Rabih Alameddine – författare

Aaliya Saleh lives alone in her Beirut apartment, surrounded by stockpiles of books. Godless, fatherless, childless, and divorced, Aaliya is her family’s ''unnecessary appendage''. Every year, she translates a new favourite book into Arabic, then stows it away. The thirty-seven books that Aaliya has translated over her lifetime have never been read - by anyone.This breathtaking portrait of a reclusive woman follows Aaliya’s digressive mind as it ricochets across visions of past and present Beirut. Colourful musings on literature, philosophy, and art are invaded by memories of the Lebanese Civil War and Aaliya’s own volatile past. As she tries to overcome her ageing body and spontaneous emotional upwellings, Aaliya is faced with an unthinkable disaster that threatens to shatter the little life she has left.A love letter to literature and its power to define who we are, the prodigiously gifted Rabih Alameddine has given us a magnificent rendering of one woman''s life in the Middle East.

''Here is a book, full of story, unrepentantly political at every level. At a time when many western writers seem to be in retreat from saying anything that could be construed as political, Alameddine says it all, shamelessly, gloriously and, realised like his Satan, in the most stylish of forms'' the GuardianSet over the course of one night in the waiting room of a psych clinic, The Angel of History follows Yemeni-born poet Jacob as he revisits the events of his life, from his maternal upbringing in an Egyptian whorehouse to his adolescence under the aegis of his wealthy father and his life as a gay Arab man in San Francisco at the height of AIDS. Hovered over by the presence of alluring, sassy Satan who taunts Jacob to remember his painful past and dour, frigid Death who urges him to forget and give up on life, Jacob is also attended to by 14 saints. Set in Cairo and Beirut; Sana''a, Stockholm, and San Francisco; Alameddine gives us a charged philosophical portrait of a brilliant mind in crisis. This is a profound, philosophical and hilariously winning story of the war between memory and oblivion we wrestle with every day of our lives.''A profoundly beautiful novel that infolds the political with the personal in unexpected and new ways . . . An extraordinary book'' Neel Mukherjee, New Statesman, ''Books of the Year 2016''''His stories take the reader into the labyrinth that is the mind . . . The Angel of History is digressive and daring'' the Economist''Alameddine has created a scintillating, original work whose moral complexity and detail of observation are wholly contemporary and entirely his own'' Spectator

''In this delightful novel, Alameddine takes his greatest risks yet, and succeeds brilliantly, in a work that while marked by radical formal innovation, manages to be warm, sad, funny and moving'' Michael ChabonNamed by her grandfather after ''the Divine'' Sarah Bernhardt, Sarah Nour El-Din grows up in Beirut against the tense background of civil war. But the young Sarah finds pleasure in the everyday - her first cigarette, first kiss, seeking revenge on her tight-lipped stepmother. Then, with adulthood, comes an awareness of the fragility of life. After two failed marriages, the loss of her son, the death of one sister and the imprisonment of another, Sarah begins to tell her story. But this story is not so easy to tell.A novel written entirely in first chapters, I, THE DIVINE is an honest and touching story of one woman''s struggle to come to terms with her past.

''Stunning'' New York Times Book Review''Here it comes, the book of the year, on its own magic carpet. No book this bewitching has ever felt so important; no book this important has ever been so lovingly enchanted. The Hakawati is both a snapshot of our current crisis, and a story for the ages. What else can we ask the djinn of literature for?'' Andrew Sean Greer, author of the Pulitzer Prize-winning LessIn 2003, Osama al-Kharrat returns to Beirut after many years in America to stand vigil at his father''s deathbed. As the family gathers, stories begin to unfold: Osama''s grandfather was a hakawati, or storyteller, and his bewitching tales are interwoven with classic stories of the Middle East. Here are Abraham and Isaac; Ishmael, father of the Arab tribes; the beautiful Fatima; Baybars, the slave prince who vanquished the Crusaders; and a host of mischievous imps. Through Osama, we also enter the world of the contemporary Lebanese men and women whose stories tell a larger, heartbreaking tale of seemingly endless war, conflicted identity, and survival. With The Hakawati, Rabih Alameddine has given us an Arabian Nights for this century.''Sharp, seductive storytelling'' O, The Oprah Magazine

WINNER OF THE PEN/FAULKNER AWARD FOR FICTION 2022''A beautiful, well paced, enraging, funny and heartbreaking book'' the Guardian ''Spectacular . . . Alameddine''s irreverent prose evokes the old master storytellers from my own Middle Eastern home . . . deeply poignant'' New York TimesMina Simpson, a Lebanese doctor, arrives at the infamous Moria refugee camp on Lesbos, Greece, after being urgently summoned for help by her friend who runs an NGO there. Alienated from her family except for her beloved brother, Mina has avoided being so close to her homeland for decades. But with a week off work and apart from her wife of thirty years, Mina hopes to accomplish something meaningful, among the abundance of Western volunteers who pose for selfies with beached dinghies and the camp''s children. Soon, a boat crosses bringing Sumaiya, a fiercely resolute Syrian matriarch with terminal liver cancer. Determined to protect her children and husband at all costs, Sumaiya refuses to alert her family to her diagnosis. Bonded together by Sumaiya''s secret, a deep connection sparks between the two women, and as Mina prepares a course of treatment with the limited resources on hand, she confronts the circumstances of the migrants'' displacement, as well as her own constraints in helping them.Not since the inimitable Aaliya of An Unnecessary Woman has Rabih Alameddine conjured such a winsome heroine to lead us to one of the most wrenching conflicts of our time. Cunningly weaving in stories of other refugees into Mina''s singular own, The Wrong End of the Telescope is a bedazzling tapestry of both tragic and amusing portraits of indomitable spirits facing this humanitarian crisis.''Alameddine hits a distinctly contemporary note with this new book about refugees . . . it feels totally authentic'' Sunday Times

From National Book Award finalist and winner of the PEN/Faulkner Award for Fiction comes a tragicomic love story set in Lebanon, a modern saga of family, memory, and the unbreakable attachment of a son and his motherIn a tiny Beirut apartment, sixty-three-year-old Raja and his mother live side by side. A beloved high school philosophy teacher and ''the neighborhood homosexual,'' Raja relishes books, meditative walks, order, and solitude. Zalfa, his octogenarian mother, views her son''s desire for privacy as a personal affront. She demands to know every detail of Raja''s work life and love life, boundaries be damned.When Raja receives an invite to an all-expenses-paid writing residency in America, the timing couldn''t be better. It arrives on the heels of a series of personal and national disasters that have left Raja longing for peace and quiet away from his mother and the heartache of Lebanon. But what at first seems a stroke of good fortune soon leads Raja to recount and relive the very disasters and past betrayals he wishes to forget.Told in Raja''s irresistible and wickedly funny voice, the novel dances across six decades to tell the unforgettable story of a singular life and its absurdities - a tale of mistakes, self-discovery, trauma, and maybe even forgiveness. Above all, The True True Story of Raja the Gullible (and His Mother) is a wildly unique and sparkling celebration of love.