feelings? How does our surface, which contains us and presents us to others, function and what does it signify? As Gilbert shows, for Victorians, the skin was a text to be read. Nineteenth-century scientific and philosophical perspectives had reconfigured the purpose and meaning of this organ as more than a wrapping and instead a membrane integral to the generation of the self. Victorian writers embraced this complex perspective on skin even as sanitary writings focused on the surface of the body as a dangerous point of contact between self and others. Drawing on novels and stories by Dickens, Collins, Hardy, and Wilde, among others, along with their French contemporaries and precursors among the eighteenth-century Scottish thinkers and German idealists, Gilbert examines the understandings and representations of skin in four categories: as a surface for the sensing and expressive self; as a permeable boundary; as an alienable substance; and as the site of inherent and inscribed properties. At the same time, Gilbert connects the ways in which Victorians "read" skin to the way in which Victorian readers (and subsequent literary critics) read works of literature and historical events (especially the French Revolution.) From blushing and flaying to scarring and tattooing, Victorian Skin tracks the fraught relationship between ourselves and our skin.