Regina M. Schwartz – författare

Regina Schwartz examines the story of Cain and Abel, as she sees it - emblematic of a tenacious, tragic biblical influence over Western secular notions of identity - notions that are often violently exclusionary, negatively defining "us" against "them" in ethnic, religious, racial, gender and nationalistic terms. Shwartz contends that the very concept of monotheism and its paradigms of One-ness - the demand for exclusive allegiance to one God, one People, one Land or one Nation - infuse the model of collective identity founded in violence, against the other or outsider. Aiming to recover the Bible's role as a handbook for politics and social thought, this text seeks to demonstrate how dangerous this can be.

In this graceful and compelling book, Regina Schwartz presents a powerful reading of Paradise Lost by tracing the structure of the poem to the pattern of "repeated beginnings" found in the Bible. In both works, the world order is constantly threatened by chaos. By drawing on both the Bible and the more contemporary works of, among others, Freud, Lacan, Ricoeur, Said, and Derrida, Schwartz argues that chaos does not simply threaten order, but rather, chaos inheres in order. "A brilliant study that quietly but powerfully recharacterizes many of the contexts of discussion in Milton criticism. Particularly noteworthy is Schwartz's ability to introduce advanced theoretical perspectives without ever taking the focus of attention away from the dynamics and problematics of Milton's poem."--Stanley Fish

Distinguished theologians and literary scholars explore the workings of the sacred and the sacramental in language and literature.What does a sacramental poetics offer that secular cultural theory, for all of its advances, may have missed? How does a sacred understanding of the world differ from a strictly secular one? This volume develops the theory of "sacramental poetics" advanced by Regina Schwartz in her 2008 book on English Reformation writers, taking the theory in new directions while demonstrating how enduring and widespread this poetics is.Toward a Sacramental Poetics addresses two urgent questions we have inherited from a half century of secular critical thought. First, how do we understand the relationship between word and thing, sign and signified, other than as some naive direct representation or as a completely arbitrary language game? And, second, how can the subject experience the world beyond instrumentalizing it? The contributors conclude that a sacramental poetics responds to both questions, offering an understanding of the sign that, by pointing beyond itself, suggests wonder. The contributors explore a variety of topics in relation to sacramental poetics, including political theology, miracles, modernity, translation and transformation, and the metaphysics of love. They draw from diverse resources, from Dante to Hopkins, from Richard Hooker to Stoker's Dracula, from the King James Bible to Wallace Stevens. Toward a Sacramental Poetics is an important contribution to studies of religion and literature, the sacred and the secular, literary theory, and theologies of aesthetics.Contributors: Regina M. Schwartz, Patrick J. McGrath, Rowan Williams, Subha Mukherji, Stephen Little, Kevin Hart, John Milbank, Hent de Vries, Jean-Luc Marion, Ingolf U. Dalferth, Lori Branch, and Paul Mariani.

Despite Milton's preoccupation with origins, these elude him: his creation stories are always mediated. Even the creation of the universe is not depicted as a single event that occurred once and for all time in a distant past; instead, world-order must be perpetually reasserted, before the ever present threat of chaos. That description of Milton's universe also applies to his other creation, the poem, where the chaos that forever threatens is the abyss of interpretation. Milton's creations are not asserted despite this threat, but because of it; that is, chaos does not simply threaten to undo order, for chaos inheres in it. While Milton's inability to discover a privileged origin allies him with postmodernism - and so this study, originally published in 1988, engages thinkers like Freud, Nietzsche, Derrida, and Lacan - that insight is far more ancient. According to Regina Schwartz, the Bible offers Milton his pattern of repeated beginnings.

Despite Milton's preoccupation with origins, these elude him: his creation stories are always mediated. Even the creation of the universe is not depicted as a single event that occurred once and for all time in a distant past; instead, world-order must be perpetually reasserted, before the ever present threat of chaos. That description of Milton's universe also applies to his other creation, the poem, where the chaos that forever threatens is the abyss of interpretation. Milton's creations are not asserted despite this threat, but because of it; that is, chaos does not simply threaten to undo order, for chaos inheres in it. While Milton's inability to discover a privileged origin allies him with postmodernism - and so this study, originally published in 1988, engages thinkers like Freud, Nietzsche, Derrida, and Lacan - that insight is far more ancient. According to Regina Schwartz, the Bible offers Milton his pattern of repeated beginnings.