Philip Brady - Böcker
Visar alla böcker från författaren Philip Brady. Handla med fri frakt och snabb leverans.
3 produkter
3 produkter
275 kr
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Several of these essays focus on the author's dual role as a writer and publisher--the paradoxes of having a deep faith in good writing in an age that sometimes doesn't always seem to embrace it. A few essays are about Philip Brady's status as an aging writer--one about his obsession with pickup basketball at the age of 60, another about how a sudden medical condition causes him to sort out some of his earliest reading. Still other essays are about poetry and the teaching of poetry, particularly to nontraditional students.
237 kr
Skickas inom 10-15 vardagar
With a perfect balance of playfulness, humor, and apology, Philip Brady calls himself a bard. But he explains that, before the title became shrouded in mystery, bards were simply teachers, unknown and poor, who gave literal voice to poems through recitations. Woven throughout these twenty essays is Brady's resistance to the academic expectations and settings of poetic instruction, enabling him to elicit the most authentic and surprising responses from a range of voices. He is motivated by the possibility of poetry expressed in the grittiest of places and takes readers from the rust belts of Ohio, to the far-flung pubs of Ireland, to Zairian classrooms with few books and fidgety lightbulbs. Most of all, he believes that, while bad poetry is a fact of life, good poetry should be studied and learned by heart. Brady doesn't resort to dissecting poems here, though poems-his own and those of many of his masters, from Yeats to Tu Fu-do appear. Instead, the poetic language of his observations seems to fulfill a greater purpose: “Voiced, the poem is transfigured from a printed glyph to sensory language: ephemeral, but with a tensile strength derived from the collective memory that births it. Critics may feel differently, but what matters to a poem is not how many times it is reprinted, but how deeply it penetrates the heart.”These essays are meditations grounded in the author's life as a poet, teacher, publisher, musician, traveler, and organizer. In one, readers encounter non-traditional students who attend class after work and whose lives are already shaped by burden. Brady recognizes the tension between reading poetry as an academic exercise and reading it for its power to endow all people with a broader sense of the self that is informed by both the dead and the living. He celebrates the challenges that his students bring to the classroom by forging headlong into discussions that other instructors would cringe at-as when a student declares that he doesn't like reading old poetry but instead likes greeting-card poems. Brady masterfully turns this potentially deflating moment into one that is both validating and deeply inspiring-for student and reader.
327 kr
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Sign & Breath is a new critical anthology that takes a different approach to exploring these questions: What is poetry? What defines voice?Featuring a range of contemporary artists, many of whom work across different mediums and genres, Sign & Breath introduces the reader to one page that sings in any genre - prose, fiction, poetry, spoken word, hybrid forms, and song - across diverse traditions. Rather than define poetry as a genre with conventions, traditions, codes, and modalities, this book features poetry as a faculty that thrums in all written and spoken art.Readers are introduced to a text followed by a discussion with the author about creating the piece, ties to creative lineage, and the definition of voice through their practice. This anthology contributes to the dialogue among genres which will reframe understanding of poetry as an aesthetic experience of language. With one page that sings in any genre, Sign & Breath presents a new, inclusive perspective on poetry while two questions remain: Do we have a clearer understanding of what defines poetry? Do we have a clearer understanding of voice?