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Brazilian artist Amadeo Luciano Lorenzato (1900–95) created thousands of paintings documenting everyday subjects in his hometown of Belo Horizonte, Brazil, including landscapes, favelas and the people that inhabited them. This essential monograph on the artist reproduces over 200 works alongside archival documents and photographs.
410 kr
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New interpretations of the Brazilian master's symbolic repertoire and towering sculptural achievementsPublished with KMEC Books/Ubu.This richly illustrated volume explores the work of the Afro-Brazilian sculptor, writer and cultural advocate Mestre Didi (1917–2013), uniting more than 60 of his sculptures, offering a rare view of his far-reaching spiritual and artistic legacy, and contextualizing his aesthetic innovations within the prevailing discourses of Brazilian modern art. Over the course of his career, from the 1960s until the 2010s, Mestre Didi was a visionary emissary for Candomblé, an Afro-diasporic religion that developed in Brazil as formerly enslaved Africans handed down their Yoruba spiritual practices. He was perhaps the first artist to reimagine Candomblé ritual objects as artworks in their own right. The book includes key selections of Didi's own writings and research, made available in English for the first time, and reproductions of archival material documenting his early life, exhibitions, travels and work as a spiritual leader.
473 kr
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Published on the occasion of the museum’s twenty-fifth anniversary, this volume presents the MALBA–Costantini Collection through a chronological structure of five chapters, tracing artistic developments from the early Latin American avant-garde to contemporary practice. Featuring painting, sculpture, photography, works on paper, and new media, the book includes key works by artists such as Frida Kahlo, Diego Rivera, Tarsila do Amaral, Wifredo Lam, Antonio Berni, Xul Solar, Joaquín Torres-García, Lygia Clark, León Ferrari, Doris Salcedo, and others. Nineteen newly commissioned essays by leading scholars provide critical perspectives on the collection’s historical scope, cultural contexts, and ongoing relevance, alongside an introduction examining Constantini's vision.