Peter Friederici – författare

Ferrell Secakuku remembers the ancient farming rites of his Hopi people but saw them replaced by a cash economy. Sheep rancher Joe Manterola recalls watching hard scrabble farms on what is now tree-studded grassland on Garland Prairie. Navajo Rose Gishie once saw freshly dug holes fill with clean, drinkable water where none rises today. All over northern Arizona, people have seen the landscapes change, and livelihoods with them. In this remarkable book they share their stories. Thirteen narratives--from ranchers, foresters, scientists, Native American farmers, and others--tell how northern Arizona landscapes and livelihoods reflect rapid social and environmental change. The twentieth century saw huge changes as Arizona's human population swelled and vacation-home developments arose in the backcountry. Riparian areas dried up, cattle ranching declined, and some wildlife species vanished while others thrived. The people whose words are preserved here have watched it all happen. The book is a product of Northern Arizona University's Ecological Oral Histories project, which has been collecting remembrances of long-time area residents who have observed changes to the land from the 1930s to the present day. It carves a wide swath, from the Arizona Strip to the Mogollon Rim, from valleys near Prescott to the New Mexico line. It takes readers to the Bar Heart Ranch north of Williams and to the Doy Reidhead Ranch southeast of Holbrook, to the forests of Flagstaff and the mesas of Indian country. Enhanced with more than fifty illustrations, this book brings environmental change down to earth by allowing us to see it through the eyes of those whose lives it has directly touched. What Has Passed and What Remains is a window on the past that carries important lessons for the future.

In Glen Canyon waters rose, inundating petroglyphs and creating Lake Powell. Now the Colorado River basin is experiencing the longest dry spell in modern history—one that shows alarming signs of becoming the new normal.In A New Form of Beauty photographer Peter Goin and writer Peter Friederici tackle science from the viewpoint of art, creating a lyrical exploration in words and photographs, setting Glen Canyon and Lake Powell as the quintessential example of the challenges of perceiving place in a new era of radical change. Through evocative photography and extensive reporting, the two document their visits to the canyon country over a span of many years. By motorboat and kayak, they have ventured into remote corners of the once-huge reservoir to pursue profound questions: What is this place?How do we see it? What will it become?Goin’s full-color photographs are organized in three galleries—Flora and Fauna, Artifacts, and Low Water—interspersed with three essays by Friederici, and an epilogue gallery on Fire. The book includes two foldout photographs, which allow readers to fully see Lake Powell at high water and low water pointsContemplating humanity’s role in the world it is creating, Goin and Friederici ask if the uncertainties inherent in Glen Canyon herald an unpredictable new future for every place. They challenge us to question how we look at the world, how we live in it, and what the future will be.

Set in the North Shore suburbs of Chicago, amid traffic, pollution, and ever-increasing neighborhoods of houses and apartments, these meditative personal essays explore the importance of our connection with the natural world, history, and memory. The Suburban Wild follows the seasons from one spring to the next, celebrating the natural miracles we frequently miss and revealing a territory less tamed than we might imagine. These essays offer the sights and sounds found on the outskirts of cities, just perceptible amid the clutter and din of crowded streets and sidewalks. From the constant humming of cicadas on summer evenings and the seasonal migrations of ducks to the myriad hues in a green heron's feathers, Peter Friederici reveals a complex place in which wild geese and morning commuters share the same habitat.The essays honor our lost creatures and places, emphasizing the importance of history, memory, and consciousness. The author describes the varying shades and textures of a clay bluff near his childhood home, relating the gradual erosion and recession of this Ice Age-old landform. A description of spirogyra algae blooms on Lake Michigan merges with a discussion of the lake's once abundant native mussels and the imported zebra mussels that are threatening their existence. From recorded memories, Friederici re-creates the sight of the now extinct passenger pigeon. Though awareness of the destruction of the landscape and its creatures is never far from the wonders presented here, The Suburban Wild connects the tracks of wildlife and traces of our changing landscape with our own path through the world. The book explores how history—whether natural or cultural, collective or personal—shapes a landscape, and how human memory shapes that history. At heart, it seeks to forge a link between the world outside our windows and the one inside.