Paul Boehmer – författare

This masterful collection of seventeen classic mystery stories, dating from 1837 to 1914, traces the earliest history of popular detective fiction.

Today, the figure of Sherlock Holmes towers over detective fiction like a colossus―but it was not always so. Edgar Allan Poe’s French detective Dupin, the hero of “The Murders in the Rue Morgue,” preceded Holmes’s deductive reasoning by more than forty years with his “tales of ratiocination.” In A Study in Scarlet, the first of Holmes’ adventures, Doyle acknowledged his debt to Poe―and to Émile Gaboriau, whose thief-turned-detective Monsieur Lecoq debuted in France twenty years earlier.

If “Rue Morgue” was the first true detective story in English, the title of the first full-length detective novel is more hotly contested. Two books by Wilkie Collins―The Woman in White (1859) and The Moonstone (1868)―are often given that honor, with the latter showing many of the features that came to identify the genre: a locked-room murder in an English country house; bungling local detectives outmatched by a brilliant amateur detective; a large cast of suspects and a plethora of red herrings; and a final twist before the truth is revealed. Others point to Mary Elizabeth Braddon’s The Trail of the Serpent (1861) or Aurora Floyd (1862), and others still to The Notting Hill Mystery (1862–3) by the pseudonymous “Charles Felix.”

As the early years of detective fiction gave way to two separate golden ages―of hard-boiled tales in America and intricately-plotted, so-called “cozy” murders in Britain―the legacy of Sherlock Holmes, with his fierce devotion to science and logic, gave way to street smarts on the one hand and social insight on the other―but even though these new sub-genres went their own ways, their detectives still required the intelligence and clear-sightedness that characterized the earliest works of detective fiction: the trademarks of Sherlock Holmes, and of all the detectives featured here.

War is peace. Freedom is slavery. Ignorance is strength.

George Orwell once wrote of a world where abuse of power begins with an abuse of language and a bastardization of truth. Some of today’s most exciting voices in speculative fiction explore the ramifications of those ideas in Ignorance Is Strength.

The Dystopia Triptych is a series of three anthologies of dystopian fiction. Ignorance Is Strength—before the dystopia—focuses on society during its descent into absurdity and madness. Burn the Ashes—during the dystopia—turns its attention to life during the strangest, most dire times. Or Else the Light—after the dystopia—concludes the saga with each author sharing their own vision of how we as a society might crawl back from the precipice of despair.

Ignorance Is Strength features all-new, never-before-published works by the following authors, in order of appearance: Carrie Vaughn, Tim Pratt, Rich Larson, Cadwell Turnbull, Karin Lowachee, Adam-Troy Castro, Caroline M. Yoachim, Hugh Howey, An Owomoyela, Seanan McGuire, Dominica Phetteplace, Alex Irvine, Tobias S. Buckell, Scott Sigler, Darcie Little Badger, Violet Allen, and Merc Fenn Wolfmoor.

We burn them to ashes and then burn the ashes.

In Ray Bradbury’s Fahrenheit 451, that’s the motto of the Firemen who hunted down and burned books wherever they found them. Bradbury warned of a world where our literary history is taken from us. In Burn the Ashes, some of the best science fiction authors working today continue to explore the dystopic worlds they introduced in Ignorance Is Strength.

Edited by John Joseph Adams, Hugh Howey, and Christie Yant, the Dystopia Triptych is a series of three anthologies of dystopian fiction. Ignorance Is Strength—before the dystopia—focuses on society during its descent into absurdity and madness. Burn the Ashes—during the dystopia—turns its attention to life during the strangest, most dire times. Or Else the Light—after the dystopia—concludes the saga with each author sharing their own vision of how we as a society might crawl back from the precipice of despair.

Burn the Ashes features all-new, never-before-published works by the following authors, in order of appearance: Carrie Vaughn, Tim Pratt, Rich Larson, Cadwell Turnbull, Karin Lowachee, Adam-Troy Castro, Caroline M. Yoachim, Hugh Howey, An Owomoyela, Seanan McGuire, Dominica Phetteplace, Alex Irvine, Tobias S. Buckell, Scott Sigler, Darcie Little Badger, Violet Allen, and Merc Fenn Wolfmoor.

Into the darkness within; or else the light …

When Margaret Atwood wrote these words, she left open the possibility that even our darkest tales may harbor a glimmer of hope. In Or Else the Light, the third and final entry in the Dystopia Triptych, over a dozen of the best minds in science fiction conclude their stories with a descent into darkness, or perhaps a ray of light.

Edited by John Joseph Adams, Hugh Howey, and Christie Yant, the Dystopia Triptych is a series of three anthologies of dystopian fiction. Ignorance Is Strength—before the dystopia—focuses on society during its descent into absurdity and madness. Burn the Ashes—during the dystopia—turns its attention to life during the strangest, most dire times. Or Else the Light—after the dystopia—concludes the saga with each author sharing their own vision of how we as a society might crawl back from the precipice of despair.

Or Else the Light features all-new, never-before-published works by the following authors, in order of appearance: Carrie Vaughn, Tim Pratt, Rich Larson, Cadwell Turnbull, Karin Lowachee, Adam-Troy Castro, Caroline M. Yoachim, Hugh Howey, An Owomoyela, Seanan McGuire, Dominica Phetteplace, Alex Irvine, Tobias S. Buckell, Scott Sigler, Darcie Little Badger, Violet Allen, and Merc Fenn Wolfmoor.

Seventeen hard science fiction tales by today''s top authors

Hard science fiction is the literature of change, rigorously examining the impact—both beneficial and dangerous—of science and technology on humanity, the future, and the cosmos. As science advances, expanding our knowledge of the universe, astounding new frontiers in storytelling open up as well.

In Carbide Tipped Pens, over a dozen of today''s most creative imaginations explore these frontiers, carrying on the grand tradition of such legendary masters as Isaac Asimov, Robert Heinlein, and John W. Campbell, while bringing hard science fiction into the twenty-first century by extrapolating from the latest scientific developments and discoveries. Ranging from ancient China to the outer reaches of the solar system, this outstanding collection of original stories, written by an international roster of authors, finds wonder, terror, and gripping human drama in topics as diverse as space exploration, artificial intelligence, biotechnology, climate change, alternate history, the search for extraterrestrial intelligence, interplanetary war, and even the future of baseball.

From tattoos that treat allergies to hazardous missions to Mars and beyond, from the end of the world to the farthest limits of human invention, Carbide Tipped Pens turns startling new ideas into state-of-the-art science fiction.

This collection includes stories by Ben Bova, Gregory Benford, Robert Reed, Aliette de Bodard, Jack McDevitt, Howard Hendrix, Daniel H. Wilson, and many others!

Lightspeed was founded on the core idea that all science fiction is real science fiction and that science fiction is vast. It is inclusive. Science fiction is about people, and queer people, no matter how they identify, are a big part of that. They always have been. They’re just sometimes harder to see. So, in the interests of visibility, Queers Destroy Science Fiction! shows just how wide the spectrum of sexuality and gender identity can really be.

This special issue features original science fiction short stories from John Chu, Kate M. Galey, Bonnie Jo Stufflebeam, Chaz Brenchley, Felicia Davin, Rose Lemberg, Jessica Yang, K. M. Szpara, Amal El-Mohtar, Tim Susman, and Susan Jane Bigelow. Plus, it includes original flash fiction from E. Saxey, Charles Payseur, Claudine Griggs, Stephen Cox, Eliza Gauger, Erica L. Satifka, Gabrielle Friesen, Nicasio Andres Reed, Shannon Peavey, Sarah Pinsker, Bogi Takács, and JY Yang, as well as reprints by RJ Edwards, AMJ Hudson, Raven Kaldera, Rand B. Lee, and Geoff Ryman.