Robert McCrum – författare

To Evelyn Waugh he was simply "the Master." He wrote ninety novels and story collections, and among his immortal characters are Jeeves, Psmith, and the Empress of Blandings (who is, of course, a pig). Equally impressive is the range of his devotees: Dorothy Parker, John Updike, Ludwig Wittgenstein, Salman Rushdie, John le Carre, and Seamus Heaney. Wodehouse had an extraordinary Broadway career, working with Guy Bolton and Jerome Kern, and even dared to rewrite Cole Porter's Anything Goes for the London stage. Robert McCrum's magisterial biography chronicles the achievements and shadows of a gilded life. The ill-judged broadcasts from Berlin, where Wodehouse was interned during World War II, produced a violent backlash in England and tarred him, unfairly, as a Nazi sympathizer. His long love affair with America was compromised by endless acrimony with the IRS. This is the book all Wodehouse fans have been waiting for; it eclipses all previous accounts of his life. An Economist Best Book of 2004.

It seems impossible: a small island in the North Atlantic, colonized by Rome, then pillaged for hundreds of years by marauding neighbors, becomes the dominant world power in the nineteenth century. In this provocative new look at the course of empire, Robert McCrum shows how the language of the Anglo-American imperium has become the world’s lingua franca. In the twenty-first century, writes the author, English + Microsoft = Globish.

On the morning of July 29, 1995, Robert McCrum - 42 years old, just two weeks newly married, at the top of his profession as one of British publishing's most admired editors, in what he thought was the full bloom of health - awoke to find himself totally paralyzed on the left side, the victim of a stroke brought on by a massive cerebral hemorrhage. After a nightmarish day struggling to reach a phone, he finally summoned help. In the weeks to come, he would have to face the reality that his life had irrevocably changed and that medical science, maddeningly, could neither pinpoint the cause of the stroke nor offer any guarantee of recovery. What ensued was a battle beset by frustration and depression but equally marked by small victories, the help of dedicated physicians and therapists, and, first and last, the support of his new wife, whose love proved equal to their dismaying circumstances. My Year Off is an eloquent story of hope, written with the sort of candor and detail that the author believes has been missing in the literature of strokes up to this time. It is as well a grown-up love story of the most realistic - and hence, inspiring - kind.

The Story of English is the extraordinary tale of the origins and development of the English language. Two thousand years ago English was confined to a handful of savage tribes on the shores of north-west Europe; today, in one form or another, it is spoken by a billion people around the world. More widely scattered, written and spoken than any other language in history, English has become a global phenomenon. Exploring its amazing success, The Story of English is an essential companion for student and general reader alike.

With an introduction by Henry Marsh, author of Do No HarmMy brain, which had just let me down so badly, was perhaps never so active. The paramedics' question was a fundamental one. Who are you? Yes indeed. Who am I?Robert McCrum was forty-two when he suffered a massive stroke which left one side of his body totally paralysed, his speech drastically impaired, and his sense of himself radically altered. What followed was a prolonged period of recovery, full of heart ache and frustration, as he gradually regained sensation, movement and self-esteem and as his family pulled together in the extraordinary effort necessary to make him well again. My Year Off is a moving story of determination, courage and love that sings with wit and honesty. An invaluable insight into the reality of life after stroke, the moments of hope, the anger and despair, this is a touching classic that gives voice to millions.

With an introduction by Henry Marsh, author of Do No HarmMy brain, which had just let me down so badly, was perhaps never so active. The paramedics' question was a fundamental one. Who are you? Yes indeed. Who am I?Robert McCrum was forty-two when he suffered a massive stroke which left one side of his body totally paralysed, his speech drastically impaired, and his sense of himself radically altered. What followed was a prolonged period of recovery, full of heart ache and frustration, as he gradually regained sensation, movement and self-esteem and as his family pulled together in the extraordinary effort necessary to make him well again. My Year Off is a moving story of determination, courage and love that sings with wit and honesty. An invaluable insight into the reality of life after stroke, the moments of hope, the anger and despair, this is a touching classic that gives voice to millions.

AS READ ON BBC RADIO 4 BOOK OF THE WEEK'Thoughtful, subtle, elegantly clever and oddly joyous, Every Third Thought is beautiful' Kate Mosse In 1995, at the age of forty two, Robert McCrum suffered a dramatic and near-fatal stroke, the subject of his acclaimed memoir My Year Off. Ever since that life-changing event, McCrum has lived in the shadow of death, unavoidably aware of his own mortality. And now, twenty-one years on, he is noticing a change: his friends are joining him there. Death has become his contemporaries’ every third thought. The question is no longer ‘who am I?’ but ‘how long have I got?’ and ‘what happens next?’With the words of McCrum’s favourite authors as travel companions, Every Third Thought, takes us on a journey through a year and towards death itself. As he acknowledges his own and his friends’ ageing, McCrum confronts an existential question: in a world where we have learnt to live well at all costs, can we make peace with what Freud calls 'the necessity of dying'? Searching for answers leads him to others for advice and wisdom, and Every Third Thought is populated by the voices of brain surgeons, psychologists, cancer patients, hospice workers, writers and poets.Witty, lucid and provocative, Every Third Thought is an enthralling exploration of what it means to approach the ‘end game’, and begin to recognize, perhaps reluctantly, that we are not immortal. Deeply personal and yet always universal, this is a book for anyone who finds themselves preoccupied by matters of life and death. It is both guide and companion.

As read on BBC Radio 4 Book of the Week'Moving, intellectual and unsentimental. I think it will become a classic' Melvyn Bragg'Thoughtful, subtle, elegantly clever and oddly joyous, Every Third Thought is beautiful' Kate Mosse In 1995, at the age of forty-two, Robert McCrum suffered a dramatic and near-fatal stroke. Since that life-changing event, McCrum has lived in the shadow of death, unavoidably aware of his own mortality. And now, in his sixties, he is noticing a change: his friends are joining him there. Death has become his contemporaries’ every third thought.And so, with the words of McCrum’s favourite authors as travel companions, Every Third Thought takes us on a journey towards death itself. This is a deeply personal book of reflection and conversation – with brain surgeons, psychologists, hospice workers and patients, writers and poets, and it confronts an existential question: in a world where we have learnt to live well at all costs, can we make peace with dying?

As read on BBC Radio 4 Book of the Week'Moving, intellectual and unsentimental. I think it will become a classic' Melvyn Bragg'Thoughtful, subtle, elegantly clever and oddly joyous, Every Third Thought is beautiful' Kate Mosse In 1995, at the age of forty-two, Robert McCrum suffered a dramatic and near-fatal stroke. Since that life-changing event, McCrum has lived in the shadow of death, unavoidably aware of his own mortality. And now, in his sixties, he is noticing a change: his friends are joining him there. Death has become his contemporaries’ every third thought.And so, with the words of McCrum’s favourite authors as travel companions, Every Third Thought takes us on a journey towards death itself. This is a deeply personal book of reflection and conversation – with brain surgeons, psychologists, hospice workers and patients, writers and poets, and it confronts an existential question: in a world where we have learnt to live well at all costs, can we make peace with dying?

‘Enchanting’ - Simon Russell Beale ‘Remarkable’ - James Shapiro‘Wonderful . . . compulsively readable’ - Nicholas HytnerWhy do the collected works of an Elizabethan writer continue to speak to us as if they were written yesterday?When Robert McCrum began his recovery from a life-changing stroke, described in My Year Off, he discovered that the only words that made sense to him were snatches of Shakespeare. Unable to travel or move as he used to, McCrum found the First Folio became his ‘book of life’, an endless source of inspiration through which he could embark on ‘journeys of the mind’, and see a reflection of our own disrupted times.An acclaimed writer and journalist, McCrum has spent the last twenty-five years immersed in Shakespeare’s work, on stage and on the page. During this prolonged exploration, Shakespeare’s poetry and plays, so vivid and contemporary, have become his guide and consolation. In Shakespearean he asks: Why is it that we always return to Shakespeare, particularly in times of acute crisis and dislocation? What is the key to his hold on our imagination? And why do the collected works of an Elizabethan writer continue to speak to us as if they were written yesterday?Shakespearean is a rich, brilliant and superbly drawn portrait of an extraordinary artist, one of the greatest writers who ever lived. Through an enthralling narrative, ranging widely in time and space, McCrum seeks to understand Shakespeare within his historical context while also exploring the secrets of literary inspiration, and examining the nature of creativity itself. Witty and insightful, he makes a passionate and deeply personal case that Shakespeare’s words and ideas are not just enduring in their relevance – they are nothing less than the eternal key to our shared humanity.

‘Enchanting’ - Simon Russell Beale ‘Remarkable’ - James Shapiro‘Wonderful . . . compulsively readable’ - Nicholas HytnerWhy do the collected works of an Elizabethan writer continue to speak to us as if they were written yesterday?When Robert McCrum began his recovery from a life-changing stroke, described in My Year Off, he discovered that the only words that made sense to him were snatches of Shakespeare. Unable to travel or move as he used to, McCrum found the First Folio became his ‘book of life’, an endless source of inspiration through which he could embark on ‘journeys of the mind’, and see a reflection of our own disrupted times.An acclaimed writer and journalist, McCrum has spent the last twenty-five years immersed in Shakespeare’s work, on stage and on the page. During this prolonged exploration, Shakespeare’s poetry and plays, so vivid and contemporary, have become his guide and consolation. In Shakespearean he asks: Why is it that we always return to Shakespeare, particularly in times of acute crisis and dislocation? What is the key to his hold on our imagination? And why do the collected works of an Elizabethan writer continue to speak to us as if they were written yesterday?Shakespearean is a rich, brilliant and superbly drawn portrait of an extraordinary artist, one of the greatest writers who ever lived. Through an enthralling narrative, ranging widely in time and space, McCrum seeks to understand Shakespeare within his historical context while also exploring the secrets of literary inspiration, and examining the nature of creativity itself. Witty and insightful, he makes a passionate and deeply personal case that Shakespeare’s words and ideas are not just enduring in their relevance – they are nothing less than the eternal key to our shared humanity.

John McConnell's list of collaborators includes many household names - Boots, Faber & Faber, Halfords, Clarks, John Lewis. The man behind the Biba logo (for which hewon the D&AD Silver in 1969), the logo of the National Grid and thecovers of a Penguin student textbook series from the early '70s has exerted a quiet influence over British design since the sixties. His awards alone speak to his prowess: the Prince Philip Designers' Prize (2002) and the title of RDI (Royal Designer of Industry, 1987) among them.Part biography, part showcase for some of McConnell's most celebrated designs, this book gathers McConnell's exclusive redesign forFaber & Faber - a revolutionary new approach to book covers from the early 1980s.

Everybody loves a list but this is a list of major ambition: namely, to select the best 100 novels in the English language, published from the late 17th century to the present day. This list has been built up week by week in The Observer since September 2013, and selected by writer and Observer editor Robert McCrum. With a short critique on each book, this is a real delight for literary lovers.

'Football in the 1880s was an unruly,  rough, and often dangerous game. To curb the state the sport was in, William McCrum proposed a new and drastic sanction. He called it a penalty kick.'In 1891, a contentious new measure against an excess of foul play, Rule 13, was proposed to the FA by an amateur goalkeeper from County Armagh. 'The Irishman’s Motion' modernised the world’s most popular game. Today – in the shootout – Rule 13 continues to influence the sport through its astonishing psychological grip on our imaginations.A tale of sportsmanship, chance and obsession, The Penalty Kick explores both the addiction of risk, and a doomed father-son relationship that could have been torn from the pages of a late-Victorian novel, inspired by the edgy, ruthless and egalitarian spirit of Northern Ireland.