Philip Armstrong – författare

Quality supervision assists in quality service provision. The Practice of Clinical and Counselling Supervision: Australian and International Applications is the third edition of the leading Australian state-of-the-art text for supervision training applicable to a vast range of applied therapists. Counsellors, psychologists, psychotherapists, social workers, and clinical nurse supervisors will all find the presentation of supervision approaches, methods, and applications helpful.

From introductory conceptualisations of counselling to ethical applications, and from interacting with suicidality to addressing supervisee fears, this book has what supervisors need to know about supervision. Specialty areas including domestic violence, Christian counselling, and the status of supervision research are also covered. This third edition uniquely details information on supervision and counselling in various countries, and thus honours the diversity of applied supervision globally.

With an impressive list of contributors from Australia and the broader region, this book provides a wealth of practical information, advice, theory, research evidence, and essential training for supervisors.

Quality supervision assists in quality service provision. The Practice of Clinical and Counselling Supervision: Australian and International Applications is the third edition of the leading Australian state-of-the-art text for supervision training applicable to a vast range of applied therapists. Counsellors, psychologists, psychotherapists, social workers, and clinical nurse supervisors will all find the presentation of supervision approaches, methods, and applications helpful.

From introductory conceptualisations of counselling to ethical applications, and from interacting with suicidality to addressing supervisee fears, this book has what supervisors need to know about supervision. Specialty areas including domestic violence, Christian counselling, and the status of supervision research are also covered. This third edition uniquely details information on supervision and counselling in various countries, and thus honours the diversity of applied supervision globally.

With an impressive list of contributors from Australia and the broader region, this book provides a wealth of practical information, advice, theory, research evidence, and essential training for supervisors.

Disturbing Nature in Narrative Literature identifies and analyses encounters with unexpected, disconcerting, and unsettling aspects of the natural world, as these have been represented across a wide range of literary texts. It includes in‑depth discussion of both familiar and less familiar works from the British, American, and European literary traditions, and from the Classical period to today. The motifs discussed include earthquakes, forests, storms, animals, and oceanic depth, and the writers include Virgil, Ovid, Dante, Shakespeare, Aphra Behn, Voltaire, Heinrich von Kleist, Herman Melville, H.G. Wells, J.R.R. Tolkien, Gabriel García Márquez, José Saramago, Margaret Atwood, and Annie Proulx. Rich in both close textual analysis and contextual discussion, Disturbing Nature in Narrative Literature offers a vivid introduction to several topical approaches to literary‑critical analysis, including ecocriticism, new materialism, affect theory, and human‑animal studies, thereby demonstrating how literature shapes and is shaped by our response to the pressing questions of our time.

Disturbing Nature in Narrative Literature identifies and analyses encounters with unexpected, disconcerting, and unsettling aspects of the natural world, as these have been represented across a wide range of literary texts. It includes in‑depth discussion of both familiar and less familiar works from the British, American, and European literary traditions, and from the Classical period to today. The motifs discussed include earthquakes, forests, storms, animals, and oceanic depth, and the writers include Virgil, Ovid, Dante, Shakespeare, Aphra Behn, Voltaire, Heinrich von Kleist, Herman Melville, H.G. Wells, J.R.R. Tolkien, Gabriel García Márquez, José Saramago, Margaret Atwood, and Annie Proulx. Rich in both close textual analysis and contextual discussion, Disturbing Nature in Narrative Literature offers a vivid introduction to several topical approaches to literary‑critical analysis, including ecocriticism, new materialism, affect theory, and human‑animal studies, thereby demonstrating how literature shapes and is shaped by our response to the pressing questions of our time.

What Animals Mean in the Fiction of Modernity argues that nonhuman animals, and stories about them, have always been closely bound up with the conceptual and material work of modernity.

In the first half of the book, Philip Armstrong examines the function of animals and animal representations in four classic narratives: Robinson Crusoe, Gulliver’s Travels, Frankenstein and Moby-Dick. He then goes on to explore how these stories have been re-worked, in ways that reflect shifting social and environmental forces, by later novelists, including H.G. Wells, Upton Sinclair, D.H. Lawrence, Ernest Hemingway, Franz Kafka, Brigid Brophy, Bernard Malamud, Timothy Findley, Will Self, Margaret Atwood, Yann Martel and J.M. Coetzee.

What Animals Mean in the Fiction of Modernity also introduces readers to new developments in the study of human-animal relations. It does so by attending both to the significance of animals to humans, and to animals’ own purposes or designs; to what animals mean to us, and to what they mean to do, and how they mean to live.

What Animals Mean in the Fiction of Modernity argues that nonhuman animals, and stories about them, have always been closely bound up with the conceptual and material work of modernity.

In the first half of the book, Philip Armstrong examines the function of animals and animal representations in four classic narratives: Robinson Crusoe, Gulliver’s Travels, Frankenstein and Moby-Dick. He then goes on to explore how these stories have been re-worked, in ways that reflect shifting social and environmental forces, by later novelists, including H.G. Wells, Upton Sinclair, D.H. Lawrence, Ernest Hemingway, Franz Kafka, Brigid Brophy, Bernard Malamud, Timothy Findley, Will Self, Margaret Atwood, Yann Martel and J.M. Coetzee.

What Animals Mean in the Fiction of Modernity also introduces readers to new developments in the study of human-animal relations. It does so by attending both to the significance of animals to humans, and to animals’ own purposes or designs; to what animals mean to us, and to what they mean to do, and how they mean to live.

The link between psychoanalysis as a mode of interpretation and Shakespeare''s works is well known. But rather than merely putting Shakespeare on the couch, Philip Armstrong focuses on the complex and fascinatingly fruitful mutual relationship between Shakespeare''s texts and psychoanalytic theory. He shows how the theories of Freud, Rank, Jones, Lacan, Erikson, and others are themselves in a large part the product of reading Shakespeare. Armstrong provides an introductory cultural history of the relationship between psychoanalytic concepts and Shakespearean texts. This is played out in a variety of expected and unexpected contexts, including: *the early modern stage *Hamlet and The Tempest *Freud''s analytic session *the Parisian intellectual scene *Hollywood *the virtual space of the PC.

The link between psychoanalysis as a mode of interpretation and Shakespeare''s works is well known. But rather than merely putting Shakespeare on the couch, Philip Armstrong focuses on the complex and fascinatingly fruitful mutual relationship between Shakespeare''s texts and psychoanalytic theory. He shows how the theories of Freud, Rank, Jones, Lacan, Erikson, and others are themselves in a large part the product of reading Shakespeare. Armstrong provides an introductory cultural history of the relationship between psychoanalytic concepts and Shakespearean texts. This is played out in a variety of expected and unexpected contexts, including: *the early modern stage *Hamlet and The Tempest *Freud''s analytic session *the Parisian intellectual scene *Hollywood *the virtual space of the PC.