Rob Halpern - Böcker
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3 produkter
3 produkter
176 kr
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Taking Walt Whitman's Civil War poems as an inspiration, Rob Halpern's Music for Porn moves across the landscape of battlefields and homoerotic affect in an encompassing engagement of desire and death. Halpern work, constructed of poetry and lyric prose, evinces a world in which the physical and linguistic body are permeated by, and implicated in, the globalized maneuvers of modern warfare and capitalist endeavor.
355 kr
Kommande
In these writings, Georges Perec constructs a bold new critical discourse-one that remains faithful to leftist imperatives such as history, class consciousness, and revolution-while maintaining his independence from the dominant voices of the Left, whose vision had long dominated the Left's understanding of literature and politics in postwar France.Perec's essays traverse a wide cultural terrain, from the radical experimentation of Free Jazz to the speculative landscapes of Science Fiction, and beyond. Together, they reveal a restless intellect and an enduring love for the divergent cultural materials that would go on to shape Perec's own literary work.Written against a backdrop of political unrest, domestic division, and global uncertainty, The General Line offers a window into a critical mind grappling with the contradictions of its time. Rob Halpern's incisive introduction situates these early political essays within both the turbulent historical moment and the evolving trajectory of Perec's extraordinary body of work.
237 kr
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Bruce Boone is a critical figure at the crossroads of late twentieth-century avant-garde and social movement writing. Dismembered is the long overdue collection that spans nearly five decades of Boone’s life, from the early 1970s to the present. Collecting published and fugitive works alike, from poems and narratives to reviews and essays, this volume is crucial for anyone moved by writing that is at once sexy and political, gossipy and militant, scholarly and aesthetic. Praise for Bruce Boone:“Bruce Boone has the perfect cadence of a real writer, part awe, part critique. He can see.” —Peter Gizzi