Philip Armstrong – författare

The link between psychoanalysis as a mode of interpretation and Shakespeare's works is well known. But rather than merely putting Shakespeare on the couch, Philip Armstrong focuses on the complex and fascinatingly fruitful mutual relationship between Shakespeare's texts and psychoanalytic theory. He shows how the theories of Freud, Rank, Jones, Lacan, Erikson, and others are themselves in a large part the product of reading Shakespeare.Armstrong provides an introductory cultural history of the relationship between psychoanalytic concepts and Shakespearean texts.This is played out in a variety of expected and unexpected contexts, including:*the early modern stage*Hamlet and The Tempest*Freud's analytic session*the Parisian intellectual scene*Hollywood*the virtual space of the PC.

The link between psychoanalysis as a mode of interpretation and Shakespeare's works is well known. But rather than merely putting Shakespeare on the couch, Philip Armstrong focuses on the complex and fascinatingly fruitful mutual relationship between Shakespeare's texts and psychoanalytic theory. He shows how the theories of Freud, Rank, Jones, Lacan, Erikson, and others are themselves in a large part the product of reading Shakespeare.Armstrong provides an introductory cultural history of the relationship between psychoanalytic concepts and Shakespearean texts.This is played out in a variety of expected and unexpected contexts, including:*the early modern stage*Hamlet and The Tempest*Freud's analytic session*the Parisian intellectual scene*Hollywood*the virtual space of the PC.

What Animals Mean in the Fiction of Modernity argues that nonhuman animals, and stories about them, have always been closely bound up with the conceptual and material work of modernity. In the first half of the book, Philip Armstrong examines the function of animals and animal representations in four classic narratives: Robinson Crusoe, Gulliver’s Travels, Frankenstein and Moby-Dick. He then goes on to explore how these stories have been re-worked, in ways that reflect shifting social and environmental forces, by later novelists, including H.G. Wells, Upton Sinclair, D.H. Lawrence, Ernest Hemingway, Franz Kafka, Brigid Brophy, Bernard Malamud, Timothy Findley, Will Self, Margaret Atwood, Yann Martel and J.M. Coetzee.What Animals Mean in the Fiction of Modernity also introduces readers to new developments in the study of human-animal relations. It does so by attending both to the significance of animals to humans, and to animals’ own purposes or designs; to what animals mean to us, and to what they mean to do, and how they mean to live.

What Animals Mean in the Fiction of Modernity argues that nonhuman animals, and stories about them, have always been closely bound up with the conceptual and material work of modernity. In the first half of the book, Philip Armstrong examines the function of animals and animal representations in four classic narratives: Robinson Crusoe, Gulliver’s Travels, Frankenstein and Moby-Dick. He then goes on to explore how these stories have been re-worked, in ways that reflect shifting social and environmental forces, by later novelists, including H.G. Wells, Upton Sinclair, D.H. Lawrence, Ernest Hemingway, Franz Kafka, Brigid Brophy, Bernard Malamud, Timothy Findley, Will Self, Margaret Atwood, Yann Martel and J.M. Coetzee.What Animals Mean in the Fiction of Modernity also introduces readers to new developments in the study of human-animal relations. It does so by attending both to the significance of animals to humans, and to animals’ own purposes or designs; to what animals mean to us, and to what they mean to do, and how they mean to live.

This book charts the development of capitalism in the post-war period and describes the challenges that the system has faced since 1945. It describes the measures that were taken to deal with the post-war slump and the ways in which most capitalist economies achieved steady growth and affluence in the 1950s and 1960s. It goes on to show how this boom was undermined by unemployment ensued.

Revealing how networks reopen our understanding of political discourse todaySignificantly advancing our notion of what constitutes a network, Philip Armstrong proposes a rethinking of political public space that specifically separates networks from the current popular discussion of globalization and information technology.Analyzing a wide range of Jean-Luc Nancy’s works, Reticulations shows how his project of articulating the political in terms of singularities, pluralities, and multiplicities can deepen our understanding of networks and how they influence community and politics. Even more striking is the way Armstrong associates this general complex in Nancy’s writing with his concern for what Nancy calls the retreat of the political. Armstrong highlights what Nancy’s perspective on networks reveals about movement politics as seen in the 1999 protests in Seattle against the World Trade Organization, the impact of technology on citizenship, and finally how this perspective critiques the model of networked communism constructed by Hardt and Negri. Contesting the exclusive link between technology and networks, Reticulations ultimately demonstrates how network society creates an entirely new politics, one surprisingly rooted in community.

Disturbing Nature in Narrative Literature identifies and analyses encounters with unexpected, disconcerting, and unsettling aspects of the natural world, as these have been represented across a wide range of literary texts. It includes in‑depth discussion of both familiar and less familiar works from the British, American, and European literary traditions, and from the Classical period to today. The motifs discussed include earthquakes, forests, storms, animals, and oceanic depth, and the writers include Virgil, Ovid, Dante, Shakespeare, Aphra Behn, Voltaire, Heinrich von Kleist, Herman Melville, H.G. Wells, J.R.R. Tolkien, Gabriel García Márquez, José Saramago, Margaret Atwood, and Annie Proulx. Rich in both close textual analysis and contextual discussion, Disturbing Nature in Narrative Literature offers a vivid introduction to several topical approaches to literary‑critical analysis, including ecocriticism, new materialism, affect theory, and human‑animal studies, thereby demonstrating how literature shapes and is shaped by our response to the pressing questions of our time.

Disturbing Nature in Narrative Literature identifies and analyses encounters with unexpected, disconcerting, and unsettling aspects of the natural world, as these have been represented across a wide range of literary texts. It includes in‑depth discussion of both familiar and less familiar works from the British, American, and European literary traditions, and from the Classical period to today. The motifs discussed include earthquakes, forests, storms, animals, and oceanic depth, and the writers include Virgil, Ovid, Dante, Shakespeare, Aphra Behn, Voltaire, Heinrich von Kleist, Herman Melville, H.G. Wells, J.R.R. Tolkien, Gabriel García Márquez, José Saramago, Margaret Atwood, and Annie Proulx. Rich in both close textual analysis and contextual discussion, Disturbing Nature in Narrative Literature offers a vivid introduction to several topical approaches to literary‑critical analysis, including ecocriticism, new materialism, affect theory, and human‑animal studies, thereby demonstrating how literature shapes and is shaped by our response to the pressing questions of our time.

Quality supervision assists in quality service provision. The Practice of Clinical and Counselling Supervision: Australian and International Applications is the third edition of the leading Australian state-of-the-art text for supervision training applicable to a vast range of applied therapists. Counsellors, psychologists, psychotherapists, social workers, and clinical nurse supervisors will all find the presentation of supervision approaches, methods, and applications helpful.From introductory conceptualisations of counselling to ethical applications, and from interacting with suicidality to addressing supervisee fears, this book has what supervisors need to know about supervision. Specialty areas including domestic violence, Christian counselling, and the status of supervision research are also covered. This third edition uniquely details information on supervision and counselling in various countries, and thus honours the diversity of applied supervision globally. With an impressive list of contributors from Australia and the broader region, this book provides a wealth of practical information, advice, theory, research evidence, and essential training for supervisors.

Quality supervision assists in quality service provision. The Practice of Clinical and Counselling Supervision: Australian and International Applications is the third edition of the leading Australian state-of-the-art text for supervision training applicable to a vast range of applied therapists. Counsellors, psychologists, psychotherapists, social workers, and clinical nurse supervisors will all find the presentation of supervision approaches, methods, and applications helpful.From introductory conceptualisations of counselling to ethical applications, and from interacting with suicidality to addressing supervisee fears, this book has what supervisors need to know about supervision. Specialty areas including domestic violence, Christian counselling, and the status of supervision research are also covered. This third edition uniquely details information on supervision and counselling in various countries, and thus honours the diversity of applied supervision globally. With an impressive list of contributors from Australia and the broader region, this book provides a wealth of practical information, advice, theory, research evidence, and essential training for supervisors.

The Egyptians worshipped them, the Romans dressed them in fitted coats, early Christians made the shepherd synonymous with their divine saviour. In Sheep, Philip Armstrong traces the natural and cultural history of both the wild and domestic species of Ovis: from the Old World mouflon to the corkscrew-horned flocks of the Egyptians, to the ‘Trojan sheep’ of Homer’s Odyssey, to the vast migratory mobs of Spanish merinos – all the way to Dolly the cloned ewe and the sheep-human hybrids of Haruki Murakami. Above all else, Sheep demonstrates that sometimes the most mundane animals turn out to be the most surprising.Listen to Philip Armstrong discuss some astonishing facts about sheep in this interview with Radio New Zealand.