Peter Veth – författare

This unique guide provides an artistic and archaeological journey deep into human history, exploring the petroglyphic and pictographic forms of rock art produced by the earliest humans to contemporary peoples around the world. Summarizes the diversity of views on ancient rock art from leading international scholars Includes new discoveries and research, illustrated with over 160 images (including 30 color plates) from major rock art sites around the world Examines key work of noted authorities (e.g. Lewis-Williams, Conkey, Whitley and Clottes), and outlines new directions for rock art research Is broadly international in scope, identifying rock art from North and South America, Australia, the Pacific, Africa, India, Siberia and Europe Represents new approaches in the archaeological study of rock art, exploring issues that include gender, shamanism, landscape, identity, indigeneity, heritage and tourism, as well as technological and methodological advances in rock art analyses

This unique guide provides an artistic and archaeological journey deep into human history, exploring the petroglyphic and pictographic forms of rock art produced by the earliest humans to contemporary peoples around the world. Summarizes the diversity of views on ancient rock art from leading international scholars Includes new discoveries and research, illustrated with over 160 images (including 30 color plates) from major rock art sites around the world Examines key work of noted authorities (e.g. Lewis-Williams, Conkey, Whitley and Clottes), and outlines new directions for rock art research Is broadly international in scope, identifying rock art from North and South America, Australia, the Pacific, Africa, India, Siberia and Europe Represents new approaches in the archaeological study of rock art, exploring issues that include gender, shamanism, landscape, identity, indigeneity, heritage and tourism, as well as technological and methodological advances in rock art analyses

Desert Peoples: Archaeological Perspectives provides an issues-oriented overview of hunter-gatherer societies in desert landscapes that combines archaeological and anthropological perspectives and includes a wide range of regional and thematic case studies. Brings together, for the first time, studies from deserts as diverse as the sand dunes of Australia, the U.S. Great Basin, the coastal and high altitude deserts of South America, and the core deserts of AfricaExamines the key concepts vital to understanding human adaptation to marginal landscapes and the behavioral and belief systems that underpin themExplores the relationship among desert hunter-gatherers, herders, and pastoralists

Desert Peoples: Archaeological Perspectives provides an issues-oriented overview of hunter-gatherer societies in desert landscapes that combines archaeological and anthropological perspectives and includes a wide range of regional and thematic case studies.

Brings together, for the first time, studies from deserts as diverse as the sand dunes of Australia, the U.S. Great Basin, the coastal and high altitude deserts of South America, and the core deserts of Africa Examines the key concepts vital to understanding human adaptation to marginal landscapes and the behavioral and belief systems that underpin them Explores the relationship among desert hunter-gatherers, herders, and pastoralists

This unique guide provides an artistic and archaeological journey deep into human history, exploring the petroglyphic and pictographic forms of rock art produced by the earliest humans to contemporary peoples around the world. Summarizes the diversity of views on ancient rock art from leading international scholarsIncludes new discoveries and research, illustrated with over 160 images (including 30 color plates) from major rock art sites around the worldExamines key work of noted authorities (e.g. Lewis-Williams, Conkey, Whitley and Clottes), and outlines new directions for rock art researchIs broadly international in scope, identifying rock art from North and South America, Australia, the Pacific, Africa, India, Siberia and EuropeRepresents new approaches in the archaeological study of rock art, exploring issues that include gender, shamanism, landscape, identity, indigeneity, heritage and tourism, as well as technological and methodological advances in rock art analyses

Pundawar Manbur is one of the largest painted rock shelters in the Drysdale River valley of the Kimberley, Western Australia. It contains more than 600 rock paintings, engravings and rock markings with a complex series of overlapping styles of rock art. It is a cultural jewel of Kwini Country, within the lands of the Balanggarra Native Title determination. This monograph presents the first detailed recording and analysis of the site and its art. There are many figures in superposition, and many also in carefully targeted patterns of superimposition, making for a rich story of sequential engagements going back many thousands of years. There is much figurative art, including images from the earliest purported phase of Kimberley art, the Irregular Infill Animal Period, but there are also stencils and other markings. There is evidence of additive reuse – some of the figures have been repainted. There is also fascinating evidence of subtractive reuse, some of the images showing signs of having been ‘battered’ and/or scratched, that is, directly engaged with subsequent to their painting. This monograph is unusual in Australian archaeology as it does not focus on an excavated site; it focuses solely on the rock art of Pundawar Manbur and gives it the attention it deserves.