Rikki Ducornet – författare

A wide-ranging anthology of experimental writing—prose, poetry, and hybrid—from its most significant practitioners and innovators  A variety of names have been used to describe fiction, poetry, and hybrid writing that explore new forms and challenges mainstream traditions. Those phrases include experimental, conceptual, avant-garde, hybrid, surfiction, fusion, radical, slip-stream, avant-pop, postmodern, self-conscious, innovative, L=A=N=G=U=A=G=E writing, alternative, and anti- or new literature. Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art is the first major anthology of writing that offers readers an overview of this other tradition as it lives in the early decades of the 21st century.Featuring over 100 pieces from more than 90 authors, this anthology offers a plethora of aesthetics and approaches to a wide variety subjects. Editor Steve Tomasula has gathered poems, prose, and hybrid pieces that all challenge our understanding of what literature means. Intended as a collection of the most exciting and bold literary work being made today, Tomasula has put a spotlight on the many possibilities available to writers and readers wishing for a glimpse of literature’s future.Readers will recognize authors who have shaped contemporary writing, as among them Lydia Davis, Charles Bernstein, Jonathan Safran Foer, Shelley Jackson, Nathaniel Mackey, David Foster Wallace, and Claudia Rankine. Even seasoned readers will find authors, and responses to the canon, not yet encountered. Conceptualisms is a book of ideas for writers, teachers and scholars, as well as readers who wonder how many ways literature can live.The text features headnotes to chapters on themes such as sound writing, electronic literature, found text, and other forms, offering accessible introductions for readers new to this work. An online companion presents statements about the work and biographies of the authors in addition to audio, video, and electronic writing that can’t be presented in print. Visit www.conceptualisms.info to read more.

With the great Renaissance voyages to the New World came the popularity of Wunderkammern, or cabinets of wonders, in which newly discovered monsters and marvels could be displayed. Like such a cabinet, this collection of essays surveys the monstrous and the marvelous - as transmuted in the alembic of Rikki Ducornet's open-hearted vision - in literature, art, and film. For her, excess anomaly, and heterodoxy entice the imagining mind to embrace "otherness," enlarge the world, and regenerate Eden. "We need writers to look at difficult issues in a sophisticated manner. Ducornet has done this. She is a mirror of our innermost selves and she gives us back to outselves. Despairing, hopeful, active, contemplative, fractured but surviving, playful, even happy sometimes (in our cash), whole." --The Nation "Ducornet playfully investigates works of literature, art, and film that create ruptures in our sense of normality...[She] shows how the road of excess indeed leads to the palace of wisdom. Most important, however, her ability to transfix and communicate her sense of wonder becomes wondrous in itself, making these essays read with the same quirky delight as her fiction."--Rain Taxi "Rikki Ducornet is a writer fascinated by the ways the concrete and illusory can be interwoven. [In this] quietly resplendent book of essays ...she manages to create her own cabinet of marvels as she infects her readers with the sweet venom of language." --Bart Schneider, The Ruminator Rikki Ducornet, born in 1943, is an American writer, poet, and artist who focuses her work on sexuality and religion. Her other works include Entering Fire (also published by City Lights), Brightfellow, The Deep Zoo, and Netsuke.

This startling and brilliantly comic novel tells the stories of two men: a father and his estranged son. Lamprias de Bergerac is a gentle mystic and amateur botanist who spends his middle-aged years in an erotic utopia deep in the Amazonian jungle, collecting specimens of rare orchids and ultimately finding Cucla, the young and free-spirited native woman who has become the love of his life. Meanwhile, his demented son Septimus is raised by his mother in prewar Europe, seething with hatred of the father who abandoned him. He rises to power in Nazi-occupied France, where he goes mad in an obsessive pursuit of racial purity. Rikki Ducornet has a gift for combining the horrific with the hilarious, the realistic with the fantastic. Through a wildly inventive narrative, Entering Fire scrutinizes the sources of fascist mentality in nations and, potentially, in all humans. "Linguistically explosive and socially relevant, [her]works are solid evidence that Rikki Ducornet is one of the most interesting writers around...We are living in an age of intellectual and emotional starvation that is largely without spirituality, cynical about social change and disconnected from the natural world.We need writers to look at these difficult issues in a sophisticated manner. Ducornet has done this. She is the mirror of our innermost selves. And she gives us back to ourselves--despairing , hopeful, active, contemplative, fractured but surviving, playful, even happy sometimes, and always whole...Ducornet's villains have the best lines ...one only has to think of Hitler or PolPot or any of our assorted tyrants to know that Ducornet's figures are ...taken from life."--The Nation "Entering Fire displays a cheerfully gruesome audacity and an imagination both lively and bizarre."--The New York Times "Entering Fire is about the metaphoric and potentially evil properties of language; it is about origins and motives of myth-making. This is a novel of ideas (often strange ideas) that is sustained throughout by brilliant writing."--London Sunday Times "Far from being an escapist fantasy, Entering Fire takes on some of the biggest issues of the 20th century...For sheer power, inventiveness and verbal density, [it] is the best read I've come across for a long time."--The Observer "A drastically beautiful comic writer who stitches sentences together as if Proust had gone into partnership with Lenny Bruce."--City Limits "...imaginative and unbridled fantasy."--Le Monde "...an imagination and a style as captivating as it is devastating."--Lire "Unlike anything you've ever read before."--L'Express Rikki Ducornet has a gift for combining the horrific with the hilarious, the realistic with the fantastic. Through a wildly inventive narrative, Entering Fire scrutinizes the sources of fascist mentality in nations and, potentially, in all humans.

Wildly comic, erotic, and perverse, Rikki Ducornet’s dazzling novel, Phosphor in Dreamland, explores the relationship between power and madness, nature and its exploitation, pornography and art, innocence and depravity.Set on the imaginary Caribbean island of Birdland, the novel takes the form of a series of letters from a current resident to an old friend describing the island’s 17th-century history that brings together the violent Inquisition, the thoughtless extinction of the island’s exotic fauna, and the amorous story of the deformed artist-philosopher-inventor Phosphor and his impassioned, obsessional love for the beautiful Extravaganza.The Jade Cabinet, Ducornet’s previous novel (a finalist for the National Book Critics Circle Award), was described by one reviewer as “Jane Austen meets Angela Carter via Lewis Carroll.” Phosphor in Dreamland can be described as Jonathan Swift meets Angela Carter via Jorge Luis Borges. This is Ducornet at her magical best.

In?"The Stain"?Rikki Ducornet tells the story of a young girl named Charlotte, branded with a furry birthmark in the shape of a dancing hare, regarded as the mark of Satan. "Sadistic nuns, scatology, butchered animals, monkish rapists, and Satan" (Kirkus), as well as the village exorcist, inhabit this bawdy tale of perversion, power, possession, and the rape of innocence. Ducornet weaves an intricate design of fantasy and reality, at once surreal, hilarious, and terrifying.

"My sleep began in the spring of 1914. I slept through both World Wars and the tainted calm between. It was as if I had been cursed by an evil fairy, pricked by an enchanted spinning wheel; an impenetrable briar had gripped my mind."Thus begins Rikki Ducornet's brilliant lyric novel about Nicolas who, as a result of witnessing his mother's murder, falls into a decades-long coma. Awakened in a seaport town in France, he reconstructs his past through storytelling and myth, resulting in an astonishing exploration of memory and imagination.

In the fantastic tradition of Borges, Bruno Schulz, Angela Carter, and H. P. Lovecraft, here are nearly sixty unforgettable stories that ignore the confines of space and time to offer, among other times and places: a cabinet of curiosities in contemporary Cairo, an alvhemical ceiling in 18th-century Naples, the hallucinatory inner worlds of psychotics, anthropomorphic planets, and an Old West ruled by necromancy.This expanded, revised edition collects the complete short stories of one of the most immaginative writers of our time.

These twelve startlingly original stories about erotic desire are the best opportunity yet for adventurous renders to discover and explore the fiction of Rikki Ducornet, who over the past three decades has created a body of work that is as daring and finely wrought as any writer's. Each of these stories centers on a pivotal erotic moment in the lives of the men and women who narrate them. Desire is awakened by such seemingly inconsequential events as a glance, a dream, a thought, or a chance encounter. Yet in each instance a life is forever changed. Only a few are overtly sexual in content, but each explores the many strange reverberations that occur when desire is present, whether acted upon or kept inside.

Winner of a 2007 American Academy of Arts and Letters, Rikki Ducornet is beloved as a novelist and essayist, but is known perhaps most of all for her work as a writer of short stories. In the tradition of Italo Calvino, Donald Barthelme, and Angela Carter, Ducornet creates modern-day fables filled with characters as complex and surprising as any in American short fiction. This landmark collection of new stories is generously illustrated by T. Motley, whose gritty, fantastical cartooning explores the same post-magical realism that has been the subject of Ducornet’s distinguished career.

Rikki Ducornet’s essays explore eros, violence, dreams, fairy tales, and art as alchemy—the Deep Zoo at the core of humanity.Within the writer’s life, words and things acquire power. For Borges it is the tiger and the color red, for Cortázar a pair of amorous lions, and for an early Egyptian scribe the monarch butterfly that metamorphosed into the Key of Life. Ducornet names these powers The Deep Zoo. Her essays take us from the glorious bestiary of Aloys Zötl to Abu Ghraib, from the tree of life to Sade’s Silling Castle, from The Epic of Gilgamesh to virtual reality. Says Ducornet, “To write with the irresistible ink of tigers and the uncaging of our own Deep Zoo, we need to be attentive and fearless—above all very curious—and all at the same time.”

From the singularly inventive mind of Rikki Ducornet, Trafik is a buoyant voyage through outer space and inner longing, transposing human experiences of passion, loss, and identity into a post-Earth universe.Quiver, a mostly-human astronaut, takes refuge from the monotony of harvesting minerals on remote asteroids by running through a virtual reality called the Lights, chasing visions of an elusive red-haired beauty. Her high-strung robot partner, Mic, pilots their Wobble and entertains himself by surfing the records of the obliterated planet Earth stored on his Swift Wheel for Al Pacino trivia, recipes for reconstituted sushi, and high fashion trends. But when an accident destroys their cargo, Quiver and Mic go rogue, setting off on a madcap journey through outer space toward an idyllic destination: the planet Trafik.

Incarcerated for his subversive connection to the old, living world, a prisoner makes the most of his isolation in this captivating allegorical tale about tyranny, conviction, and the enduring power of imagination.Upon setting out for a morning walk with his knobby stick in hand, a young man is arrested by a robot called the Plotinus and abandoned in a cell where one beam of sunlight beckons through an air duct. Rapping his knuckles against the vent to relay his tale of woe in code, he recalls his lost love and their group’s forbidden activities; his readings in philosophy and the sciences; and sweet memories of freedom’s small pleasures. As the captive confronts his increasingly dire circumstances with rigorous optimism, the appearance of fantastical visitors and miraculous objects in his cell further blurs the line between hallucination and dystopian reality. Told with uncanny warmth and intellectual brio, The Plotinus is Rikki Ducornet’s most unforgettable story yet.

Wildly comic, erotic, and perverse, Rikki Ducornet’s dazzling novel, Phosphor in Dreamland, explores the relationship between power and madness, nature and its exploitation, pornography and art, innocence and depravity. Set on the imaginary Caribbean island of Birdland, the novel takes the form of a series of letters from a current resident to an old friend describing the island’s seventeenth-century history that brings together the violent Inquisition, the thoughtless extinction of the island’s exotic fauna, and the amorous story of the deformed artist-philosopher-inventor Phosphor and his impassioned, obsessional love for the beautiful Extravaganza. The Jade Cabinet, Ducornet’s novel that was a finalist for the National Book Critics Circle Award, was described by one reviewer as “Jane Austen meets Angela Carter via Lewis Carroll.” Phosphor in Dreamland can be described as Jonathan Swift meets Angela Carter via Jorge Luis Borges. This is Ducornet at her magical best.

Made speechless by her eccentric father, the beautiful Etheria is traded for a piece of precious jade. Memory, her sister, tells her story, that of a childhood enlivened by Lewis Carroll and an orangutan named Dr. Johnson and envenomed by the pernicious courtship of Radulph Tubbs, Queen Victoria's own Dragon of Industry. The novel travels from Oxford to Egypt where one million ibis mummies wait to be transformed into fertilizer, where Baconfield the architect will cause a pyramid to collapse, and where a scorned and bloated hunger artist who speaks in tongues will plot a bloody revenge. The fourth element in a tetralogy of novels - Earth (The Stain), Fire (Entering Fire), Water (The Fountains of Neptune) and Air - The Jade Cabinet is both a riveting novel and a reflection on the nature of memory and desire, language and power. Following the novel is an afterword, "Waking to Eden, " in which Ducornet reflects on the sources for her writing and on the quartet of novels completed by The Jade Cabinet.

The Cult of Seizure is a work of lyrical mesmerism and animal magnetism from acclaimed novelist and artist Rikki Ducornet, which displays a lush poesis and visionary soul. Jane Urquhart describes it as a "combination of the bestial and the bestiary; of terror and of tenderness." Although an earlier work it contains all the evocative tapestries of her finest novels.

Fläcken är den vilt vindlande berättelsen om den unga flickan Charlotte, som föds med ett stort födelsemärke i form av en hare på kinden. Hennes strängt kristna faster ser det som ett Satans märke och Charlotte växer upp i det religiösa förtryckets skugga. Men i den lilla byn där hon bor finns även Exorcisten ? en tvivelaktig figur med mer obskyra herrar ? och ett kloster fullt av liderliga nunnor. Redan från födseln är Charlotte indragen i en kamp mellan dessa läger om vem hennes kropp och själ ska tjäna. I skildrandet av Charlottes uppväxt utvecklas Fläcken till att bli en gotisk skräckberättelse, en karnevalisk satir och ett burleskt uppror mot allt som fjättrar människan ? och mer därtill. Rikki Ducornets unika, surrealistiska sensibilitet och ohämmade berättarglädje genomsyrar en rolig, gripande och grotesk roman där ingen skonas och allt kan inträffa.