Robert W. Gehl - Böcker

Move Slowly and Build Bridges tells the story of activists, software developers, artists, and everyday people who have built the fediverse -- a large, noncentralized, alternative social media system. In contrast to big tech corporations like Meta, TikTok, or X, the fediverse is comprised of thousands of small, independent communities who use a powerful internet protocol to communicate with one another. These small communities can govern themselves and moderate content at the human scale -- in stark contrast to the global and advertiser-friendly interests of Meta or X. The Mastodon network is perhaps the most notable and successful platform in the fediverse. Founded in 2016, Mastodon has positioned itself as an alternative to Twitter -- one that can be completely under the control of its members, from it to its daily operations to it underlying software.Making a noncentralized, ethically-run social media system is no easy task. The people building the fediverse have faced burnout, bigotry, angry debates, and death threats. And they face constant, nagging doubts: can we really do this? Can noncentralized social media survive? Can we -- all of us -- have our own social media? In this thoroughly researched book, Robert W. Gehl argues that the answer is yes -- but it won't be easy.

Move Slowly and Build Bridges tells the story of activists, software developers, artists, and everyday people who have built the fediverse -- a large, noncentralized, alternative social media system. In contrast to big tech corporations like Meta, TikTok, or X, the fediverse is comprised of thousands of small, independent communities who use a powerful internet protocol to communicate with one another. These small communities can govern themselves and moderate content at the human scale -- in stark contrast to the global and advertiser-friendly interests of Meta or X. The Mastodon network is perhaps the most notable and successful platform in the fediverse. Founded in 2016, Mastodon has positioned itself as an alternative to Twitter -- one that can be completely under the control of its members, from it to its daily operations to it underlying software.Making a noncentralized, ethically-run social media system is no easy task. The people building the fediverse have faced burnout, bigotry, angry debates, and death threats. And they face constant, nagging doubts: can we really do this? Can noncentralized social media survive? Can we -- all of us -- have our own social media? In this thoroughly researched book, Robert W. Gehl argues that the answer is yes -- but it won't be easy.

This book explores how people interact online through anonymous communication in encrypted, hidden, or otherwise obscured online spaces. Beyond the Dark Web itself, this book examines how the concept of ‘dark social’ broadens the possibilities for examining notions of darkness and sociality in the age of digitality and datafied life. The authors take into account technical, moral, ethical, and pragmatic responses to ourselves and communities seeking to be/belong in/of/ the dark.Scholarship on the Darknet and Dark Social Spaces tends to focus on the uses of encryption and other privacy-enhancing technologies to engender resistance acts. Such understandings of the dark social are naturally in tension with social and political theories which argue that for politics and ‘acts’ to matter they must appear in the public light. They are also in tension with popular narratives of the ‘dark recesses of the web’ which are disparaged by structural powers who seek to keep their subjects knowable and locatable on the clear web. The binary of dark versus light is challenged in this book. The authors’ provocation is that practices of ‘dark’ resistance, motility and power are enacted by emerging data cultures. This book draws together scholarship, activism, and creativity to push past conceptual binary positions and create new approaches to darknet and dark social studies.The Dark Social: Online Practices of Resistance, Motility and Power will be a key resource for academics, researchers, and advanced students of media studies, cultural studies, communication studies, research methods, and sociology. This book was originally published as a special issue of Continuum: Journal of Media & Cultural Studies.

This book explores how people interact online through anonymous communication in encrypted, hidden, or otherwise obscured online spaces. Beyond the Dark Web itself, this book examines how the concept of ‘dark social’ broadens the possibilities for examining notions of darkness and sociality in the age of digitality and datafied life. The authors take into account technical, moral, ethical, and pragmatic responses to ourselves and communities seeking to be/belong in/of/ the dark.Scholarship on the Darknet and Dark Social Spaces tends to focus on the uses of encryption and other privacy-enhancing technologies to engender resistance acts. Such understandings of the dark social are naturally in tension with social and political theories which argue that for politics and ‘acts’ to matter they must appear in the public light. They are also in tension with popular narratives of the ‘dark recesses of the web’ which are disparaged by structural powers who seek to keep their subjects knowable and locatable on the clear web. The binary of dark versus light is challenged in this book. The authors’ provocation is that practices of ‘dark’ resistance, motility and power are enacted by emerging data cultures. This book draws together scholarship, activism, and creativity to push past conceptual binary positions and create new approaches to darknet and dark social studies.The Dark Social: Online Practices of Resistance, Motility and Power will be a key resource for academics, researchers, and advanced students of media studies, cultural studies, communication studies, research methods, and sociology. This book was originally published as a special issue of Continuum: Journal of Media & Cultural Studies.

Many users of the Internet are aware of bots: automated programs that work behind the scenes to come up with search suggestions, check the weather, filter emails, or clean up Wikipedia entries. More recently, a new software robot has been making its presence felt in social media sites such as Facebook and Twitter – the socialbot. However, unlike other bots, socialbots are built to appear human. While a weatherbot will tell you if it's sunny and a spambot will incessantly peddle Viagra, socialbots will ask you questions, have conversations, like your posts, retweet you, and become your friend. All the while, if they're well-programmed, you won't know that you're tweeting and friending with a robot. Who benefits from the use of software robots? Who loses? Does a bot deserve rights? Who pulls the strings of these bots? Who has the right to know what about them? What does it mean to be intelligent? What does it mean to be a friend? Socialbots and Their Friends: Digital Media and the Automation of Sociality is one of the first academic collections to critically consider the socialbot and tackle these pressing questions.