Rabih Alameddine - Böcker

SHORTLISTED FOR THE NATIONAL BOOK AWARDFrom the inimitable Rabih Alameddine - National Book Award finalist and winner of the PEN/Faulkner Award - comes a tragicomic saga set in Lebanon, a modern story of family, memory, and the unbreakable (and insane) attachment of a son and his mother.In a tiny Beirut apartment, sixty-three-year-old Raja and his mother live side by side. A beloved high school philosophy teacher and 'the neighborhood homosexual,' Raja relishes books, meditative walks, order, and solitude. Zalfa, his octogenarian mother, views her son's privacy as a personal affront. She craves nothing more than to know the ins and outs of Raja's work life and love life, boundaries be damned.When Raja receives an invite to an all-expenses-paid writing residency in America, the timing couldn't be better. It arrives on the heels of a series of personal and national disasters that have left Raja itching for peace and quiet away from his mother and the heartache of Lebanon. But what at first seems a stroke of good fortune soon leads Raja to recount and relive the very disasters and past betrayals he wishes to leave behind.Wickedly funny, heartbreaking, and told in Raja's irresistible voice, The True, True Story of Raja the Gullible dances across six decades to tell the unforgettable story of a singular life and its absurdities - a tale of mistakes, self-discovery, trauma, and maybe even forgiveness. Above all, it's a wild and sparkling celebration of love.

Aaliya Saleh lives alone in her Beirut apartment, surrounded by stockpiles of books. Godless, fatherless, childless, and divorced, Aaliya is her family’s 'unnecessary appendage'. Every year, she translates a new favourite book into Arabic, then stows it away. The thirty-seven books that Aaliya has translated over her lifetime have never been read - by anyone.This breathtaking portrait of a reclusive woman follows Aaliya’s digressive mind as it ricochets across visions of past and present Beirut. Colourful musings on literature, philosophy, and art are invaded by memories of the Lebanese Civil War and Aaliya’s own volatile past. As she tries to overcome her ageing body and spontaneous emotional upwellings, Aaliya is faced with an unthinkable disaster that threatens to shatter the little life she has left.A love letter to literature and its power to define who we are, the prodigiously gifted Rabih Alameddine has given us a magnificent rendering of one woman's life in the Middle East.

WINNER OF THE PEN/FAULKNER AWARD FOR FICTION 2022'A beautiful, well paced, enraging, funny and heartbreaking book' the Guardian 'Spectacular . . . Alameddine's irreverent prose evokes the old master storytellers from my own Middle Eastern home . . . deeply poignant' New York TimesMina Simpson, a Lebanese doctor, arrives at the infamous Moria refugee camp on Lesbos, Greece, after being urgently summoned for help by her friend who runs an NGO there. Alienated from her family except for her beloved brother, Mina has avoided being so close to her homeland for decades. But with a week off work and apart from her wife of thirty years, Mina hopes to accomplish something meaningful, among the abundance of Western volunteers who pose for selfies with beached dinghies and the camp's children. Soon, a boat crosses bringing Sumaiya, a fiercely resolute Syrian matriarch with terminal liver cancer. Determined to protect her children and husband at all costs, Sumaiya refuses to alert her family to her diagnosis. Bonded together by Sumaiya's secret, a deep connection sparks between the two women, and as Mina prepares a course of treatment with the limited resources on hand, she confronts the circumstances of the migrants' displacement, as well as her own constraints in helping them.Not since the inimitable Aaliya of An Unnecessary Woman has Rabih Alameddine conjured such a winsome heroine to lead us to one of the most wrenching conflicts of our time. Cunningly weaving in stories of other refugees into Mina's singular own, The Wrong End of the Telescope is a bedazzling tapestry of both tragic and amusing portraits of indomitable spirits facing this humanitarian crisis.'Alameddine hits a distinctly contemporary note with this new book about refugees . . . it feels totally authentic' Sunday Times

The best in short fiction from around the world, from celebrated anthologist and author John Freeman and award-winning novelist Rabih AlameddineIn The Penguin Book of the International Short Story, writers from different nations, languages and sensibilities come together in a globe-spanning and long overdue tour of modern fiction. In ‘Super-Frog Saves Tokyo’, Haruki Murakami presents a man who believes a giant amphibian is enlisting him to protect his city from an impending earthquake. In ‘War of the Clowns’, Mozambique’s Mia Couto sketches a perfect allegory for our divided culture. In the predecessor story to her iconic novel The Vegetarian, Han Kang depicts a protagonist quietly undergoing an unlikely transformation in a high-rise in Seoul. A Colm Tóibín character thinks, ‘I do not even believe in Ireland’, while Carol Bensimon reflects from Brazil, ‘All great ideas seem like bad ones at some point’. Salman Rushdie brings us to unsettled rural India, Olga Tokarczuk to a circus exhibit, Abdellah Taïa to the queer Arab world, Ted Chiang to a far-off galaxy.For a long time, it was the norm for three quarters of the stories in international anthologies to be American or English. In this collection, the work of thoughtful and accomplished translators opens the door wide for those curious about what lies beyond the Western canon and classroom. Writers from six continents, ranging from new voices to literary icons, each offer a window into a distinct point of view, both transcending and illuminating their place of origin. They offer not only captivating prose, but a reminder of the power of the imagination across space and time.

'Rabih Alameddine is one rare writer who not only breaks our hearts but gives every broken piece a new life' Yiyun Li'Rabih Alameddine is one our most daring writers - daring not in the cheap sense of lurid or racy, but as a surgeon, a philosopher, an explorer, or a dancer' Michael ChabonDetailing the impact of the AIDS epidemic and the Lebanese civil war in Beirut on a circle of friends and family during the eighties and nineties, Koolaids mines the chaos of contemporary experience, telling the stories of characters who can no longer love or think except in fragments. Clips, quips, vignettes and hallucinations, tragic news reports and hilarious short plays, conversations with both the quick and the dead, all shine their combined lights to reveal the way we experience life today in this ambitious debut from bestselling and acclaimed author Rabih Alameddine.'Daring, dazzling . . . a tough, funny, heart-breaking book' Seattle Times

"Alameddine's new novel unfolds like a secret... creating a tale...humorous and heartbreaking and always real" (Los Angeles Times). "[W]ith each new approach, [Sarah] sheds another layer of her pretension, revealing another truth about her humanity" (San Francisco Weekly). Raised in a hybrid family shaped by divorce and remarriage, and by Beirut in wartime, Sarah finds a fragile peace in self-imposed exile in the United States. Her extraordinary dignity is supported by a best friend, a grown-up son, occasional sensual pleasures, and her determination to tell her own story. "Like her narrative, [Sarah's] life is broken and fragmented. [But] the bright, strange, often startling pieces...are moving and memorable" (Boston Globe). Reading group guide included.

A gay poet is haunted by war and the AIDs crisis in this "sprawling fever dream of a novel" by the National Book Award-winning author of The True True Story of Raja the Gullible (and His Mother) (NPR.org).Set over the course of one night in the waiting room of a psych clinic, The Angel of History follows Yemeni-born poet Jacob as he revisits the events of his life. His memories take him from his maternal upbringing in an Egyptian whorehouse to his adolescence under the aegis of his wealthy father and his life as a gay Arab man in San Francisco at the height of AIDS.Haunted by an alluring, sassy Satan, who taunts Jacob to remember his painful past, and by dour, frigid Death, who urges him to forget and give up on life, Jacob is also attended to by fourteen saints. With Jacob recalling his life in Cairo, Beirut, Sana'a, Stockholm, and San Francisco, Alameddine gives us a charged philosophical portrayal of a brilliant mind in crisis. This is a profound story that "marks the triumph of memory over oblivion" (Bookforum).

A timely and urgent inquiry by one of global literature's leading lightsIn this concisely argued and illuminating book, the PEN/Faulkner Award–winning author Rabih Alameddine takes the subject of politics and art head-on, questioning the very premise of dividing these two pillars of culture into an either/or proposition. He reveals how a political dimension enlarges a work of art rather than making it less beautiful or reducing it to a polemic, as we are so often and carelessly taught. But he also ponders what makes art political to begin with: how essential is the artist’s conscious political intent, and what does the reader or viewer contribute to the work’s political capability or significance? In exploring these questions, Alameddine engages intensely with his role as an immigrant and a gay author writing inside a globally dominant, often oblivious culture, and invokes the work of numerous writers, from Tayeb Salih and Aleksandar Hemon to Teju Cole and Salman Rushdie, who also struggle to be heard as something more than an “other.” The book features throughout Alameddine’s brilliantly relatable voice—shrewd, humorous, challenging, and as honest about his own limitations as he is about his passions.

Mothership: Tales from Afrofuturism and Beyond is a groundbreaking speculative fiction anthology that showcases the work from some of the most talented writers inside and outside speculative fiction across the globe-including Junot Diaz, Victor LaValle, Lauren Beukes, N. K. Jemisin, Rabih Alameddine, S. P. Somtow, and more. These authors have earned such literary honors as the Pulitzer Prize, the American Book Award, the World Fantasy Award, and the Bram Stoker, among others.

'Here is a book, full of story, unrepentantly political at every level. At a time when many western writers seem to be in retreat from saying anything that could be construed as political, Alameddine says it all, shamelessly, gloriously and, realised like his Satan, in the most stylish of forms' the GuardianSet over the course of one night in the waiting room of a psych clinic, The Angel of History follows Yemeni-born poet Jacob as he revisits the events of his life, from his maternal upbringing in an Egyptian whorehouse to his adolescence under the aegis of his wealthy father and his life as a gay Arab man in San Francisco at the height of AIDS. Hovered over by the presence of alluring, sassy Satan who taunts Jacob to remember his painful past and dour, frigid Death who urges him to forget and give up on life, Jacob is also attended to by 14 saints. Set in Cairo and Beirut; Sana'a, Stockholm, and San Francisco; Alameddine gives us a charged philosophical portrait of a brilliant mind in crisis. This is a profound, philosophical and hilariously winning story of the war between memory and oblivion we wrestle with every day of our lives.'A profoundly beautiful novel that infolds the political with the personal in unexpected and new ways . . . An extraordinary book' Neel Mukherjee, New Statesman, 'Books of the Year 2016''His stories take the reader into the labyrinth that is the mind . . . The Angel of History is digressive and daring' the Economist'Alameddine has created a scintillating, original work whose moral complexity and detail of observation are wholly contemporary and entirely his own' Spectator

'In this delightful novel, Alameddine takes his greatest risks yet, and succeeds brilliantly, in a work that while marked by radical formal innovation, manages to be warm, sad, funny and moving' Michael ChabonNamed by her grandfather after 'the Divine' Sarah Bernhardt, Sarah Nour El-Din grows up in Beirut against the tense background of civil war. But the young Sarah finds pleasure in the everyday - her first cigarette, first kiss, seeking revenge on her tight-lipped stepmother. Then, with adulthood, comes an awareness of the fragility of life. After two failed marriages, the loss of her son, the death of one sister and the imprisonment of another, Sarah begins to tell her story. But this story is not so easy to tell.A novel written entirely in first chapters, I, THE DIVINE is an honest and touching story of one woman's struggle to come to terms with her past.

'Stunning' New York Times Book Review'Here it comes, the book of the year, on its own magic carpet. No book this bewitching has ever felt so important; no book this important has ever been so lovingly enchanted. The Hakawati is both a snapshot of our current crisis, and a story for the ages. What else can we ask the djinn of literature for?' Andrew Sean Greer, author of the Pulitzer Prize-winning LessIn 2003, Osama al-Kharrat returns to Beirut after many years in America to stand vigil at his father's deathbed. As the family gathers, stories begin to unfold: Osama's grandfather was a hakawati, or storyteller, and his bewitching tales are interwoven with classic stories of the Middle East. Here are Abraham and Isaac; Ishmael, father of the Arab tribes; the beautiful Fatima; Baybars, the slave prince who vanquished the Crusaders; and a host of mischievous imps. Through Osama, we also enter the world of the contemporary Lebanese men and women whose stories tell a larger, heartbreaking tale of seemingly endless war, conflicted identity, and survival. With The Hakawati, Rabih Alameddine has given us an Arabian Nights for this century.'Sharp, seductive storytelling' O, The Oprah Magazine

By National Book Award finalist and Dos Passos Prize winner, Rabih Alameddine, comes a transporting new novel about an Arab American trans woman's personal journey among Syrian refugees on Lesbos island.Mina Simpson, a Lebanese doctor, arrives at the infamous Moria refugee camp on Lesbos, Greece, after being urgently summoned for help by her friend who runs an NGO there. Alienated from her family except for her beloved brother, Mina has avoided being so close to her homeland for decades. But with a week off work and apart from her wife of thirty years, Mina hopes to accomplish something meaningful, among the abundance of Western volunteers who pose for selfies with beached dinghies and the camp's children. Soon, a boat crosses bringing Sumaiya, a fiercely resolute Syrian matriarch with terminal liver cancer. Determined to protect her children and husband at all costs, Sumaiyarefuses to alert her family to her diagnosis. Bonded together by Sumaiya's secret, a deep connection sparks between the two women, and as Mina prepares a course of treatment with the limited resources on hand, she confronts the circumstances of the migrants' displacement, as well as her own constraints in helping them.Not since the inimitable Aaliya of An Unnecessary Woman has Rabih Alameddine conjured such a winsome heroine to lead us to one of the most wrenching conflicts of our time. Cunningly weaving in stories of other refugees into Mina's singular own, The Wrong End of the Telescope is a bedazzling tapestry of both tragic and amusing portraits of indomitable spirits facing this humanitarian crisis.

WINNER OF THE PEN/FAULKNER AWARD FOR FICTION'A beautiful, well paced, enraging, funny and heartbreaking book' the Guardian'Favorite novel of the year? Tough choice for me, but maybe The Wrong End of the Telescope, which was devastating and wondrous. Nobody writes like Rabih. Nobody gets anywhere close' John Green (#1 bestselling author) via Twitter'Spectacular . . . Alameddine's irreverent prose evokes the old master storytellers from my own Middle Eastern home . . . deeply poignant' New York TimesMina Simpson, a Lebanese doctor, arrives at the infamous Moria refugee camp on Lesbos, Greece, after being urgently summoned for help by her friend who runs an NGO there. Alienated from her family except for her beloved brother, Mina has avoided being so close to her homeland for decades. But with a week off work and apart from her wife of thirty years, Mina hopes to accomplish something meaningful, among the abundance of Western volunteers who pose for selfies with beached dinghies and the camp's children. Soon, a boat crosses bringing Sumaiya, a fiercely resolute Syrian matriarch with terminal liver cancer. Determined to protect her children and husband at all costs, Sumaiya refuses to alert her family to her diagnosis. Bonded together by Sumaiya's secret, a deep connection sparks between the two women, and as Mina prepares a course of treatment with the limited resources on hand, she confronts the circumstances of the migrants' displacement, as well as her own constraints in helping them.Not since the inimitable Aaliya of An Unnecessary Woman has Rabih Alameddine conjured such a winsome heroine to lead us to one of the most wrenching conflicts of our time. Cunningly weaving in stories of other refugees into Mina's singular own, The Wrong End of the Telescope is a bedazzling tapestry of both tragic and amusing portraits of indomitable spirits facing this humanitarian crisis.'Alameddine hits a distinctly contemporary note with this new book about refugees . . . it feels totally authentic' Sunday Times

WINNER OF THE NATIONAL BOOK AWARD FOR FICTION!'Relentlessly funny' The New Yorker'Darkly comic . . . I loved it' The GuardianFrom the inimitable Rabih Alameddine - winner of the National Book Award and the PEN/Faulkner Award - comes a tragicomic saga set in Lebanon, a modern story of family, memory, and the unbreakable (and insane) attachment of a son and his mother.In a tiny Beirut apartment, sixty-three-year-old Raja and his mother live side by side. A beloved high school philosophy teacher and 'the neighborhood homosexual,' Raja relishes books, meditative walks, order, and solitude. Zalfa, his octogenarian mother, views her son's privacy as a personal affront. She craves nothing more than to know the ins and outs of Raja's work life and love life, boundaries be damned.When Raja receives an invite to an all-expenses-paid writing residency in America, the timing couldn't be better. It arrives on the heels of a series of personal and national disasters that have left Raja itching for peace and quiet away from his mother and the heartache of Lebanon. But what at first seems a stroke of good fortune soon leads Raja to recount and relive the very disasters and past betrayals he wishes to leave behind.Wickedly funny, heartbreaking, and told in Raja's irresistible voice, The True, True Story of Raja the Gullible dances across six decades to tell the unforgettable story of a singular life and its absurdities - a tale of mistakes, self-discovery, trauma, and maybe even forgiveness. Above all, it's a wild and sparkling celebration of love.

The American Civil Liberties Union partners with award-winning authors Michael Chabon and Ayelet Waldman in this “forceful, beautifully written” (Associated Press) collection that brings together many of our greatest living writers, each contributing an original piece inspired by a historic ACLU case. On January 19, 1920, a small group of idealists and visionaries, including Helen Keller, Jane Addams, Roger Baldwin, and Crystal Eastman, founded the American Civil Liberties Union. A century after its creation, the ACLU remains the nation’s premier defender of the rights and freedoms guaranteed by the Constitution. In collaboration with the ACLU, authors Michael Chabon and Ayelet Waldman have curated an anthology of essays “full of struggle, emotion, fear, resilience, hope, and triumph” (Los Angeles Review of Books) about landmark cases in the organization’s one-hundred-year history. Fight of the Century takes you inside the trials and the stories that have shaped modern life. Some of the most prominent cases that the ACLU has been involved in—Brown v. Board of Education, Roe v. Wade, Miranda v. Arizona—need little introduction. Others you may never even have heard of, yet their outcomes quietly defined the world we live in now. Familiar or little-known, each case springs to vivid life in the hands of the acclaimed writers who dive into the history, narrate their personal experiences, and debate the questions at the heart of each issue. Hector Tobar introduces us to Ernesto Miranda, the felon whose wrongful conviction inspired the now-iconic Miranda rights—which the police would later read to the man suspected of killing him. Yaa Gyasi confronts the legacy of Brown v. Board of Education, in which the ACLU submitted a friend of- the-court brief questioning why a nation that has sent men to the moon still has public schools so unequal that they may as well be on different planets. True to the ACLU’s spirit of principled dissent, Scott Turow offers a blistering critique of the ACLU’s stance on campaign finance. These powerful stories, along with essays from Neil Gaiman, Meg Wolitzer, Salman Rushdie, Ann Patchett, Viet Thanh Nguyen, Louise Erdrich, George Saunders, and many more, remind us that the issues the ACLU has engaged over the past one hundred years remain as vital as ever today, and that we can never take our liberties for granted. Chabon and Waldman are donating their advance to the ACLU and the contributors are forgoing payment.