Philip Hensher – författare

The bestselling novel from the Man Booker Prize shortlisted author of The Northern Clemency and King of the Badgers.‘The Mulberry Empire’ recounts an episode in the Great Game in central Asia – the courtship, betrayal and invasion of Afghanistan in the 1830s by the emissaries of Her Majesty’s Empire, which is followed by the bloody and summary expulsion of the British from Kabul following an Afghani insurrection.At its heart the encounter between West and East, as embodied in the likeable, complex relationship between Alexander Burnes, leader of the initial British expeditionary party, and the wily, cultured Afghani ruler, the Amir Dost Mohammed Khan.For those who enjoyed William Dalrymple’s ‘Return of a King’, ‘The Mulberry Empire’ is a must-read.

The new novel from the Booker Prize-shortlisted author of ‘The Northern Clemency’.Hanmouth: a quiet, picturesque English seaside town. But behind closed, Georgian front doors and the within the artisan cheese shop, its residents live lives that are anything but.When an 8-year-old girl goes missing from the estate on the fringes of the town, Hanmouth becomes the centre of national attention. Under the scrutiny of the investigation the extraordinary individual lives of the community are laid bare: the passions of a quiet international aid worker; a recently widowed old woman’s late discovery of sexual gratification; and a memorable party, held by the Bears.Through the apparent civility and spiralling paranoia a small town, Philip Hensher brings us another brilliantly funny and perfectly observed slice of contemporary English life.

The most ambitious and daring novel novel yet from Booker Prize-shortlisted Philip Hensher.‘A novel that's almost fizzy to the touch … A performance of extraordinary flair and majesty from a writer who seems capable of anything’ Guardian‘The Emperor Waltz’ is a single novel with three narrative strands: fourth-century Rome, 1920s Germany, and 1980s London. In each place, a small coterie is closely connected and separated from the larger world. In each story, the larger world regards the small coterie and its passionately-held beliefs and secrets with suspicion and hostility.It is the story of eccentricity, its struggle, its triumph, its influence – but also its defeat.

SHORTLISTED FOR THE MAN BOOKER PRIZE 2008.An epic chronicle of the last twenty years of British life from the Booker shortlisted and Granta Best of Young British novelist, Philip Hensher.Beginning in 1974 and ending with the fading of Thatcher's government in 1996, ‘The Northern Clemency’ is Philip Hensher's epic portrait of an entire era, a novel concerned with the lives of ordinary people and history on the move.Set in Sheffield, it charts the relationship between two families: Malcolm and Katherine Glover and their three children; and their neighbours, the Sellers family, newly arrived from London so that Bernie can pursue his job with the Electricity Board. The day the Sellers move in there is a crisis across the road: Malcolm Glover has left home, convinced his wife is having an affair. The consequences of this rupture will spread throughout the lives of both couples and their children, in particular ten-year-old Tim Glover, who never quite recovers from a moment of his mother's public cruelty and the amused taunting of fifteen-year-old Sandra Sellers, childhood crises that will come to a head twenty years later. In the background, England is changing: from a manufacturing- and industrial-based economy into a new world of shops, restaurants and service industries, a shift particularly marked in the North with the miners' strike of 1984, which has a dramatic impact on both families.Inspired by the expansive scale and webs of relationships of the great nineteenth-century Russian novels, ‘The Northern Clemency’ shows Philip Hensher to be one of our greatest chroniclers of English life.

‘It’s the book you should give someone who thinks they don’t like novels … Here is surely a future prizewinner that is easy to read and impossible to forget’ Melissa Katsoulis, The Times The things history will do at the bidding of love On a warm Sunday afternoon, Nazia and Sharif are preparing for a family barbecue. They are in the house in Sheffield that will do for the rest of their lives. In the garden next door is a retired doctor, whose four children have long since left home. When the shadow of death passes over Nazia and Sharif’s party, Doctor Spinster’s actions are going to bring the two families together, for decades to come.The Friendly Ones is about two families. In it, people with very different histories can fit together, and redeem each other. One is a large and loosely connected family who have come to England from the subcontinent in fits and starts, brought to England by education, and economic possibilities. Or driven away from their native country by war, murder, crime and brutal oppression – things their new neighbours know nothing about. At the heart of their story is betrayal and public shame. The secret wound that overshadows the Spinsters, their neighbours next door, is of a different kind: Leo, the eldest son, running away from Oxford University aged eighteen. How do you put these things right, in England, now?Spanning decades and with a big and beautifully drawn cast of characters all making their different ways towards lives that make sense, The Friendly Ones, Philip Hensher’s moving and timely new novel, shows what a nation is made of; how the legacies of our history can be mastered by the decision to know something about people who are not like us.

A Small Revolution in Germany is about growing up, or refusing to accept what growing up means; it’s about the small dishonest pacts that people make with their own futures; and it’s about the rare and joyous refusal to be disillusioned. Everyone remembers what it’s like to be seventeen. The conversations you have; the ideas that burst on you; the kiss that transforms you. And then you grow up, and make a deal with adulthood. A Small Revolution in Germany is about that rapturous moment when ideas, and ideals, and passion crash over one boy’s head. And what happens in the decades afterwards? When you see the overwhelming truth when you are seventeen, why should you ever abandon that truth?Spike is brought into a small, clever group of friends, bursting with a passion for ideas, and the wish to change the world. They smash up political meetings; they paint slogans on walls; they long for armed revolution; they argue, exuberantly, until dawn. In the years to follow, they all change their minds, and go into the world. They become writers, politicians, public figures. One of them becomes famous when she dies. They all change their minds, and make sensible compromises. Only Spike stays exactly as he is, going on with the burning desire for change, in the safe embrace of unconditional love. Alone from the old group, he is the only one who has achieved nothing, and who has never deviated from the impractical shining path of revolution he saw as a teenager. Thirty years on, photographs of the teenage group look like a bunch of celebrated individuals, with only one unknown face in it – Spike.

‘A brilliantly conceived and audacious novel from one of our most consistently intelligent and beguiling writers’ William Boyd‘Surefooted and emotionally generous … A serious achievement’ Guardian‘Masterful’ Telegraph‘A revelation’ Spectator The new novel from the Booker shortlisted author of The Northern Clemency An order is issued. A population may not meet, or touch or speak to each other. They stay inside, and the reality of a few streets in a capital city emerges. An underground river is discovered; an urban grove of pomeloes emerges. The imagination reaches out, and makes sense of the world. By the sea, two men walk into a future of uncertain violence.There is time now to see the human dramas within a hundred yards (an abduction, a quiet breakdown, an outbreak of violence, a young mind beginning to stretch itself); to wait for the weather to change; to understand that what lies underneath this part of the city are seasonally wet pastures and woodlands.Written in four parts, To Battersea Park explores the strata and sediment of a single place and time. It shows what brings us together, through love, through the clashes of what we want to do and what the world wants to do with us. Set in a large crowded city where we are forbidden to approach strangers, this is about what we share: humanity, imagination, and the love that emerges from many acts of telling. ‘Electrifying … works like this… allow the imagination to roam free and wild’ Observer ‘Wise, ingenious and passionate’ TLS ‘Magnificently succeeds in excavating the sedimentary layers of a neighbourhood in lockdown to reveal – hilariously, tenderly, shockingly – how we exist both in intimacy and ignorance of those we live among’ Financial Times ‘An engrossing human drama’ The Times ‘An imaginative tour de force’ Mick Herron, author of Bad Actors ‘An utterly engrossing skein of narratives, beautifully written and often disturbing’ Lissa Evans, author of V for Victory

‘A brilliantly conceived and audacious novel from one of our most consistently intelligent and beguiling writers’ William Boyd‘Surefooted and emotionally generous … A serious achievement’ Guardian‘Masterful’ Telegraph‘A revelation’ Spectator The new novel from the Booker shortlisted author of The Northern Clemency An order is issued. A population may not meet, or touch or speak to each other. They stay inside, and the reality of a few streets in a capital city emerges. An underground river is discovered; an urban grove of pomeloes emerges. The imagination reaches out, and makes sense of the world. By the sea, two men walk into a future of uncertain violence.There is time now to see the human dramas within a hundred yards (an abduction, a quiet breakdown, an outbreak of violence, a young mind beginning to stretch itself); to wait for the weather to change; to understand that what lies underneath this part of the city are seasonally wet pastures and woodlands.Written in four parts, To Battersea Park explores the strata and sediment of a single place and time. It shows what brings us together, through love, through the clashes of what we want to do and what the world wants to do with us. Set in a large crowded city where we are forbidden to approach strangers, this is about what we share: humanity, imagination, and the love that emerges from many acts of telling. ‘Electrifying … works like this… allow the imagination to roam free and wild’ Observer ‘Wise, ingenious and passionate’ TLS ‘Magnificently succeeds in excavating the sedimentary layers of a neighbourhood in lockdown to reveal – hilariously, tenderly, shockingly – how we exist both in intimacy and ignorance of those we live among’ Financial Times ‘An engrossing human drama’ The Times ‘An imaginative tour de force’ Mick Herron, author of Bad Actors ‘An utterly engrossing skein of narratives, beautifully written and often disturbing’ Lissa Evans, author of V for Victory

'A bold anthology ... alive with provocations and insights' John Carey, Sunday Times'The Boy-scouts mistook my signal, and have killed the postman. I've had very little practice in this sort of thing, you see'The British short story tradition is probably the richest, most varied and historically extensive in the world. This new anthology celebrates the full diversity and energy of its writers, subjects and tones, from the story's origins with Defoe, Swift and Fielding, to the 'golden age' of the fin de siècle and Edwardian period, ending with the First World War. Including the most famous authors as well as some magnificent, little-known stories never republished since their first appearance in magazines and periodicals, these stories are by turns topical and playful, ghostly and theatrical, rumbustious and sublime.Edited with an introduction by Philip Hensher

This is the first anthology capacious enough to celebrate the full diversity and energy of its writers, subjects and tones. The most famous authors are here, and many others, including some magnificent stories never republished since their first appearance in magazines and periodicals. The Penguin Book of the British Short Story has a permanent authority, and will be reached for year in and year out. This volume takes the story from the 1920s to the present day.

'Sometimes - not often - a book comes along that feels like Christmas. Philip Hensher's timely, but timeless, selection of the best short stories from the past 20 years is that kind of book. His introduction is as enriching as anything that has been published this year' Sunday TimesA spectacular treasury of the best British short stories published in the last twenty yearsWe are living in a particularly rich period for British short stories. Despite the relative lack of places in which they can be published, the challenge the medium represents has attracted a host of remarkable, subversive, entertaining and innovative writers. Philip Hensher, following the success of his definitive Penguin Book of British Short Stories, has scoured a vast trove of material and chosen thirty great stories for this new volume of works written between 1997 and the present day.Includes short stories by A.L. Kennedy, Tessa Hadley, Kazuo Ishiguro, Jackie Kay, Graham Swift, Jane Gardam, Ali Smith, Neil Gaiman, Martin Amis, China Miéville, Peter Hobbs, Thomas Morris, David Rose, David Szalay, Irvine Welsh, Lucy Caldwell, Rose Tremain, Helen Oyeyemi, Leone Ross, Helen Simpson, Zadie Smith, Will Self, Gerard Woodward, James Kelman, Lucy Wood, Hilary Mantel, Eley Williams, Sarah Hall, Mark Haddon and Helen Dunmore.

'Excellent, entertaining and ingenious ... from Oscar Wilde to Arthur Conan Doyle, this fine anthology celebrates one of the richest moments in Britain's literary history' Sunday TimesThe quarter century between 1890 and the outbreak of the First World War saw an extraordinary boom in the popularity and quality of short stories in Britain, fuelled by a large, eager new magazine readership. The great writers of the age produced some of their finest work, and literary genres - the ghost story, science fiction - took shape. This richly varied, endlessly entertaining anthology brings together authors from Katherine Mansfield to Rudyard Kipling, James Joyce to Saki, H. G. Wells to Rebecca West. It celebrates a teeming, innovative world of literary achievement.Edited with an introduction by Philip Hensher

The story of the novel in Britain is a good story.It begins in the eighteenth century, when people began to read in ever greater numbers, seeking words that helped explain their hopes and desires. A new kind of literature was needed for this growing market of readers, one that reflected as many different lives in its pages as there were people to buy them, that could change with the times and do something new: something novel.In this illuminating new history of both an art and an industry, Philip Hensher describes how the evolutionary scramble by writers and publishers to get attention drove constant innovation in writing techniques, and produced new ways of printing, distributing, and selling books. Over the course of three hundred years, these creative and commercial forces shaped the novel’s form and its future, from Daniel Defoe to Zadie Smith.Reading widely across the famous, the once famous and the utterly (if unfairly) forgotten, this is a work of investigative verve that makes a serious case for widening the canon. But it is also a gift: Hensher has read untold thousands of books, and A History of the Novel in Britain is his hoard of treasure, waiting to be discovered, wondered at and delighted in.

Berlin, in the words of Philip Hensher, editor of this anthology, 'has always been a city of desperate modernity', both in terms of urban architecture - largely a creation of the progressive 19th century, laid waste by World War II, temporary home of the infamous Wall - and in ways of living and behaving. As early as the 1920s it was the gay capital of Europe; the Communist East/free West barrier presented unique problems for a divided population; and in the 1990s, in the aftermath of reunification, the cheap, run-down city became a vibrant centre for creative artists. 'The sense of making it up as you go along is never far away in Berlin.'The stories in this volume are the product of this series of multiple rebirths from the viewpoint of both insiders and outsiders. From pre- 1914 there are contributions from Theodor Fontane and Robert Walser; from the Weimar Republic, Alexander Döblin, Vladimir Nabokov, Erich Kästner, Ernst Haffner, Irmgeud Keun and Christopher Isherwood; from the Third Reich, Thomas Wolfe, Hans Fallada and Heinz Rein; from the Cold War era, Peter Schneider, Thomas Brussig, Len Deighton, Christa Wolf and Ian McEwan; from post-reunification, Günter Grass, Wladimir Kaminer, Chloe Aridjis, Uwe Timm, Kevin Barry, Jean-Philippe Toussaint and Jenny Erpenbeck.