Piotr Blumczynski – författare

This innovative book takes the concept of translation beyond its traditional boundaries, adding to the growing body of literature which challenges the idea of translation as a primarily linguistic transfer.

To gain a fresh perspective on the work of translation in the complex processes of meaning-making across physical, social and cultural domains (conceptualized as translationality), Piotr Blumczynski revisits one of the earliest and most fundamental senses of translation: corporeal transfer. His study of translated religious officials and translated relics reframes our understanding of translation as a process creating a sense of connection with another time, place, object or person. He argues that a promise of translationality animates a broad spectrum of cultural, artistic and commercial endeavours: it is invoked, for example, in museum exhibitions, art galleries, celebrity endorsements, and the manufacturing of musical instruments. Translationality offers a way to reimagine the dynamic entanglements of matter and meaning, space and time, past and present.

This book will be of interest to students and scholars in translation studies as well as related disciplines such as the history of religion, anthropology of art, and material culture.

This innovative book takes the concept of translation beyond its traditional boundaries, adding to the growing body of literature which challenges the idea of translation as a primarily linguistic transfer.

To gain a fresh perspective on the work of translation in the complex processes of meaning-making across physical, social and cultural domains (conceptualized as translationality), Piotr Blumczynski revisits one of the earliest and most fundamental senses of translation: corporeal transfer. His study of translated religious officials and translated relics reframes our understanding of translation as a process creating a sense of connection with another time, place, object or person. He argues that a promise of translationality animates a broad spectrum of cultural, artistic and commercial endeavours: it is invoked, for example, in museum exhibitions, art galleries, celebrity endorsements, and the manufacturing of musical instruments. Translationality offers a way to reimagine the dynamic entanglements of matter and meaning, space and time, past and present.

This book will be of interest to students and scholars in translation studies as well as related disciplines such as the history of religion, anthropology of art, and material culture.

This collection of essays by a team of internationally respected researchers at the cutting edge of translation studies was inspired by the idea of “writing forward” as a strategy for theatre translation proposed by David Johnston, the award-winning translator and scholar.

Opening this volume is a conversation between David Johnston and Lawrence Venuti in which they explore a broad range of topics that bear on the translation of theatrical texts for performance. The chapters that follow are grouped into three main parts.

Finally, in the short play Noli me tangere, written especially for this volume, Juan Mayorga reflects on theatre as the art of distance and on the mysteriousness of translation as the art of negotiating that distance.

Thinking about and practicing translation as “writing forward” underscores its perpetual provisionality and hermeneutic openness; its ability to surprise and stimulate but also remind and reassure. By enriching our understanding of translation, performance, and creativity, this volume will no doubt inspire further explorations into their fascinating complexities. Useful and important reading for advanced students and researchers of literature, theatre, culture, and translation.

This collection of essays by a team of internationally respected researchers at the cutting edge of translation studies was inspired by the idea of “writing forward” as a strategy for theatre translation proposed by David Johnston, the award-winning translator and scholar.

Opening this volume is a conversation between David Johnston and Lawrence Venuti in which they explore a broad range of topics that bear on the translation of theatrical texts for performance. The chapters that follow are grouped into three main parts.

Finally, in the short play Noli me tangere, written especially for this volume, Juan Mayorga reflects on theatre as the art of distance and on the mysteriousness of translation as the art of negotiating that distance.

Thinking about and practicing translation as “writing forward” underscores its perpetual provisionality and hermeneutic openness; its ability to surprise and stimulate but also remind and reassure. By enriching our understanding of translation, performance, and creativity, this volume will no doubt inspire further explorations into their fascinating complexities. Useful and important reading for advanced students and researchers of literature, theatre, culture, and translation.

In this book, Piotr Blumczynski explores the central role of translation as a key epistemological concept as well as a hermeneutic, ethical, linguistic and interpersonal practice. His argument is three-fold: (1) that translation provides a basis for genuine, exciting, serious, innovative and meaningful exchange between various areas of the humanities through both a concept (the WHAT) and a method (the HOW); (2) that, in doing so, it questions and challenges many of the traditional boundaries and offers a transdisciplinary epistemological paradigm, leading to a new understanding of quality, and thus also meaning, truth, and knowledge; and (3) that translational phenomena are studied by a broad range of disciplines in the humanities (including philosophy, theology, linguistics, and anthropology) using various, often seemingly unrelated concepts which nevertheless display a considerable degree of qualitative proximity. The common thread running through all these convictions and binding them together is the insistence that translational phenomena are ubiquitous. Because of its unconventional and innovative approach, this book will be of interest to translation studies scholars looking to situate their research within a broader transdisciplinary model, as well as to students of translation programs and practicing translators who seek a fuller understanding of why and how translation matters.