Priscilla Layne – författare

Afrika and Alemania explores the representation of Blackness in German-speaking literary, autobiographical, and cinematic texts across two centuries. By examining how different groups of women with access to German culture have depicted Africa, Africans, and the African diaspora, the book challenges the assumption that all women will tell the same story. Focusing on Black women, non-Black women of colour, and white women, it investigates how these diverse voices engage with and represent Blackness within a society shaped by racial hierarchies. Part I analyses how Black, German-speaking women actively reshape and redefine Blackness in response to stereotypes upheld by white German society. Part II explores how non-Black women of colour navigate the complexities of othering while sometimes reproducing anti-Black stereotypes, while Part III discusses how white women’s projections of fantasies about Africa often erase Black voices and render them invisible. Offering a nuanced analysis of the intersections of race, gender, ethnicity, and nationality, Afrika and Alemania provides a vital framework for understanding Blackness within contemporary scholarship and its broader social and cultural implications.

Afrika and Alemania explores the representation of Blackness in German-speaking literary, autobiographical, and cinematic texts across two centuries. By examining how different groups of women with access to German culture have depicted Africa, Africans, and the African diaspora, the book challenges the assumption that all women will tell the same story. Focusing on Black women, non-Black women of colour, and white women, it investigates how these diverse voices engage with and represent Blackness within a society shaped by racial hierarchies. Part I analyses how Black, German-speaking women actively reshape and redefine Blackness in response to stereotypes upheld by white German society. Part II explores how non-Black women of colour navigate the complexities of othering while sometimes reproducing anti-Black stereotypes, while Part III discusses how white women’s projections of fantasies about Africa often erase Black voices and render them invisible. Offering a nuanced analysis of the intersections of race, gender, ethnicity, and nationality, Afrika and Alemania provides a vital framework for understanding Blackness within contemporary scholarship and its broader social and cultural implications.

A new reading of Fassbinder's most popular film that highlights the roles of race and gender.The Marriage of Maria Braun is the most popular film by the enfant terrible director Rainer Werner Fassbinder, the leading exponent of the "New German Cinema" of the early sixties to early eighties. It exemplifies his use and abuse of the genre of melodrama. Set in the immediate postwar period and centered around a strong female protagonist, Maria Braun (1978) was the first film in a trilogy that attempts to work through West Germany's fraught past and the legacy of Nazi Germany through the eyes of characters marginalized by their gender, race, sexuality, or (dis)ability. Maria attempts to navigate the poverty and sexism of the immediate postwar years by making her relationships with men, including the Black American G.I., Bill, as beneficial as possible. In the end, she discovers she has been a pawn in a power game between her husband, Hermann, for whom she has been pining while he has been in prison, and her lover, the industrialist Oswald. Yet Maria is also complicit in racism and white patriarchy, a fact that scholarship on the film has barely registered. In her new reading, Priscilla Layne draws on archival research, Critical Race Theory, Black Feminist Thought, and Critical Whiteness Studies to expand on the role of race and gender in the film.

While German Reunification promised a new historical beginning, it also stirred discussions about contemporary Germany’s Nazi past and ideas of citizenship and belonging in a changing Europe. While there was migration to Germany from people of color as well as from Jews and ethnic Germans from the former Soviet Union suggested that there was economic and cultural attraction to a changing society, fear was also stoked from waves of murderous attacks on new migrants and Turkish Germans who had resided in Germany for more than a generation. Minority Discourses in Germany Since 1990 explores the intersections and divergences between Black German, Turkish German and German Jewish experience. Informed by comparative approaches, the volume investigates social and aesthetic interventions into contemporary German public and political discourses on memory, racism, citizenship, immigration, and history.

While German unification promised a new historical beginning, it also stirred discussions about contemporary Germany’s Nazi past and ideas of citizenship and belonging in a changing Europe. Minority Discourses in Germany Since 1990 explores the intersections and divergences between Black German, Turkish German, and German Jewish experiences, with reflections on the evolving academic paradigms with which these are studied. Informed by comparative approaches, the volume investigates social and aesthetic interventions into contemporary German public and political discourse on memory, racism, citizenship, immigration, and history.