Rodrigo Moura – författare

New interpretations of the Brazilian master's symbolic repertoire and towering sculptural achievementsPublished with KMEC Books/Ubu.This richly illustrated volume explores the work of the Afro-Brazilian sculptor, writer and cultural advocate Mestre Didi (1917–2013), uniting more than 60 of his sculptures, offering a rare view of his far-reaching spiritual and artistic legacy, and contextualizing his aesthetic innovations within the prevailing discourses of Brazilian modern art. Over the course of his career, from the 1960s until the 2010s, Mestre Didi was a visionary emissary for Candomblé, an Afro-diasporic religion that developed in Brazil as formerly enslaved Africans handed down their Yoruba spiritual practices. He was perhaps the first artist to reimagine Candomblé ritual objects as artworks in their own right. The book includes key selections of Didi's own writings and research, made available in English for the first time, and reproductions of archival material documenting his early life, exhibitions, travels and work as a spiritual leader.

Published on the occasion of the Museo de Arte Latinoamericano de Buenos Aires's (MALBA) twenty-fifth anniversary, Latin American Art presents the MALBA–Costantini Collection through a chronological structure of five chapters, tracing artistic developments from the early Latin American avant-garde to contemporary practice.Since its inception in 2001, when founder Eduardo F. Constantini donated over two hundred pieces from his personal collection, the Museo de Arte Latinoamericano de Buenos Aires (MALBA) has become a leading institution for the study and presentation of modern and contemporary Latin American art. Today, the museum operates as a dynamic cultural center, housing more than seven hundred works of art by artists from Argentina, Uruguay, Brazil, Mexico, Ecuador, Cuba, Colombia, Venezuela, and Chile, among other countries. MALBA's holdings have recently expanded to include over one thousand additional works by over one hundred artists, with Constantini acquiring the entire Daros Latinamerica Collection in one of the most significant institutional acquisitions of Latin American art in decades.Featuring painting, sculpture, photography, works on paper, and new media, this volume includes key works by artists such as Frida Kahlo, Diego Rivera, Tarsila do Amaral, Wifredo Lam, Antonio Berni, Xul Solar, Joaquín Torres-García, Lygia Clark, León Ferrari, Doris Salcedo, and others. Nineteen newly commissioned essays by leading scholars provide critical perspectives on the collection’s historical scope, cultural contexts, and ongoing relevance, alongside an introduction examining Constantini's vision.